Expanding the Parameters of Feminist Artivism

Part 1: Introduction.- 1 The Dinner Party in the Twenty-First Century: Setting a Larger Table for Women and Non-Binary/Third Gender Artists - Kyunghee Pyun, Associate Professor of History of Art at the Fashion Institute of Technology, State University of New York, USA.- Part 2: Countering Colonialism.- 2 Native Feminisms and Contemporary Art: Indigeneity, Gender, and Activism - Elizabeth S. Hawley, Visiting Assistant Professor in Art History/Visual Culture at Northeastern University, USA.- 3 Disrupting the Silence: Australian Aboriginal Art as a Political Act - Fiona Foley, PhD, artist, founding member of Boomalli Aboriginal Artist Co-operative, Australia.- Part 3: Against the Establishment.- 4 "Insanity Prize": Postwar Feminist Art in Cold War East Asia - Sooran Choi, Assistant Professor of Asian Studies at New York University, USA.- 5 From NonConformism to Feminisms: Russian Women Artists from the 1970s to Today - Natalia Kolodzei, curator and art historian, Executive Director of the Kolodzei Art Foundation, Russia.- 6 Liminal Space of Artnauts: Global Women Artists Historicize the DMZ in the Korean Peninsula - Joo Yeon Woo, Associate Professor of painting and mixed media at the University of South Florida's School of Art and Art History, USA and Sandy Lane, Associate Professor and Drawing Coordinator at Metropolitan State University of Denver, USA.- 7 From South Africa to Afghanistan and America: An Exploration of Female Street Artists and the Socially Disruptive Nature of their Work - Deborah Saleeby-Mulligan, PhD, Associate Professor of Visual Studies and Art History at Manhattanville College, USA.- Part 4: Dislocation and Migration.- 8 Yong Soon Min's Defining Moments Heartland: Gendered Space of Decolonization in the Pacific - Soojung Hyun, PhD, independent curator, USA.- 9 Sited Nomadism from

Gillian Hannum is Professor Emerita of Visual Studies and Art History at Manhattanville College in Purchase, New York, where she served on the faculty from 1987 to 2021.  A photographic historian with M.A. and Ph.D. degrees from The Pennsylvania State University, she has published on photographic topics in the Journal of the Royal Photographic Society, History of Photography, and Nineteenth Century, has contributed to several books and exhibition catalogs, and has presented papers or chaired panels at a number of conferences.  

Kyunghee Pyun is Associate Professor of History of Art at the Fashion Institute of Technology, State University of New York. She wrote Fashion, Identity, Power in Modern Asia (Palgrave Macmillan, 2018) and will publish School Uniforms in East Asia: Fashioning Statehood and Self in 2022. As an independent curator, she has collaborated withcontemporary artists for exhibitions such as Violated Bodies: New Languages for Justice and Humanity. Pyun co-edited Interpreting Modernism in Korean Art: Fluidity and Fragmentation (Routledge, 2021) and American Art in Asia: Artistic Praxis and Theoretical Divergence (Routledge, 2022).