ISE Film Art: An Introduction

Part 1 Film Art and Filmmaking 1. Film as Art: Creativity, Technology, and Business Part 2 Film Form2. The Significance of Film Form 3. Narrative Form Part 3 Film Style4. The Shot: Mise-en-Scene 5. The Shot: Cinematography 6. The Relation of Shot to Shot: Editing 7. Sound in the Cinema 8. Summary: Style and Film Form Part 4 Types of Films9. Film Genres 10. Documentary, Experimental, and Animated Films Part 5 Critical Analysis of Films11. Film Criticism: Sample Analyses Part 6 Film Art and Film History12. Historical Changes in Film Art: Conventions and Choices, Tradition and Trends Additional chapters available through McGraw-Hill Education's Create: Film AdaptationsWriting a Critical Analysis of a Film Additional Resources for Film Art GlossaryCreditsIndex

David Bordwell is Jacques Ledoux Professor Emeritus of Film Studies in the Department of Communication Arts at the University of WisconsinMadison. He also holds a Hilldale Professorship in the Humanities and an Honorary Doctorate from the University of Copenhagen. He has also held the Kluge Chair in Modern Culture at the Library of Congress. His books include Narration in the Fiction Film (University of Wisconsin Press, 1985), On the History of Film Style (Harvard University Press, 1997), Planet Hong Kong: Popular Cinema and the Art of Entertainment (Harvard University Press, 2000; 2nd ed., Irvington Way Institute Press, 2011), Figures Traced in Light: On Cinematic Staging(University of California Press, 2005), The Way Hollywood Tells It: Story and Style in Modern Movies (University of California Press, 2006), The Rhapsodes: How 1940s Critics Changed American Film Culture (University of Chicago Press, 2016), and Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling (University of Chicago Press, 2017). He has also written books on Carl Theodor Dreyer, Yasujiro Ozu, Sergei Eisenstein, digital cinema, and Hong Kong film.