Photographic Vision in Proust
(Sprache: Englisch)
Underscoring the active presence of photographically conceived imagery in Proustian discourse, this study draws upon the reproductive vision of both narrator and narrated as influenced by an invention whose prolific intervention clearly markts the creative...
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Klappentext zu „Photographic Vision in Proust “
Underscoring the active presence of photographically conceived imagery in Proustian discourse, this study draws upon the reproductive vision of both narrator and narrated as influenced by an invention whose prolific intervention clearly markts the creative psyche of an artistic society. With support from texts by Susan Sontag, Roland Barthes and others, visual and verbal modes of recall find common ground in A la Recherche du temps perdu as its overall structure becomes tainted with the tones of mechanical reproduction.
Inhaltsverzeichnis zu „Photographic Vision in Proust “
Contents: Beginning with a brief illustration of the relation between mechanical invention and vice, the study posits photographic vision as a critical appartus for reviewing love, alterity, property and sexuality.
Autoren-Porträt von Stephen Infantino
The author: Stephen Infantino completed his Ph.D. at the University of Southern California in 1986. He has since taught French language and literature at several American universities. His interests and research include mass culture, cultural anthropology and the relationship between modern visual art and narrative structure. A native of New York, he is himself a practicing visual artist and exhibits his work in the San Francisco area. He is currently an assistant professor of French at Texas Christian University in Fort Worth, Texas.
Bibliographische Angaben
- Autor: Stephen Infantino
- 1993, Neuausg., XI, 83 Seiten, mit Abbildungen, Maße: 15,6 x 23,6 cm, Gebunden, Englisch
- Verlag: Peter Lang
- ISBN-10: 0820417610
- ISBN-13: 9780820417615
- Erscheinungsdatum: 01.02.1993
Sprache:
Englisch
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