The Book of Form and Emptiness
A Novel
(Sprache: Englisch)
"Heart-breaking and heart-healing-The Book of Form and Emptiness is a triumph." -Matt Haig, New York Times bestselling author of The Midnight Library
A brilliantly inventive novel about loss, growing up, and our relationship with things
One year...
A brilliantly inventive novel about loss, growing up, and our relationship with things
One year...
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"Heart-breaking and heart-healing-The Book of Form and Emptiness is a triumph." -Matt Haig, New York Times bestselling author of The Midnight LibraryA brilliantly inventive novel about loss, growing up, and our relationship with things
One year after the death of his beloved musician father, thirteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house-a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn't understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous.
At first, Benny tries to ignore them, but soon the voices follow him outside the house, onto the street and at school, driving him at last to seek refuge in the silence of a large public library, where objects are well-behaved and know to speak in whispers. There, Benny discovers a strange new world. He falls in love with a mesmerizing street artist with a smug pet ferret, who uses the library as her performance space. He meets a homeless philosopher-poet, who encourages him to ask important questions and find his own voice amongst the many.
And he meets his very own Book-a talking thing-who narrates Benny's life and teaches him to listen to the things that truly matter.
With its blend of sympathetic characters, riveting plot, and vibrant engagement with everything from jazz, to climate change, to our attachment to material possessions, The Book of Form and Emptiness is classic Ruth Ozeki-bold, wise, poignant, playful, humane and heartbreaking.
Lese-Probe zu „The Book of Form and Emptiness “
PART ONEHome
Every passion borders on the chaotic, but the collector's
passion borders on the chaos of memories.
-Walter Benjamin, "Unpacking My Library"
The Book
1
So, start with the voices, then.
When did he first hear them? When he was still little? Benny was always a small boy and slow to develop, as though his cells were reluctant to multiply and take up space in the world. It seems he pretty much stopped growing when he turned twelve, the same year his father died and his mother started putting on weight. The change was subtle, but Benny seemed to shrink as Annabelle grew, as if she were metabolizing her small son's grief along with her own.
Yes. That seems right.
So, perhaps the voices started around then, too, shortly after Kenny died? It was a car accident that killed him-no, it was a truck. Kenny Oh was a jazz clarinetist, but his real name was Kenji, so we'll call him that. He played swing mostly, big band stuff, at weddings and bar mitzvahs and in campy downtown hipster clubs, where the dudes all wore beards and porkpie hats and checkered shirts and mothy tweed jackets from the Salvation Army. He'd been playing a gig, and afterward he went out drinking or drugging or whatever he did with his musician friends-just a little toot, but enough so that on his way home, when he stumbled and fell in the alley, he didn't see the necessity of getting up right away. He wasn't far from home, only a few yards from the rickety gate that led to the back of his house. If he'd managed to crawl a bit further, he would have been okay, but instead he just lay there on his back, in a dim pool of light cast by the streetlamp above the Gospel Mission Thrift Shop dumpster. The long chill of winter had begun to lift, and a spring mist hung in the
... mehr
alleyway. He lay there, gazing up at the light and the tiny particles of moisture that swarmed brightly in the air. He was drunk. Or high. Or both. The light was beautiful. Earlier in the evening, he'd had a fight with his wife. Maybe he was feeling sorry. Maybe in his mind he was vowing to be better. Who knows what he was doing? Maybe he fell asleep. Let's hope so. In any case, that's where he was still lying an hour or so later, when the delivery truck came rattling down the alleyway.
It wasn't the truck driver's fault. The alley was filled with ruts and potholes. It was littered with half-emptied garbage bags, food waste, sodden clumps of clothes and broken appliances, which the dumpster divers had left behind. In the flat, gray light of the drizzling dawn, the truck driver couldn't distinguish between the debris and the musician's slim body, which by then was covered in crows. The crows were Kenji's friends. They were just trying to help by keeping him warm and dry, but everyone knows that crows love garbage. Is it any wonder that the driver mistook Kenji for a garbage bag? The driver hated crows. Crows were bad luck, and so he aimed his truck right at them. The truck was carrying crates of live chickens to the Chinese slaughterhouse at the end the alleyway. He stepped on the gas and felt the body bump beneath the wheels as the crows flew up in front of his windshield, obscuring his view and causing him to lose control and careen into the loading dock of the Eternal Happiness Printing Company Ltd. The truck tipped, and the crates of chickens went flying.
The noise of squawking birds woke Benny, whose bedroom window overlooked the dumpster. He lay there, listening, and then the back door slammed. A high, thin cry rose from the alley, uncoiling like a rope, like a living tentacle, snaking up into his window and hooking him, drawing him from bed. He went to the window, parted the curtains, and peered down into the street. The sky was just growing light. He could see
It wasn't the truck driver's fault. The alley was filled with ruts and potholes. It was littered with half-emptied garbage bags, food waste, sodden clumps of clothes and broken appliances, which the dumpster divers had left behind. In the flat, gray light of the drizzling dawn, the truck driver couldn't distinguish between the debris and the musician's slim body, which by then was covered in crows. The crows were Kenji's friends. They were just trying to help by keeping him warm and dry, but everyone knows that crows love garbage. Is it any wonder that the driver mistook Kenji for a garbage bag? The driver hated crows. Crows were bad luck, and so he aimed his truck right at them. The truck was carrying crates of live chickens to the Chinese slaughterhouse at the end the alleyway. He stepped on the gas and felt the body bump beneath the wheels as the crows flew up in front of his windshield, obscuring his view and causing him to lose control and careen into the loading dock of the Eternal Happiness Printing Company Ltd. The truck tipped, and the crates of chickens went flying.
The noise of squawking birds woke Benny, whose bedroom window overlooked the dumpster. He lay there, listening, and then the back door slammed. A high, thin cry rose from the alley, uncoiling like a rope, like a living tentacle, snaking up into his window and hooking him, drawing him from bed. He went to the window, parted the curtains, and peered down into the street. The sky was just growing light. He could see
... weniger
Autoren-Porträt von Ruth Ozeki
Ruth Ozeki
Bibliographische Angaben
- Autor: Ruth Ozeki
- 2021, 560 Seiten, Maße: 15 x 22,5 cm, Kartoniert (TB), Englisch
- Verlag: Penguin Random House
- ISBN-10: 0593489403
- ISBN-13: 9780593489406
- Erscheinungsdatum: 27.09.2021
Sprache:
Englisch
Pressezitat
Praise for The Book of Form and Emptiness:[A] Borgesian, Zen Buddhist parable of consumerism . . . [Ozeki] endows objects and animals with anima, the breath of life . . . [she] ensouls the world . . . There s powerful magic here . . . Ozeki is unusually patient with her characters, even the rebarbative ones, and she is able to record the subtle peculiarities of other classes of beings that more overeager writers would probably miss . . . Ozeki gives us a metaphor for our very own American consumption disorder, our love-hate relationship with the stuff we produce and can t let go of. New York Times Book Review
A masterful meditation on consumer culture . . . This novel s meditative pacing perfectly suits its open-hearted contemplation. The book s self-awareness allows it to comically hedge and tiptoe, to digress into diatribes into the false dichotomies and hegemonic hierarchies of materialist colonizers only to catch itself and sheepishly apologize: Sorry. That turned into a rant. No reader likes a rant. As a book, we should know better. The Book of Form and Emptiness is concerned foremost with the outsiders in our world, the ones who hear voices, who are friendless, who fall into addiction and self-harm. It s concerned, too, with the ultimate outsiders, the objects that we produce and discard, produce and discard. It is both profound and fun, a loving indictment of our consumer culture. As the novel asks the reader turning the pages, has it ever occurred to you that books have feelings, too? USA Today
[A] tale of sorrow, danger and tentative redemption serves as the springboard for extended meditations on the interdependence of all beings, the magic of books, the disastrous ecological and spiritual effects of unchecked consumerism and more . . . one of Ozeki s gifts as a novelist is the ability to enfold provocative intellectual material within a human story grounded in sharply observed social detail . . . The Book itself
... mehr
has a marvelous voice: adult, ironic, affirming at every turn the importance of books as a repository of humanity s deepest wisdom and highest aspirations. Washington Post
There has never been a more timely novel. . . a beautiful, funny, sad, haunting, and extremely moving narrative . . . Ozeki s commitment to having all her novels be co-productions created by multiple figures reaches its most dazzling manifestation in a book and a protagonist, mutually engendered. Los Angeles Review of Books
The Book of Form and Emptiness [stands] out for its sparkling writing, warmth, intelligence, humor and poignancy. A celebration of the power of books and reading, it tackles big issues of life and death, and is a complete joy to read. Ruth Ozeki is a truly original and masterful storyteller. Mary Ann Sieghart, Chair of Judges, 2022 Women s Prize for Fiction
Objects and ideas come to life in [The Book of Form and Emptiness] . . . a vivid story of fraught adolescence, big ideas and humanity s tenuous hold on a suffering planet . . . Ozeki, an imaginative writer with a subversive sense of humor, has an acute grasp of young people s contemporary dilemmas . . . This would be a great book to read in tandem with an adolescent in your life, a potential classic for the young-adult audience . . . [Ozeki offers] a profound understanding of the human condition and a gift for turning it into literature. Los Angeles Times
Ozeki has shifted her readers way of perceiving what is 'normal' through a sort of slow, capillary action. Her books are not didactic, but they are useful; they re not mission-driven, but they are richly moral. She writes urgently about the environment you leave an Ozeki book knowing more about ocean contamination or factory farming and her novels tend to include a painful parent-child rupture as well as a burbling stream of absurdist humor . . . Ozeki started writing The Book of Form and Emptiness eight years ago, but it is eerily suited to what readers are going through now, a quantum companion to A Tale for the Time Being: If time is part of healing, sorting through matter through stuff is part of mourning. New York Magazine
Heartfelt . . . Ozeki, a practicing Buddhist priest, infuses her story with Zen philosophy, using themes of mindfulness and our connection to the living world to highlight pressing modern concerns like climate change, capitalism and the function of art. Inventive, vivid and propelled by a sense of wonder, The Book of Form and Emptiness will delight younger and older readers alike. TIME
[It s hard] not to like Ozeki s calm, dry, methodical good humour and wit, her love affairs with linguistics and jazz and the absurd, her cautious optimism, her gentle parodies . . . [she] is carefully celebrating difference, not patronizing dysfunction. Out of their fractured relations, she makes something so satisfying that it gave me the sense of being addressed not by an author but by a world, one that doesn t quite exist yet, except in tenuous parallel to ours: a world built out of ideas that spill into the text like a continuous real-time event. The Guardian
An ambitious and ingenious novel that presents a stinging exploration of grief [and] a reflection on our relationship to objects . . . combine[s] daunting intellectual complexity and accessible big-heartedness . . . The most endearing aspect of Ozeki s novel is its unabashed celebration of words, writing, and reading . . . Ozeki s playfulness and zaniness, her compassion and boundless curiosity, prevent the novel from ever feeling stiff or pretentious. Clever without being arch, metafictional without being arcane, dark without being nihilistic, The Book of Form and Emptiness is an exuberant delight. Boston Globe
This book ponders the very nature of things . . . Do inanimate items possess a life force? How do we distinguish acute sensitivity from mental illness? These questions fuel a searching novel, one that combines a coming-of-age tale with an ode to the printed page. . . Ozeki's incisive on matters like consumerism and climate change. Meanwhile, her ruminations on life's greatest mysteries provide an elegant foundation for an intriguing story. Star-Tribune
In giving the Book a point of view, Ozeki creates a loquacious, animated voice with ideas about other books, the past, the need for human stories and the mutual needs of humans and books. . . With this well-developed voice, Ozeki plays humorously with ideas about what a novel is about the development of a story, how it gets told, who tells it, who hears it and how books affect people . . . Ozeki, who is a Zen Buddhist priest and filmmaker, takes up big ideas about this moment on our planet, but also offers close descriptions of memorable images that make the prose absorbing . . . These images reverberate long after the reading, speaking to Ozeki s broad and benign vision of connected beings. Seattle Times
What an odd and tender and lovely novel this is . . . Ruth Ozeki is a Zen Buddhist priest in addition to being an accomplished author, and this rambling, shaggy narrative has a number of Zen ideas to play with . . . In Ozeki s world, books are urgent and powerful regardless of genre. Vox
The Book of Form and Emptiness indeed has everything one wants from a novel sympathetic and interesting characters, a propulsive story that is heartbreaking but also playful and affirming, artful structure and skillful point of view all while wrestling with life s big questions. The novel s engagement with issues of climate change and consumerism culture give it an urgency, but its whimsical and epic story makes it the kind of book to settle into, where you both want to keep reading and never want it to end. It s a novel that reminds you of the power of books, exploring the magical exchange between writer and reader. Fiction Writers Review
On the surface, Ozeki s novel is about a grief-stricken family struggling to find meaning in the aftermath of a tragedy. But dig deeper and the story is an intricately layered commentary on modern society and the significance it puts on material objects, a study on subjectivity and the nature of reality. All the while, it s a book about the unknown, all-knowing realms of the imagination When spending time in Ozeki s world, the empirically provable and quantifiable become less important, and the truths of our inner lives grow louder, if only we can honor those voices. Japan Times
With her characteristic charm, empathy, and perspicacity, Ozeki writes Benny s story of learning to hear, and manage, the voices, and hear himself along the way. The Millions
[A] beautiful, heartbreaking, and hopeful novel Reader s Digest
[A] poignant and funny story. St. Louis Post-Dispatch
If what you need right now is to sink into a big, warm, literary bath, this is the book for you. It s not that Ozeki s latest novel isn t challenging, it s just that it manages to be so while also being pure pleasure, especially if you re the kind of person who once had mostly books for friends . . . It s a big book in more ways than one, complex and ambitious and wide-ranging, but honestly also just so charming I found it hard to walk away from, even when I was done. Emily Temple, Lit Hub
Spectacular . . . this novel is filled with hope, compassion and more than a little wonder . . . Ozeki's books consistently nourish the soul. Shelf Awareness (starred)
With all confidence, I can say that The Book of Form and Emptiness is very real. It s a wonderful, heartwarming story of emotional growth filled with characters as real as anyone you would meet on the street. Except we are meeting them through the Book. And the Book, as we learn, knows all. Washington Independent Review of Books
Ozeki s illuminating postmodern latest [...] explores themes of mourning, madness, and the powers of the imagination . . . Ozeki playfully and successfully breaks the fourth wall [...] and she cultivates a striking blend of young adult fiction tropes with complex references to Walter Benjamin, Zen Buddhism, and Marxist philosophy. This is the rare work that will entertain teenagers, literary fiction readers, and academics alike. Publishers Weekly
[Ozeki] writes with bountiful insight, exuberant imagination, and levitating grace about psychic diversity, our complicated attitude toward our possessions, street protests, climate change, and such wonders as crows, the moon, and snow globes. Most inventively, Ozeki celebrates the profound relationship between reader and writer. This enthralling, poignant, funny, and mysterious saga, thrumming with grief and tenderness, beauty and compassion, offers much wisdom. Booklist (starred)
A great premise, one that perfectly captures how it feels to be a child falling into a lifelong love of reading. It s a book for book people, exploring how books can offer meaning and in this case, literally speak to us. BookPage
A meditative tribute to books, libraries, and Zen wisdom. Kirkus
This compassionate novel of life, love and loss glows in the dark. Its strange, beautiful pages turn themselves. If you ve lost your way with fiction over the last year or two, let The Book of Form and Emptiness light your way home. David Mitchell, Booker Prize-finalist author of Cloud Atlas and Utopia Avenue
Heart-breaking and heart-healing a book to not only keep us absorbed but also to help us think and love and live and listen. No one writes quite like Ruth Ozeki and The Book of Form and Emptiness is a triumph. Matt Haig, New York Times bestselling author of The Midnight Library
This is both an extremely vivid picture of a small family enduring unimaginable loss, and a very powerful meditation on the way books can contain the chaos of the world and give it meaning and order. Annabelle and Benny Oh try to stay afloat in a sea of things, news, substances, technological soullessness, and psychiatric quagmires, and the way they learn to live and breathe and even swim through it all feels like the struggle we all face. The Book of Form and Emptiness builds on the themes of A Tale for the Time Being, and ratifies Ozeki as one of our era s most compassionate and original minds. Dave Eggers, author of The Circle and The Parade
Once again, Ozeki has created a masterpiece. Her generous heart, remarkable imagination, and brilliant mind light up every page. Karen Joy Fowler, author of We Are All Completely Beside Ourselves
Ozeki has done it again. This time she crosses into new dimensions, breathing life into pages, enticing us into an intimate world. Richly imagined, gorgeously executed, The Book of Form and Emptiness is a remarkable book. David Eagleman, acclaimed neuroscientist and author of Livewired
There has never been a more timely novel. . . a beautiful, funny, sad, haunting, and extremely moving narrative . . . Ozeki s commitment to having all her novels be co-productions created by multiple figures reaches its most dazzling manifestation in a book and a protagonist, mutually engendered. Los Angeles Review of Books
The Book of Form and Emptiness [stands] out for its sparkling writing, warmth, intelligence, humor and poignancy. A celebration of the power of books and reading, it tackles big issues of life and death, and is a complete joy to read. Ruth Ozeki is a truly original and masterful storyteller. Mary Ann Sieghart, Chair of Judges, 2022 Women s Prize for Fiction
Objects and ideas come to life in [The Book of Form and Emptiness] . . . a vivid story of fraught adolescence, big ideas and humanity s tenuous hold on a suffering planet . . . Ozeki, an imaginative writer with a subversive sense of humor, has an acute grasp of young people s contemporary dilemmas . . . This would be a great book to read in tandem with an adolescent in your life, a potential classic for the young-adult audience . . . [Ozeki offers] a profound understanding of the human condition and a gift for turning it into literature. Los Angeles Times
Ozeki has shifted her readers way of perceiving what is 'normal' through a sort of slow, capillary action. Her books are not didactic, but they are useful; they re not mission-driven, but they are richly moral. She writes urgently about the environment you leave an Ozeki book knowing more about ocean contamination or factory farming and her novels tend to include a painful parent-child rupture as well as a burbling stream of absurdist humor . . . Ozeki started writing The Book of Form and Emptiness eight years ago, but it is eerily suited to what readers are going through now, a quantum companion to A Tale for the Time Being: If time is part of healing, sorting through matter through stuff is part of mourning. New York Magazine
Heartfelt . . . Ozeki, a practicing Buddhist priest, infuses her story with Zen philosophy, using themes of mindfulness and our connection to the living world to highlight pressing modern concerns like climate change, capitalism and the function of art. Inventive, vivid and propelled by a sense of wonder, The Book of Form and Emptiness will delight younger and older readers alike. TIME
[It s hard] not to like Ozeki s calm, dry, methodical good humour and wit, her love affairs with linguistics and jazz and the absurd, her cautious optimism, her gentle parodies . . . [she] is carefully celebrating difference, not patronizing dysfunction. Out of their fractured relations, she makes something so satisfying that it gave me the sense of being addressed not by an author but by a world, one that doesn t quite exist yet, except in tenuous parallel to ours: a world built out of ideas that spill into the text like a continuous real-time event. The Guardian
An ambitious and ingenious novel that presents a stinging exploration of grief [and] a reflection on our relationship to objects . . . combine[s] daunting intellectual complexity and accessible big-heartedness . . . The most endearing aspect of Ozeki s novel is its unabashed celebration of words, writing, and reading . . . Ozeki s playfulness and zaniness, her compassion and boundless curiosity, prevent the novel from ever feeling stiff or pretentious. Clever without being arch, metafictional without being arcane, dark without being nihilistic, The Book of Form and Emptiness is an exuberant delight. Boston Globe
This book ponders the very nature of things . . . Do inanimate items possess a life force? How do we distinguish acute sensitivity from mental illness? These questions fuel a searching novel, one that combines a coming-of-age tale with an ode to the printed page. . . Ozeki's incisive on matters like consumerism and climate change. Meanwhile, her ruminations on life's greatest mysteries provide an elegant foundation for an intriguing story. Star-Tribune
In giving the Book a point of view, Ozeki creates a loquacious, animated voice with ideas about other books, the past, the need for human stories and the mutual needs of humans and books. . . With this well-developed voice, Ozeki plays humorously with ideas about what a novel is about the development of a story, how it gets told, who tells it, who hears it and how books affect people . . . Ozeki, who is a Zen Buddhist priest and filmmaker, takes up big ideas about this moment on our planet, but also offers close descriptions of memorable images that make the prose absorbing . . . These images reverberate long after the reading, speaking to Ozeki s broad and benign vision of connected beings. Seattle Times
What an odd and tender and lovely novel this is . . . Ruth Ozeki is a Zen Buddhist priest in addition to being an accomplished author, and this rambling, shaggy narrative has a number of Zen ideas to play with . . . In Ozeki s world, books are urgent and powerful regardless of genre. Vox
The Book of Form and Emptiness indeed has everything one wants from a novel sympathetic and interesting characters, a propulsive story that is heartbreaking but also playful and affirming, artful structure and skillful point of view all while wrestling with life s big questions. The novel s engagement with issues of climate change and consumerism culture give it an urgency, but its whimsical and epic story makes it the kind of book to settle into, where you both want to keep reading and never want it to end. It s a novel that reminds you of the power of books, exploring the magical exchange between writer and reader. Fiction Writers Review
On the surface, Ozeki s novel is about a grief-stricken family struggling to find meaning in the aftermath of a tragedy. But dig deeper and the story is an intricately layered commentary on modern society and the significance it puts on material objects, a study on subjectivity and the nature of reality. All the while, it s a book about the unknown, all-knowing realms of the imagination When spending time in Ozeki s world, the empirically provable and quantifiable become less important, and the truths of our inner lives grow louder, if only we can honor those voices. Japan Times
With her characteristic charm, empathy, and perspicacity, Ozeki writes Benny s story of learning to hear, and manage, the voices, and hear himself along the way. The Millions
[A] beautiful, heartbreaking, and hopeful novel Reader s Digest
[A] poignant and funny story. St. Louis Post-Dispatch
If what you need right now is to sink into a big, warm, literary bath, this is the book for you. It s not that Ozeki s latest novel isn t challenging, it s just that it manages to be so while also being pure pleasure, especially if you re the kind of person who once had mostly books for friends . . . It s a big book in more ways than one, complex and ambitious and wide-ranging, but honestly also just so charming I found it hard to walk away from, even when I was done. Emily Temple, Lit Hub
Spectacular . . . this novel is filled with hope, compassion and more than a little wonder . . . Ozeki's books consistently nourish the soul. Shelf Awareness (starred)
With all confidence, I can say that The Book of Form and Emptiness is very real. It s a wonderful, heartwarming story of emotional growth filled with characters as real as anyone you would meet on the street. Except we are meeting them through the Book. And the Book, as we learn, knows all. Washington Independent Review of Books
Ozeki s illuminating postmodern latest [...] explores themes of mourning, madness, and the powers of the imagination . . . Ozeki playfully and successfully breaks the fourth wall [...] and she cultivates a striking blend of young adult fiction tropes with complex references to Walter Benjamin, Zen Buddhism, and Marxist philosophy. This is the rare work that will entertain teenagers, literary fiction readers, and academics alike. Publishers Weekly
[Ozeki] writes with bountiful insight, exuberant imagination, and levitating grace about psychic diversity, our complicated attitude toward our possessions, street protests, climate change, and such wonders as crows, the moon, and snow globes. Most inventively, Ozeki celebrates the profound relationship between reader and writer. This enthralling, poignant, funny, and mysterious saga, thrumming with grief and tenderness, beauty and compassion, offers much wisdom. Booklist (starred)
A great premise, one that perfectly captures how it feels to be a child falling into a lifelong love of reading. It s a book for book people, exploring how books can offer meaning and in this case, literally speak to us. BookPage
A meditative tribute to books, libraries, and Zen wisdom. Kirkus
This compassionate novel of life, love and loss glows in the dark. Its strange, beautiful pages turn themselves. If you ve lost your way with fiction over the last year or two, let The Book of Form and Emptiness light your way home. David Mitchell, Booker Prize-finalist author of Cloud Atlas and Utopia Avenue
Heart-breaking and heart-healing a book to not only keep us absorbed but also to help us think and love and live and listen. No one writes quite like Ruth Ozeki and The Book of Form and Emptiness is a triumph. Matt Haig, New York Times bestselling author of The Midnight Library
This is both an extremely vivid picture of a small family enduring unimaginable loss, and a very powerful meditation on the way books can contain the chaos of the world and give it meaning and order. Annabelle and Benny Oh try to stay afloat in a sea of things, news, substances, technological soullessness, and psychiatric quagmires, and the way they learn to live and breathe and even swim through it all feels like the struggle we all face. The Book of Form and Emptiness builds on the themes of A Tale for the Time Being, and ratifies Ozeki as one of our era s most compassionate and original minds. Dave Eggers, author of The Circle and The Parade
Once again, Ozeki has created a masterpiece. Her generous heart, remarkable imagination, and brilliant mind light up every page. Karen Joy Fowler, author of We Are All Completely Beside Ourselves
Ozeki has done it again. This time she crosses into new dimensions, breathing life into pages, enticing us into an intimate world. Richly imagined, gorgeously executed, The Book of Form and Emptiness is a remarkable book. David Eagleman, acclaimed neuroscientist and author of Livewired
... weniger
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