French Braid
A novel
(Sprache: Englisch)
NEW YORK TIMES BESTSELLER From the beloved Pulitzer Prize winning author of A Spool of Blue Thread a funny, joyful, brilliantly perceptive journey deep into one Baltimore family s foibles, from a boyfriend with a red Chevy in the 1950s up to a longed-for...
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NEW YORK TIMES BESTSELLER From the beloved Pulitzer Prize winning author of A Spool of Blue Thread a funny, joyful, brilliantly perceptive journey deep into one Baltimore family s foibles, from a boyfriend with a red Chevy in the 1950s up to a longed-for reunion with a grandchild.A quietly subversive novel, tackling fundamental assumptions about womanhood, motherhood and female aging. The New York Times Book Review
The Garretts take their first and last family vacation in the summer of 1959. They hardly ever leave home, but in some ways they have never been farther apart. Mercy has trouble resisting the siren call of her aspirations to be a painter, which means less time keeping house for her husband, Robin. Their teenage daughters, steady Alice and boy-crazy Lily, could not have less in common. Their youngest, David, is already intent on escaping his family's orbit, for reasons none of them understand. Yet, as these lives advance across decades, the Garretts' influences on one another ripple ineffably but unmistakably through each generation.
Full of heartbreak and hilarity, French Braid is classic Anne Tyler: a stirring, uncannily insightful novel of tremendous warmth and humor that illuminates the kindnesses and cruelties of our daily lives, the impossibility of breaking free from those who love us, and how close yet how unknowable every family is to itself.
Lese-Probe zu „French Braid “
1THIS HAPPENED back in March of 2010, when the Philadelphia train station still had the kind of information board that clickety-clacked as the various gate assignments rolled up. Serena Drew stood directly in front of it, gazing intently at the listing for the next train to Baltimore. Why did they wait so long to post their gates here? In Baltimore, they told people farther ahead.
Her boyfriend was standing beside her, but he was more relaxed. Having sent a single glance toward the board, he was studying his phone now. He shook his head at some message and then flicked on down to the next one.
The two of them had just had Sunday lunch at James s parents house. It had been Serena s first meeting with them. For the past two weeks she had fretted about it, planning what to wear (jeans and a turtleneck, finally the regulation grad-student outfit, so as not to seem to be trying too hard) and scouring her mind for possible topics of conversation. But things had gone fairly well, she thought. His parents had greeted her warmly and asked her right away to call them George and Dora, and his mother was such a chatterbox that conversation had not been an issue. Next time, she d told Serena after the meal, you ll have to meet James s sisters too and their hubbies and their kiddies. We just didn t want to overwhelm you on your very first visit.
Next time. First visit. That had sounded encouraging.
Now, though, Serena couldn t even summon a sense of triumph. She was too limp with sheer relief; she felt like a wrung-out dishrag.
She and James had met at the start of the school year. James was so good-looking that she d been surprised when he suggested going for coffee after class. He was tall and lean, with a mop of brown hair and a closely trimmed beard. (Serena, on the other hand, came very close to plump, and her ponytail was almost the same shade of beige as her skin.) In seminars he had a way of lounging back in his seat, not taking notes or
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appearing to listen, but then he would pop up with something unexpectedly astute. She had worried he would find her dull by comparison. One-on-one, though, he turned out to be easy company. They went to a lot of movies together and to inexpensive restaurants; and her parents, who lived in town, had already had the two of them to dinner several times and said they liked him very much.
Philadelphia s train station was more imposing than Baltimore s. It was vast, with an impossibly high, coffered ceiling and chandeliers like upside-down skyscrapers. Even the passengers seemed a cut above Baltimore passengers. One woman, Serena saw, was followed by her own redcap wheeling a cartload of matching luggage. As Serena was admiring the luggage (dark-brown, gleaming leather, with brass fittings), she happened to notice a young man in a suit who had paused to let the cart roll past him. Oh, she said.
James looked up from his phone. Hmm?
I think that might be my cousin, she said in an undertone.
Where?
That guy in the suit.
You think it s your cousin?
I m not really sure.
They studied the man. He seemed older than they were, but not by much. (It might just have been the suit.) He had Serena s pale hair and her sharply peaked lips, but while her eyes were the usual Garrett-family blue, his were a pale, almost ethereal gray, noticeable even from several yards distance. He was staying where he was, looking up at the information board now, although the luggage cart had moved on.
It might be my cousin Nicholas, Serena said.
Maybe he just resembles Nicholas, James said. Seems to me if it was really him, you could say for certain. <
Philadelphia s train station was more imposing than Baltimore s. It was vast, with an impossibly high, coffered ceiling and chandeliers like upside-down skyscrapers. Even the passengers seemed a cut above Baltimore passengers. One woman, Serena saw, was followed by her own redcap wheeling a cartload of matching luggage. As Serena was admiring the luggage (dark-brown, gleaming leather, with brass fittings), she happened to notice a young man in a suit who had paused to let the cart roll past him. Oh, she said.
James looked up from his phone. Hmm?
I think that might be my cousin, she said in an undertone.
Where?
That guy in the suit.
You think it s your cousin?
I m not really sure.
They studied the man. He seemed older than they were, but not by much. (It might just have been the suit.) He had Serena s pale hair and her sharply peaked lips, but while her eyes were the usual Garrett-family blue, his were a pale, almost ethereal gray, noticeable even from several yards distance. He was staying where he was, looking up at the information board now, although the luggage cart had moved on.
It might be my cousin Nicholas, Serena said.
Maybe he just resembles Nicholas, James said. Seems to me if it was really him, you could say for certain. <
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Autoren-Porträt von Anne Tyler
ANNE TYLER was born in Minneapolis, Minnesota, in 1941 and grew up in Raleigh, North Carolina. She is the author of more than twenty novels. Her twentieth novel, A Spool of Blue Thread, was short-listed for the Man Booker Prize in 2015. Her eleventh novel, Breathing Lessons, was awarded the Pulitzer Prize in 1989. She is a member of the American Academy of Arts and Letters. She lives in Baltimore, Maryland.
Bibliographische Angaben
- Autor: Anne Tyler
- 2022, Maße: 12,9 x 14,8 cm, Englisch
- Verlag: Penguin Random House
- ISBN-10: 0593551621
- ISBN-13: 9780593551622
- Erscheinungsdatum: 04.05.2022
Sprache:
Englisch
Pressezitat
AN INSTANT NEW YORK TIMES BESTSELLERA NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE
Named Best Book of the Year by Oprah Daily NPR The Times
French Braid is a moving meditation on the passage of time . . . Five decades into her career, one gets the sense that Tyler is no longer quite so interested in the details. Instead, French Braid offers something subtler and finer, the long view on family . . . For all its charm, French Braid is a quietly subversive novel, tackling fundamental assumptions about womanhood, motherhood and female aging. Jennifer Haigh, New York Times Book Review (cover)
Brilliant . . . Captivating . . . The rich melody of French Braid offers the comfort of a beloved hymn . . . In novel after novel, Tyler catches the mingled strains of affection and exasperation that tie a family together, the love that persists somewhere between laughing and singing. Ron Charles, Washington Post
If Anne Tyler isn t the best writer in the world, who is? BBC Radio 4 Woman s Hour
Tyler s gift is that each story, each character is distinct, even as she builds on themes from one book to the next. NPR/All Things Considered
French Braid proves once again that nobody can write about small family moments quite like she can. Real Simple
Few writers are so widely loved and respected as the creator of family novels, a genre Tyler has perfected . . . Her fans will be delighted . . . This is Tyler at her most Tyler-ish. The Times (London)
Lovely . . . The characters hopes and struggles are relatable, and the novel shines with Tyler s signature compassion and comfort. TIME
Any Tyler book is a gift . . . Thoroughly enjoyable . . . Funny, poignant, generous, not shying away from death and disappointment but never doomy or overwrought, it suggests there s always new light to be shed, whatever the situation, with just another turn of
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the prism. Observer
The wonder of French Braid is the easygoing fluidity with which Tyler jumps and floats between characters and decades to create what in the end is a deftly crafted family portrait that spans some 70 years . . . We read in fascination. Christian Science Monitor
French Braid is a family saga of uncommon subtlety and grace, a novel which shows that, at 80, Anne Tyler is still amongst the very best writers around. The Spectator
Tender and acute . . . French Braid is a novel full of compassion for the human condition by a writer confident enough not to pin everything down and to trust her story to work its quiet magic. Financial Times
Full of piercing observation. Minneapolis Star Tribune
Subtle and powerful . . . A multi-layered and masterly exercise in sympathy and understanding. Times Literary Supplement
A beautiful novel of family life as it unfolds over the years . . . There are many authors today who try to emulate her technique, but none of them comes close to the lightness of touch, the accuracy of her ear, or the profundity of her vision . . . Perhaps [her novels] will eventually come to be seen as one vast, panoramic portrait of life in one particular place, at one particular time, as accurate and resonant as similar series by Balzac or Trollope. Daily Mail
Enchanting . . . Though centered in Baltimore, the story nonetheless reaches out beyond it, just as the characters, deceivingly simple, reveal truths about life that are anything but. Washington City Paper
Lushly imagined, psychologically intricate, virtually inhalable . . . At every leap, Tyler balances gracefully between tenderness and piquant humor, her insights into human nature luminous. Tyler is a phenomenon, each of her novels feels fresh and incisive, and this charming family tale will be honey for her fans. Booklist (starred)
Well-crafted . . . Affecting . . . As always, Tyler offers both comfort and surprise. Publishers Weekly
Entrancing . . . Nobody writes better about families than Anne Tyler . . . She has the lightest touch . . . Tyler has that rare ability to do much with what seems little, to bring the ordinary and usually unregarded lives of ordinary people to life and make them matter. The Scotsman
More lovely work from Tyler, still vital and creative . . . In her 24th novel, Tyler once again unravels the tangled threads of family life. This familiar subject always seems fresh in her hands because Tyler draws her characters and their interactions in such specific and revealing detail . . . [She] understands that the domestic world can contain the universe. Kirkus Reviews
The wonder of French Braid is the easygoing fluidity with which Tyler jumps and floats between characters and decades to create what in the end is a deftly crafted family portrait that spans some 70 years . . . We read in fascination. Christian Science Monitor
French Braid is a family saga of uncommon subtlety and grace, a novel which shows that, at 80, Anne Tyler is still amongst the very best writers around. The Spectator
Tender and acute . . . French Braid is a novel full of compassion for the human condition by a writer confident enough not to pin everything down and to trust her story to work its quiet magic. Financial Times
Full of piercing observation. Minneapolis Star Tribune
Subtle and powerful . . . A multi-layered and masterly exercise in sympathy and understanding. Times Literary Supplement
A beautiful novel of family life as it unfolds over the years . . . There are many authors today who try to emulate her technique, but none of them comes close to the lightness of touch, the accuracy of her ear, or the profundity of her vision . . . Perhaps [her novels] will eventually come to be seen as one vast, panoramic portrait of life in one particular place, at one particular time, as accurate and resonant as similar series by Balzac or Trollope. Daily Mail
Enchanting . . . Though centered in Baltimore, the story nonetheless reaches out beyond it, just as the characters, deceivingly simple, reveal truths about life that are anything but. Washington City Paper
Lushly imagined, psychologically intricate, virtually inhalable . . . At every leap, Tyler balances gracefully between tenderness and piquant humor, her insights into human nature luminous. Tyler is a phenomenon, each of her novels feels fresh and incisive, and this charming family tale will be honey for her fans. Booklist (starred)
Well-crafted . . . Affecting . . . As always, Tyler offers both comfort and surprise. Publishers Weekly
Entrancing . . . Nobody writes better about families than Anne Tyler . . . She has the lightest touch . . . Tyler has that rare ability to do much with what seems little, to bring the ordinary and usually unregarded lives of ordinary people to life and make them matter. The Scotsman
More lovely work from Tyler, still vital and creative . . . In her 24th novel, Tyler once again unravels the tangled threads of family life. This familiar subject always seems fresh in her hands because Tyler draws her characters and their interactions in such specific and revealing detail . . . [She] understands that the domestic world can contain the universe. Kirkus Reviews
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