A Thousand Moons
(Sprache: Englisch)
From the Costa Book of the Year-winning author of Days Without End
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From the Costa Book of the Year-winning author of Days Without End
Klappentext zu „A Thousand Moons “
From the Costa Book of the Year-winning author of Days Without EndEven when you come out of bloodshed and disaster in the end you have got to learn to live.
Winona is a young Lakota orphan adopted by former soldiers Thomas McNulty and John Cole.
Living with Thomas and John on the farm they work in 1870s Tennessee, she is educated and loved, forging a life for herself beyond the violence and dispossession of her past. But the fragile harmony of her unlikely family unit, in the aftermath of the Civil War, is soon threatened by a further traumatic event, one which Winona struggles to confront, let alone understand.
Told in Sebastian Barry's rare and masterly prose, A Thousand Moons is a powerful, moving study of one woman's journey, of her determination to write her own future, and of the enduring human capacity for love.
'Nobody writes like, nobody takes lyrical risks like, nobody pushes the language, and the heart, and the two together, quite like Sebastian Barry does.' ALI SMITH
Autoren-Porträt von Sebastian Barry
Sebastian Barry was born in Dublin in 1955. The 2018-21 Laureate for Irish Fiction, his novels have twice won the Costa Book of the Year award, the Independent Booksellers Award and the Walter Scott Prize. He had two consecutive novels shortlisted for the Man Booker Prize, A Long Long Way (2005) and the top ten bestseller The Secret Scripture (2008), and has also won the Kerry Group Irish Fiction Prize, the Irish Book Awards Novel of the Year and the James Tait Black Memorial Prize. He lives in County Wicklow.
Bibliographische Angaben
- Autor: Sebastian Barry
- 2020, Export, 272 Seiten, Maße: 15,2 x 23,3 cm, Kartoniert (TB), Englisch
- Verlag: Faber & Faber, London
- ISBN-10: 0571333389
- ISBN-13: 9780571333387
- Erscheinungsdatum: 04.03.2020
Sprache:
Englisch
Pressezitat
Nobody writes like, nobody takes lyrical risks like, nobody pushes the language, and the heart, and the two together, quite like Sebastian Barry does. Ali Smith
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