Critical Distance in Documentary Media

1. Introduction: Critically Distant, Gerda Cammaer, Blake Fitzpatrick, and Bruno Lessard.- 2. Indexicality in the Age of the Sensor and Metadata, Craig Hight.- 3. Shot in the Dark: Nocturnal Philosophy and Night Photography, Bruno Lessard.- 4. Approaches to Xianchang: Documenting the Real in Post-socialist China, Madeline Eschenburg.- 5. Ai Weiwei: Grafting as a Documentary Tactic in Art, Luisa Santos.- 6. Unsatisfactory Devices: Legacy and the Un-Documentable in Art, Angela Bartram.- 7. From Above: Critical Distance, Aerial Views and Counter-Images, Blake Fitzpatrick.- 8. Phantom Rides as Images of a World Unfolding, Gerda Cammaer.- 9. Mobile Media: A Reliable Documentary Witness?, Anandana Kapur.- 10. Redefining the 'Document': Social-Media Photographs as Narrative, Performance, Habitude, Kris Belden-Adams.- 11. Instagram as Archive: Constructing Experimental Documentary Narratives from Everyday Moments, Patrick Kelly.- 12. That Seagull Stole My Camera (and My Shot)!: Overlapping Metaphorical and Physical Distances in the Human-Animal-Camera Triad, Concepción Cortés-Zulueta.- 13. Longitudinal Listening: Documenting the Soundscape of Intermedial Vancouver, Randolph Jordan.- 14. From Voice to Listening: Becoming Implicated Through Multi-linear Documentary, Kim Munro.- From Critical Distance to Critical Intimacy: Interactive Documentary and Relational Media, Adrian Miles, with Bruno Lessard, Hannah Brasier and Franziska Weidle.

Gerda Cammaer is Associate Professor in the School of Image Arts at Ryerson University, Canada, and is co-director of the Documentary Media Research Centre. She is a filmmaker, the co-author of Forbidden Love (2016), and the co-editor of Cinephemera: Archives, Ephemeral Cinema, and New Screen Histories in Canada (2014).
Blake Fitzpatrick is Professor and Chair in the School of Image Arts at Ryerson University, Canada, and is co-director of the Documentary Media Research Centre. His research examines war and conflict representation in documentary works, and his visual work has been exhibited in Canada and internationally.
Bruno Lessard is Associate Professor in the School of Image Arts at Ryerson University, Canada. He is a photographic artist and the author of The Art of Subtraction: Digital Adaptation and the Object Image (2017).