Maigret Takes a Room
Inspector Maigret #37
(Sprache: Englisch)
'Compelling, remorseless, brilliant' John Gray
'What he thought he had discovered, in place of the joyful candour that she usually displayed, was an irony which was neither less cheerful nor less childish, but which troubled him ... He wondered...
'What he thought he had discovered, in place of the joyful candour that she usually displayed, was an irony which was neither less cheerful nor less childish, but which troubled him ... He wondered...
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Klappentext zu „Maigret Takes a Room “
'Compelling, remorseless, brilliant' John Gray 'What he thought he had discovered, in place of the joyful candour that she usually displayed, was an irony which was neither less cheerful nor less childish, but which troubled him ... He wondered now if his exultation wasn't down to the fact that she was playing a part, not just to deceive him, not just to hide something from him, but for the pleasure of acting a part'
When one of his best inspectors is shot, Maigret decides to book himself into Mademoiselle Clément's well-kept Paris boarding house nearby in order to find the culprit.
'One of the greatest writers of the twentieth century' Guardian
'A supreme writer . . . unforgettable vividness' Independent
Autoren-Porträt von Georges Simenon
Georges Simenon was born in Liège, Belgium, in 1903. He is best known in Britain as the author of the Maigret novels and his prolific output of over 400 novels and short stories have made him a household name in continental Europe. He died in 1989 in Lausanne, Switzerland, where he had lived for the latter part of his life.
Bibliographische Angaben
- Autor: Georges Simenon
- 2016, 176 Seiten, Maße: 14,4 x 19,9 cm, Kartoniert (TB), Englisch
- Übersetzer: Shaun Whiteside
- Verlag: Penguin Books UK
- ISBN-10: 0241206847
- ISBN-13: 9780241206843
- Erscheinungsdatum: 24.10.2016
Sprache:
Englisch
Pressezitat
One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories Guardian
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