First Person
(Sprache: Englisch)
Six weeks to write for your life... In this blistering story of a ghostwriter haunted by his demonic subject, the Man Booker Prize winner turns to lies, crime and literature with devastating effect
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Six weeks to write for your life... In this blistering story of a ghostwriter haunted by his demonic subject, the Man Booker Prize winner turns to lies, crime and literature with devastating effect
Klappentext zu „First Person “
As heard on BBC Radio 4's 'Book at Bedtime': the blistering story of a ghostwriter haunted by his demonic subject, the Man Booker Prize winner turns to lies, crime and literature with devastating effectA young and penniless writer, Kif Kehlmann, is rung in the middle of the night by the notorious con man and corporate criminal, Siegfried Heidl. About to go to trial for defrauding the banks of $700 million, Heidl proposes a deal: $10,000 for Kehlmann to ghostwrite his memoir in six weeks.
Kehlmann accepts but begins to fear that he is being corrupted by Heidl. As the deadline draws closer, he becomes ever more unsure if he is ghostwriting a memoir, or if Heidl is rewriting him-his life, his future. Everything that was certain grows uncertain as he begins to wonder: who is Siegfried Heidl-and who is Kif Kehlmann?
By turns compelling, comic and chilling, First Person is a haunting journey into the heart of our age.
Autoren-Porträt von Richard Flanagan
Flanagan, Richard Richard Flanagan was born in Tasmania in 1961. His novels Death of a River Guide, The Sound of One Hand Clapping, Gould's Book of Fish, The Unknown Terrorist, Wanting and The Narrow Road to the Deep North have received numerous honours and are published in 42 countries. He won the Man Booker Prize for The Narrow Road to the Deep North in 2014.
Bibliographische Angaben
- Autor: Richard Flanagan
- 2017, 400 Seiten, Maße: 15,4 x 23,3 cm, Kartoniert (TB), Englisch
- Verlag: Random House UK
- ISBN-10: 1784742201
- ISBN-13: 9781784742201
- Erscheinungsdatum: 17.10.2017
Sprache:
Englisch
Pressezitat
First Person is both comic and frightening. At times I caught a glimpse of Money-era Martin Amis in Flanagan's satirical asides on the Australian publishing industry... And there's a hint, too, of an epochal gloom that is redolent of the The Great Gatsby. Yet there are also passages touched with the virtuosity that shone so brightly in The Narrow Road that are pure Flanagan... Studded with sharp, breath-catching observations about the finite nature of life Carl Wilkinson Financial Times
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