Cultural Phylogenetics

Intro: The use of cultural phylogenetics in archaeological and anthropological research. Author 1: Larissa Mendoza Straffon Contact: l.mendoza@hum.leidenuniv.nl Part I: Conceptualizing Cultural Evolution: Units, Levels and Mechanisms 1.Development and degeneration: Classification and evolution of human populations and languages in the history of anthropology. Author 1: Matthis Krischel Affiliation: Aachen University Author 2: Frank Kressing Affiliation: Ulm University Contact: frank.kressing@uni-ulm.de 2. An epistemological analysis of tree and network thinking in the sociocultural sciences. Author 1: Nathalie Gontier Affiliation: University of Lisbon Contact: nlgontier@fc.ul.pt 3. What are the implications of a Lamarckian component for the evolution of material culture? Author 1: Eugenio Bortolini Affiliation: Department of Biological, Geological and Environmental Sciences, University of Bologna Enrico Crema Contact: e.bortolini@ucl.ac.uk Author 2: Enrico Crema Affiliation: The Institute of Archaeology, UCL Author 3: Mark Lake Affiliation: The Institute of Archaeology, UCL 4.Interdemic selection, social hierarchy, and the cascade effect in cultural evolution: an approach from archaeology. Author 1: Daniel García Rivero Affiliation: Department of Prehistory and Archaeology, University of Seville Contact: garciarivero@us.es 5. A developmental approach to ancient innovation: the potter's wheel in the Bronze Age east Mediterranean. Author 1: Carl Knappett Affiliation: University of Toronto Contact:carl.knappett@utoronto.ca Author 2: Sander van der Leeuw Affiliation: Arizona State University 6.The importance of a "quantitative genetic" approach to the evolution of artefact morphological traits Author 1: Stephen J. Lycett Affiliation: University at Buffalo, SUNY Contact: S.J.Lycett@kent.ac.uk Part II: Tree and Network-based Phylogenetic Models in Archeology and Anthropology 7. Family resemblances in shell faces: A 2-mode network study of homogeneity and diversityin

Larissa Mendoza Straffon is an archaeologist and art scholar. She holds a PhD from the Leiden University Centre for the Arts in Society, in The Netherlands. Her research focuses on the relationship between visual art and human evolution, and prehistoric art traditions. She is a specialist in the Archaic Great Mural rock art tradition of Baja California, Mexico, the development of art in the European Paleolithic, and World Art History. Her fieldwork experience includes important archaeological sites such as the cave of Hohle Fels, in Germany, and the UNESCO-listed Mexican sites of Teotihuacán and Sierra de San Francisco. Mendoza Straffon is an active member of the Mexican Rock Art Association and the Dutch Postgraduate School for Art History. She has held appointments at the Escuela Nacional de Antropología e Historia, in Mexico; the Art History Department of Leiden University, in The Netherlands; Leiden University College The Hague; and the Applied Evolutionary Epistemology Lab at the Centre for Philosophy of Science, in the University of Lisbon, Portugal.

"Larissa Mendoza Straffon's volume is a timely and welcome addition to the Interdisciplinary Evolution Research series ... . This state of affairs makes Mendoza Straffon's volume path-breaking and of great value in calling attention to and then applying phylogenetic methods in a variety of settings in archeology. ... a volume that others can use to inspire their own phylogenetic investigations in archeology." (Mark Pagel, The Quarterly Review of Biology, Vol. 92 (4), December, 2017)"Cultural Phylogenetics: Concepts and Applications in Archaeology ... assembles seven articles dealing both theoretically and practically with the prospects and challenges of phylogenetic methods in archaeology. ... I consider the book to be an interesting contribution, worth being read by everyone who is interested in quantitative methods applied to historical sciences." (Johann-Mattis List, Systematic Biology, September, 2016)