After Ever Happy
A Novel
(Sprache: Englisch)
"Tessa and Hardin have had enough surprises. Their bond is stronger than ever, but every new challenge they face shakes their foundation--and Hardin's impenetrable faocade--to the core. As the shocking truth about each of their families emerges, it's clear...
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"Tessa and Hardin have had enough surprises. Their bond is stronger than ever, but every new challenge they face shakes their foundation--and Hardin's impenetrable faocade--to the core. As the shocking truth about each of their families emerges, it's clear the two lovers are not so different from each other. Tessa is no longer the sweet, simple, good girl she was when she met Hardin--any more than he is the cruel, moody boy she fell so hard for. Tessa understands all the troubling emotions brewing within Hardin, and she knows she's the only one who can calm him when he erupts. He needs her. But the more layers of his past that come to light, the darker he grows, and the harder he pushes Tessa--and everyone else in his life--away. After all this time, Tessa's not sure if she really can save him--not without sacrificing herself. Is love worth losing her identity? She refuses to go down without a fight. But who is she really fighting for--Hardin or herself?" -- p. [4] of cover
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After Ever Happy chapter one
TESSA
That's impossible."
I stand but quickly sit back down on the bench when the grass underneath me seems to sway unsteadily. The park is filling with people now. Families with small children, balloons and presents in their arms despite the cold weather.
"It's true, Hardin is Christian's son," Kimberly says, her blue eyes bright and focused.
"But Ken . . . Hardin looks just like him." I remember the first time I met Ken Scott, inside a yogurt shop. I immediately knew he was Hardin's father; his dark hair and his height brought me to the easy conclusion.
"Does he? I don't really see it, except the hair color. Hardin has the same eyes as Christian, the same facial structure."
Does he? I struggle to picture the three faces. Christian has dimples like Hardin and the same eyes . . . but it just doesn't make sense: Ken Scott is Hardin's father-he has to be. Christian looks so young compared to Ken. I know they're the same age, but Ken's alcoholism took its toll on his appearance. He's still a handsome man, but you can see where the liquor has aged him.
"This is . . ." I struggle for words and air.
Kimberly looks at me apologetically. "I know. I've wanted to tell you so bad. I hated keeping this from you, but it wasn't my place." She puts her hand on mine and squeezes gently. "Christian assured me that as soon as Trish gave him permission, he would tell Hardin."
"I just . . ." I take a deep breath. "That's what Christian is doing? Telling Hardin now?" I stand up again and Kimberly's hand drops away. "I have to go to him. He is going to-" I can't even begin to fathom how Hardin will react to the news, especially after finding Trish and Christian together last night. This will be too much for him.
"He is." Kim sighs. "Trish hasn't agreed fully, but Christian said she was close enough and things were getting out of hand."
As I pull out my phone, my only thought is that I can't believe Trish would
... mehr
hide this from Hardin. I had thought more of her, much more as a mother, and now I feel as if I've never met the woman.
My phone is already pressed to my cheek, Hardin's line ringing in my ear, when Kimberly says, "I told Christian that he shouldn't separate you two when he told Hardin, but Trish recommended that if he does it, he needed to do it alone . . ." Kimberly's mouth presses into a hard line, and she looks around the park, then up at the sky.
I reach the dull tone of the automated system on Hardin's voicemail. I dial again while Kimberly sits silently, only to get his voicemail for the second time. I shove my phone into my back pocket and start wringing my hands. "Can you take me to him, Kimberly? Please?"
"Yes. Of course." She jumps to her feet, calling for Smith.
Watching the little kid walk toward us with what I can only call a cartoon butler's stride, it occurs to me that Smith is Christian's son . . . and Hardin's brother. Hardin has a little brother. And then I think about Landon . . . what does it mean for Landon and Hardin? Will Hardin want anything to do with him now that he doesn't have a real family tie to him? And Karen, what about sweet Karen and her baked goods? Ken-what about the man who tries so hard to make up for the terrible childhood of a boy who isn't his son. Does Ken know? My head is spinning, and I need to see Hardin. I need to make sure that he knows I am here for him, and we will figure this out together. I can't imagine how he feels right now; he must be so overwhelmed.
"Does Smith know?" I ask.
After a few beats of silence, Kimberly says, "We thought he did because of the way he is with Hardin, but he couldn't possibly."
I feel for Kimberly. She already had to deal with her fiancé's infidelity, and now this. When Smith g
My phone is already pressed to my cheek, Hardin's line ringing in my ear, when Kimberly says, "I told Christian that he shouldn't separate you two when he told Hardin, but Trish recommended that if he does it, he needed to do it alone . . ." Kimberly's mouth presses into a hard line, and she looks around the park, then up at the sky.
I reach the dull tone of the automated system on Hardin's voicemail. I dial again while Kimberly sits silently, only to get his voicemail for the second time. I shove my phone into my back pocket and start wringing my hands. "Can you take me to him, Kimberly? Please?"
"Yes. Of course." She jumps to her feet, calling for Smith.
Watching the little kid walk toward us with what I can only call a cartoon butler's stride, it occurs to me that Smith is Christian's son . . . and Hardin's brother. Hardin has a little brother. And then I think about Landon . . . what does it mean for Landon and Hardin? Will Hardin want anything to do with him now that he doesn't have a real family tie to him? And Karen, what about sweet Karen and her baked goods? Ken-what about the man who tries so hard to make up for the terrible childhood of a boy who isn't his son. Does Ken know? My head is spinning, and I need to see Hardin. I need to make sure that he knows I am here for him, and we will figure this out together. I can't imagine how he feels right now; he must be so overwhelmed.
"Does Smith know?" I ask.
After a few beats of silence, Kimberly says, "We thought he did because of the way he is with Hardin, but he couldn't possibly."
I feel for Kimberly. She already had to deal with her fiancé's infidelity, and now this. When Smith g
... weniger
Autoren-Porträt von Anna Todd
Anna Todd (writer/producer/influencer) is the New York Times bestselling author of the After series, the Brightest Stars trilogy, The Spring Girls, and the After graphic novels. The After series has been released in thirty-five languages and has sold over twelve million copies worldwide—becoming a #1 bestseller in several countries. Always an avid reader, Todd began writing stories on her phone through Wattpad, with After becoming the platform’s most-read series with over two billion reads. She has served as a producer and screenwriter on the film adaptations of After and After We Collided, and in 2017, she founded the entertainment company Frayed Pages Media to produce innovative and creative work across film, television, and publishing. A native of Ohio, she lives with her family in Los Angeles.
Bibliographische Angaben
- Autor: Anna Todd
- 2015, 512 Seiten, Maße: 13,4 x 20,8 cm, Kartoniert (TB), Englisch
- Verlag: Simon & Schuster US
- ISBN-10: 1501106406
- ISBN-13: 9781501106408
- Erscheinungsdatum: 07.04.2015
Sprache:
Englisch
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