Boundaries, Passages, Transitions

Irish Studies in Europe is the title of a series of publications in Irish Studies whose thematic and methodological range goes well beyond literary studies to include aspects of cultural studies in the broadest sense. The main emphasis is, of course, on the island of Ireland (the Republic of Ireland and Northern Ireland) as well as the Irish diaspora in all aspects of society, history, culture, literature, the arts, and the media.

The "European" dimension suggested by the series title is an indication of a prioritised, but by no means exclusive, concentration on (mainland) European perspectives on Irish Studies. It is hoped that such an "etic" approach, as it were, may contribute a special dimension to the progress of Irish Studies at large and document the variety of European traditions of Irish Studies as inter- and multi-disciplinary fields of research, study, and teaching. Thus, the programme of this series is a deliberate reflection of the objectives of The European Federation of Associations and Centres of Irish Studies (EFACIS), under whose aegis the series is published.

Contents:
Boundaries, Passages, Transitions: An Introduction (Hedwig Schwall) - Going Global? (Declan Kiberd) - "Ungenerous, though not mean": Scheme for the Purchase of Evacuated Dwellings (Katherine Side) - Performing Belfast: Stewart Parker's Northern Star (1984) and Pentecost (1987) (Stefanie Lehner) - "Beyond the Troubles": Parody and the Northern Irish Thriller in Ceasefire Cinema (Stephanie Schwerter) - Gaelic games and the films of John Ford (Seán Crosson) - Intermedial Drama and the Commodification of Irish Identities (Jochen Achilles) - "Did you like how I made that turn, Officer?": Martin McDonagh's Hangmen (Ondrej Pilný) - Martin McDonagh's Epistemological Instability: The Noose of Hangmen (Joan FitzPatrick Dean) - Post-Celtic Tiger Crisis Genderized and the Escape to Virtual Realities in Nancy Harris'sNo Romance (Mária Kurdi) - Another Listen to