Performing Human Rights

7 - 28 Performing Human Rights. An Introduction (Liliana Gómez)31 - 68 Forensic Encounters Amidst Impunity: Investigating Mass Crimes in Post-Franco Spain (Zahira Aragüete-Toribio)69 - 100 Taking the Risk of Images, After All: Between Form and Formlessness at the Espacio Memoria y Derechos Humanos, ex-ESMA, Argentina (Vikki Bell)101 - 138 Beyond the Courtroom: On Dust, Haunting, and the Archive (Liliana Gómez)141 - 166 The Poetics and Politics of the Body in Pain. Sinan Antoon's Novel "The Corpse Washer" (Friederike Pannewick)167 - 206 To Speak of the Silence of a Country. An Approach to Spanish Contemporary Artistic Practices Related to History and Memory (Elena Rosauro)207 - 240 Boundary-Aesthetics: Obscured Scenographies of Violence at the US/Mexican Border (Stephenie A. Young)243 - 296 Performing "Karama": Abounaddara's Emergency Cinema in Theory and Praxis (Joscelyn Jurich)297 - 326 The Subversive Potential of Opacity: "poema/processo" and "3Nós3's" Artistic Strategies during Brazil's Military Dictatorship (Pauline Bachmann)327 - 364 Performing Periphery or the Ambivalence of Demodernization. Notes on Artur mijewski's Film "Glimpse" (Dorota Sajewska)365 - 378 Letter from Lubumbashi (Uriel Orlow)379 - 384 Authors

Liliana Gómez is professor of art and society at the University of Kassel/Kunsthochschule Kassel and the documenta Institut. She directs the research project Contested Amnesia and Dissonant Narratives in the Global South. Post-Conflict in Literature, Art, and Emergent Archives. Recently she edited Performing Human Rights. Contested Amnesia and Aesthetic Practices in the Global South (Diaphanes/Think Art, Zurich, 2021) and co-edited with Lisa Blackmore Liquid Ecologies in Latin American and Caribbean Art (Routledge, New York, 2020). She is the author of Lo urbano. Teorías culturales y políticas de la ciudad en América Latina (IILI, Pittsburgh, 2014).