inArt 2016

for in situ noninvasive analysis and high-resolution imaging. - New insights into the painting stratigraphy of L'Homme blessé by Gustave Courbet combining scanning macro-XRF and confocal micro-XRF.- Monitoring the impact of the indoor air quality on silver cultural heritage objects using passive and continuous corrosion rate assessments.- Conquering space with matter: a technical study of Alberto Burri's materials and techniques.- The corrosion process of sterling silver exposed to a Na2S solution: monitoring and characterizing the complex surface evolution using a multi-analytical approach.- Identification of green pigments from fragments of Roman mural paintings of three Roman sites from north of Germania Superior.- Nondestructive Raman investigation on wall paintings at Sala Vaccarini in Catania (Sicily).- Rehabilitation of farmhouses and barns: limits of salt content.- A whole spectroscopic mapping approach for studying the spatial distribution of pigments in paintings.- Raman microscopy of hand stencils rock art from the Yabrai Mountain, Inner Mongolia Autonomous Region, China.- Non-invasive dendrochronology of late-medieval objects in Oslo: refinement of a technique and discoveries.- Pictorial materials database: 1200 combinations of pigments, dyes, binders and varnishes designed as a tool for heritage science and conservation.- Raman spectroscopic analysis of a belltower commemorative wall decoration.- Dual phylogenetic staining protocol for simultaneous analysis of yeast and bacteria in artworks.- On the conservation of easel paintings: evaluation of microbial contamination and artists materials.- Analytical characterization of glass tesserae from mosaics of early Christian basilicas in Albania.- The comparative study of four Portuguese sixteenth-century illuminated Manueline Charters based on spectroscopy and chemometrics analysis.- The case study of The daughters of the Emperor Ferdinand I by Jakob Seisenegger, in Trento (Italy): analytical hygro-mechanical results as a support in risk assessment for technical interventions.-Prediction and classification of the degradation state of plastic materials used in modern and contemporary art.