Motet Cycles between Devotion and Liturgy

I: Between Devotion and LiturgyAndrew Kirkman: Structure and Meaning in the Mass: The Ordinarium Missae and BeyondRobert Nosow: Simultaneous Ceremonies at the Collegiate Church of St. Donatian in BrugesDaniele V. Filippi: Where Devotion and Liturgy Meet: Reassessing the Milanese Roots of the Motetti missalesFañch Thoraval: Horologia Passionis: Hours, Hymns, and Motet Cycles for the Cross and the PassionII: Fashioning the Shape and Sound of Prayer TextsHana Vlhová-Wörner: Liturgical Poetry and Poetical Liturgy: The Texts of Motet Cycles as a Continuation of Earlier Textual PracticeMarco Gozzi: Sequence Texts in Transmission (ca. 1200-ca. 1500)Eva Ferro: "Old Texts for New Music"? Textual and Philological Observations on the cycles Salve mater salvatoris and Ave Domine Iesu Christe from Librone 1III: Milan, Motet Cycles, JosquinJoshua Rifkin: Milan, Motet Cycles, Josquin: Further Thoughts on a Familiar TopicIV: In the Cycle Workshop: Case StudiesAgnese Pavanello: Praying to Mary: Another Look at Gaspar van Weerbeke's Marian Motetti missalesFrancesco Rocco Rossi: Surveying the First Gaffurius Codex: Reconsiderations on the Motetti missales ParadigmClare Bokulich: Metre and the Motetti missales?Felix Diergarten: Gaude flore virginali - Message from the "Black Hole"?

Daniele V. Filippi (1975) is a musicologist (PhD 2004, University of Pavia/Cremona). Since 2014 he is a SNF research fellow at the Schola Cantorum Basiliensis / FHNW. Among his recent publications is the book Mapping the Motet in the Post-Tridentine Era, coedited with Esperanza Rodríguez García.Agnese Pavanello (1964) is a research associate at the Schola Cantorum Basiliensis / FHNW. Among her recent publications is the edition of Gaspar van Weerbeke's masses. She directed the research project Motet Cycles (c.1470-c.1510). Compositional design, performance, and cultural context (see www.motetcycles.com).