France and Ireland in the Public Imagination

Contents: Pierre Joannon: The Influence of France on Ireland: Myth or Reality? - Mary Pierse: Seeing France: Varying Irish Perceptions at the Fin de Siècle - Anne Goarzin: Attractive Marginality: Irish Painters in Brittany in the 1880s - Michèle Milan: For the People, the Republic and the Nation: Translating Béranger in Nineteenth-Century Ireland - Michel Brunet: 'On the barricades': John Montague's Imaginary Representationof May '68 in The Pear is Ripe - Karine Deslandes: Ian Paisley: Generating French Perceptions of an Ulster Loyalist Leader - Eamon Maher: The Enfant Terrible of French Letters: Michel Houellebecq - Eugene O'Brien: Towards an Irish Republic: Cultural Critique and an Alternative Paradigm - Benjamin Keatinge: 'So much depends on a TV appearance': Popular and Performative Aspects of the Poetry of Brendan Kennelly - Conor Farnan: Chagall, Balthus, Picasso, Lascaux: French Influences on Paul Durcan's Engagement with the Irish Public Imagination - Dorothy Cashman: French Boobys and Good English Cooks: The Relationship with French Culinary Influence in Eighteenth- and Nineteenth-Century Ireland - Tara McConnell: Ireland in the Georgian Era: Was There Any Kingdom in Europe So Good a Customer at Bordeaux? - Brian Murphy: Exporting a 'Sense of Place': Establishment of Regional Gastronomic Identity Beyond National Borders.

Benjamin Keatinge teaches English Literature at South East European University, Macedonia, where he is Dean of the Faculty of Languages, Cultures and Communications. His primary research focus is Beckett studies but he has also published on modern Irish poetry, including essays on Richard Murphy, Harry Clifton, Pearse Hutchinson, Thomas MacGreevy and Brian Coffey.
Mary Pierse has been a post-doctoral research fellow at University College Cork, Ireland, where she taught in the School of English and on the Women's Studies MA programme. She has published on Irish feminisms, George Moore, fin-de-siècle literature and Franco-Irish cultural linkages.