Bubblegum
A Novel
(Sprache: Englisch)
"Adam Levin is one of our wildest writers and our funniest, and Bubblegum is a dazzling accomplishment of wit and inventiveness." George Saunders
"Levin's brains may have earned him a cult...but here he swells to a democratic reach. Give him a...
"Levin's brains may have earned him a cult...but here he swells to a democratic reach. Give him a...
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"Adam Levin is one of our wildest writers and our funniest, and Bubblegum is a dazzling accomplishment of wit and inventiveness." George Saunders "Levin's brains may have earned him a cult...but here he swells to a democratic reach. Give him a try sometime. His gate s wide open. Garth Risk Hallberg, The New York Times Book Review
The astonishing new novel by the NYPL Young Lions Fiction Award-winning author of The Instructions.
Bubblegum is set in an alternate present-day world in which the Internet does not exist, and has never existed. Rather, a wholly different species of interactive technology--a "flesh-and-bone robot" called the Curio--has dominated both the market and the cultural imagination since the late 1980s. Belt Magnet, who as a boy in greater Chicago became one of the lucky first adopters of a Curio, is now writing his memoir, and through it we follow a singular man out of sync with the harsh realities of a world he feels alien to, but must find a way to live in.
At age thirty-eight, still living at home with his widowed father, Belt insulates himself from the awful and terrifying world outside by spending most of his time with books, his beloved Curio, and the voices in his head, which he isn't entirely sure are in his head. After Belt's father goes on a fishing excursion, a simple trip to the bank escalates into an epic saga that eventually forces Belt to confront the world he fears, as well as his estranged childhood friend Jonboat, the celebrity astronaut and billionaire.
In Bubblegum, Adam Levin has crafted a profoundly hilarious, resonant, and monumental narrative about heartbreak, longing, art, and the search for belonging in an incompatible world. Bubblegum is a rare masterwork of provocative social (and self-) awareness and intimate emotional power.
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Jonboat SayGrowing up, I d heard, Shut your piehole, cakeface, a couple or three times a week from my father. The piehole thats shutting he d demand was rarely mine, though. It usually belonged to someone well outside shouting range as frequently a radio- or television newsman as a bested foe in a dinner table anecdote of everyday interpersonal victory and never to my mother. She d never been a cakeface. Not to my father or me at least. Nor had she ever used the saying herself, and, after she was gone, I wondered what, if anything, that might have meant. Except for when she d hear it from my father s mother, who d put a bite behind the piehole that somehow made it sharper than whatever slur the cakeface was being used to euphemize, the saying seemed always to incite her to smile, yet I may have been too young to distinguish true amusement from motherly indulgence. I may have been too young to tell a smile from a smirk.
Come to think of it, I can t recall my mother ever smirking.
But all of this to say that while Jonny Jonboat Pellmore-Jason, by eventually having made it his catchphrase, popularized Shut your piehole, cakeface, it had been ours first. My family s. We Magnets . He learned it from me.
There used to be a couple of tetherball courts in the middle of the playground next door to our house, and one day, around the start of seventh grade, Blackie Buxman and I were facing off on one of them, playing best-of-nine for a soda and chips, when Jonboat, who d moved to town a week earlier, declared his intention to challenge the winner. Buxman wouldn t rob liquor stores for years yet. He was, at that time, our school s starting pitcher and basketball center. I lacked strength and was average of stature. My competitive streak was the width of a noodle. Having grown up so close to the playground, however, I dominated foursquare and tetherball the both. Blackie must have forgotten, or maybe never known. When I beat him five-zip, he evinced disbelief. He
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said, No way, then spoke to me rudely. Go assfuck a swingset, you psycho, he said.
That cut me a little, but I came back fast. I said, Fetch me my cold Cherry Coke and Pringles. In the meantime, though, shut your piehole, cakeface.
Jonboat laughed.
The crowd around the court took a couple steps back, alarmed and confused. I possessed at that time a fair-size, however provisional measure of blacksheepish cool, and so was someone who d have normally been able to get away with wising off to Buxman in response to a slight it would have looked like we were riffing but Jonboat s laughter bent the social calculus. No one quite understood where he fit yet. Girls seemed to like him. He was certainly big. His father was Jon Jon-Jon Jason, and his granddad Hubert All Hell Pellmore. Nevertheless, Jonboat was the new kid; the new, rich, blond kid. He didn t have friends, or we were, all of us, his friends none of us were sure. For all we knew, Jonboat was too blond and rich was that a thing? It seemed like it could be and it seemed like it couldn t. Did he have the right to laugh at Blackie s expense, though? And if he had the right to laugh at Blackie s expense, did I have the right to get credit for his laughter? Did Blackie Buxman have to save face?
Blackie thought he did. So it was Jonboat or me. Someone had to hurt. I was the easy choice, and Blackie liked it easy, simple as that. He stepped in my direction. Jonboat shoved him sideways. Blackie reached for Jonboat, and Jonboat smashed his nose.
You ll pay, Blackie said.
Shut your piehole-cakeface, gaylord, said Jonboat.
Blackie loped home without buying me snacks. Jonboat round
That cut me a little, but I came back fast. I said, Fetch me my cold Cherry Coke and Pringles. In the meantime, though, shut your piehole, cakeface.
Jonboat laughed.
The crowd around the court took a couple steps back, alarmed and confused. I possessed at that time a fair-size, however provisional measure of blacksheepish cool, and so was someone who d have normally been able to get away with wising off to Buxman in response to a slight it would have looked like we were riffing but Jonboat s laughter bent the social calculus. No one quite understood where he fit yet. Girls seemed to like him. He was certainly big. His father was Jon Jon-Jon Jason, and his granddad Hubert All Hell Pellmore. Nevertheless, Jonboat was the new kid; the new, rich, blond kid. He didn t have friends, or we were, all of us, his friends none of us were sure. For all we knew, Jonboat was too blond and rich was that a thing? It seemed like it could be and it seemed like it couldn t. Did he have the right to laugh at Blackie s expense, though? And if he had the right to laugh at Blackie s expense, did I have the right to get credit for his laughter? Did Blackie Buxman have to save face?
Blackie thought he did. So it was Jonboat or me. Someone had to hurt. I was the easy choice, and Blackie liked it easy, simple as that. He stepped in my direction. Jonboat shoved him sideways. Blackie reached for Jonboat, and Jonboat smashed his nose.
You ll pay, Blackie said.
Shut your piehole-cakeface, gaylord, said Jonboat.
Blackie loped home without buying me snacks. Jonboat round
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Autoren-Porträt von Adam Levin
ADAM LEVIN is the author of The Instructions and Hot Pink. He has been a New York Public Library Young Lions Fiction Award winner, a recipient of a National Endowment for the Arts fellowship, and a National Jewish Book Award finalist. A longtime Chicagoan, Levin currently lives in Gainesville, Florida.
Bibliographische Angaben
- Autor: Adam Levin
- 2021, 784 Seiten, Maße: 15,5 x 23,4 cm, Kartoniert (TB), Englisch
- Verlag: ANCHOR
- ISBN-10: 0525566481
- ISBN-13: 9780525566489
- Erscheinungsdatum: 30.03.2021
Sprache:
Englisch
Pressezitat
Named a Most Anticipated Book of 2020 by The Boston Globe and The Chicago Tribune Admirably bonkers and fitfully phenomenal. . .As Levin s previous novel, The Instructions, demonstrated even more amply (at 1,000-plus pages), you don t come to this writer for elegance of proportion. You come for comedy, for sensibility, for style; and in this sense Bubblegum is prodigiously sustaining. . .Levin can make the kitchen-sink ambition of midcentury postmodernism feel positively new, bidding fair for the maximalist mantle of a Pynchon or a Stanley Elkin. But Levin s consuming interest in everyday subjectivity equally pulls in the direction of minimalism; what engorges the sentences here is actually the kitchen sink of consciousness. . .When it s humming, the pileup of plenitude and emptiness is as future-perfect as the Curio itself, the sound of the day after tomorrow Levin s faith in his flesh-and-bone robots yields a stunning transubstantiation. . .[His] brains may have earned him a cult like Belt s, but here he swells to a democratic reach. Give him a try sometime. His gate s wide open. Garth Risk Hallberg, The New York Times Book Review
Delightful. . .As funny, sad, compelling and exhilarating as anything on the internet or IRL. . .Levin unspools a story that dramatizes thinking to an extent that thought itself becomes as riveting as plot, but in which there s also actual plot in abundance. The Chicago Tribune
Fantastic. . .Deeply reimagines our world for better or worse. . .Huge and deep and dark and hilarious and trenchant and powerful and complex. The Austin Chronicle
Levin is one of our wildest writers and our funniest, and Bubblegum is a dazzling accomplishment of wit and inventiveness an irrepressible and insanely entertaining examination of our obsessive culture that doesn t forget to be fond of that which it is satirizing. Levin s keen and ornery mind, reveling
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in the world with vast energy, shows us new ways of loving it. George Saunders, author of the Booker Prize-winning Lincoln in the Bardo
Perfect. . .While reveling in absurd premises and sophomoric humor, Bubblegum is, more than anything, a considered look at the human capacity for cruelty. [Levin] is known for his inventively frattish dialogue, inserts of transcripts and instruction manuals and neo-Jamesian and at times even Joycean sentence structure, all of which are on full display in his new venture. Forward
Tantalizing. The Boston Globe
Adam Levin s brilliant, inventive, fully imagined alternative world gives us insight and clarity about the actual world we live in. We are implicated, warned, but what a hilarious ride. Bubblegum is a wild, ambitious, and original novel. Levin is a wonder. Dana Spiotta, author of NBCC finalist Stone Arabia and NBA finalist Eat the Document
Monumentally imaginative. . .Levin s vibrant voice is unlike anyone else in contemporary fiction. . .Breathtakingly bizarre, this relentlessly inventive novel teems with humanity, humor, and pathos like few other recent works and is a book many will obsess over and delight in. Booklist, starred review
With Bubblegum, Adam Levin has created a cubist painting about consumerism, fetishization, and the increasingly blurred line between life and advertisement in a hyper-materialist, post-IRL society. Levin masterfully creates a world without the internet to examine the impact and insanity it has sewn into the American project, and he does so while gleefully skewering our unraveling vernacular. A freaky marvel of a tome. Catherine Lacey, author of Certain American States, The Answers and Nobody is Ever Missing
Funny. . .moving. . .Levin creates a fascinating world with a wild and often touching coming-of-age story at its center. Publishers Weekly
Levin is the new Mailer. Think The Naked and The Dead, remove World War II, insert the war we are in now; up the introspection, lower the Nobel posturing (Bubblegum!) and the pontificating of the self, keep the outsized ambition, make the damned book even larger. One wonders how the Mailer vacuum went empty this long. This is ambition and large-statement talent. The precision of the errancy is thrilling. This son of a bitch is perfect. Padgett Powell, author of You & Me
Bubblegum is startling. Ingenious in its form and meaning-making. Levin gives you everything. A hilarious and serious meditation on what we might become. To paraphrase one of its characters, the novel makes me feel understood. Salvador Plascencia, author of The People of Paper
A book may be said to be a kind of fist, and the readers of such a fist-book as Bubblegum can surely not predict or prepare for the ecstatic bewilderment of the encounter, particularly when they are greeted in the depths of it by long-form theoretical analysis of their plight. Jesse Ball, author of Census
Perfect. . .While reveling in absurd premises and sophomoric humor, Bubblegum is, more than anything, a considered look at the human capacity for cruelty. [Levin] is known for his inventively frattish dialogue, inserts of transcripts and instruction manuals and neo-Jamesian and at times even Joycean sentence structure, all of which are on full display in his new venture. Forward
Tantalizing. The Boston Globe
Adam Levin s brilliant, inventive, fully imagined alternative world gives us insight and clarity about the actual world we live in. We are implicated, warned, but what a hilarious ride. Bubblegum is a wild, ambitious, and original novel. Levin is a wonder. Dana Spiotta, author of NBCC finalist Stone Arabia and NBA finalist Eat the Document
Monumentally imaginative. . .Levin s vibrant voice is unlike anyone else in contemporary fiction. . .Breathtakingly bizarre, this relentlessly inventive novel teems with humanity, humor, and pathos like few other recent works and is a book many will obsess over and delight in. Booklist, starred review
With Bubblegum, Adam Levin has created a cubist painting about consumerism, fetishization, and the increasingly blurred line between life and advertisement in a hyper-materialist, post-IRL society. Levin masterfully creates a world without the internet to examine the impact and insanity it has sewn into the American project, and he does so while gleefully skewering our unraveling vernacular. A freaky marvel of a tome. Catherine Lacey, author of Certain American States, The Answers and Nobody is Ever Missing
Funny. . .moving. . .Levin creates a fascinating world with a wild and often touching coming-of-age story at its center. Publishers Weekly
Levin is the new Mailer. Think The Naked and The Dead, remove World War II, insert the war we are in now; up the introspection, lower the Nobel posturing (Bubblegum!) and the pontificating of the self, keep the outsized ambition, make the damned book even larger. One wonders how the Mailer vacuum went empty this long. This is ambition and large-statement talent. The precision of the errancy is thrilling. This son of a bitch is perfect. Padgett Powell, author of You & Me
Bubblegum is startling. Ingenious in its form and meaning-making. Levin gives you everything. A hilarious and serious meditation on what we might become. To paraphrase one of its characters, the novel makes me feel understood. Salvador Plascencia, author of The People of Paper
A book may be said to be a kind of fist, and the readers of such a fist-book as Bubblegum can surely not predict or prepare for the ecstatic bewilderment of the encounter, particularly when they are greeted in the depths of it by long-form theoretical analysis of their plight. Jesse Ball, author of Census
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