The Making of Another Major Motion Picture Masterpiece
A novel
(Sprache: Englisch)
NEW YORK TIMES BEST SELLER • AN NPR BEST BOOK OF THE YEAR • From the legendary actor and best-selling author: a novel about the making of a star-studded, multimillion-dollar superhero action film...and the humble comic books that inspired it....
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NEW YORK TIMES BEST SELLER • AN NPR BEST BOOK OF THE YEAR • From the legendary actor and best-selling author: a novel about the making of a star-studded, multimillion-dollar superhero action film...and the humble comic books that inspired it. Funny, touching, and wonderfully thought-provoking, while also capturing the changes in America and American culture since World War II."Wild, ambitious and exceptionally enjoyable." —Matt Haig, best-selling author The Midnight Library, The Humans and Reasons to Stay Alive
Part One of this story takes place in 1947. A troubled soldier, returning from the war, meets his talented five-year-old nephew, leaves an indelible impression, and then disappears for twenty-three years.
Cut to 1970: The nephew, now drawing underground comic books in Oakland, California, reconnects with his uncle and, remembering the comic book he saw when he was five, draws a new version with his uncle as a World War II fighting hero.
Cut to the present day: A commercially successful director discovers the 1970 comic book and decides to turn it into a contemporary superhero movie.
Cue the cast: We meet the film’s extremely difficult male star, his wonderful leading lady, the eccentric writer/director, the producer, the gofer production assistant, and everyone else on both sides of the camera.
Bonus material: Interspersed throughout are three comic books that are featured in the story—all created by Tom Hanks himself—including the comic book that becomes the official tie-in to this novel’s "major motion picture masterpiece."
Lese-Probe zu „The Making of Another Major Motion Picture Masterpiece “
1 BackstoryA little over five years back, I had a message on my voice mail from one Al Mac-Teer which I heard as Almick Tear from a number in the 310 area code. This no-nonsense woman asked me to call her back regarding a thin little memoir I had written called A Stairway Down to Heaven about my years of tending bar in a small subterranean club that played live music way back in the 80s. At the time, I was also, sort of, a freelance journalist in and around Pittsburgh, PA. And I wrote movie reviews. These days I teach Creative Writing, Common Literature, and Film Studies at Mount Chisholm College of the Arts in the hills of Montana. Bozeman is a gorgeous if stark drive away. I get very few voice mails from Los Angeles, California.
My boss read your memoir, Ms. Mac-Teer told me. He says you write like he thinks.
Your boss is brilliant, I told her, then asked, Who is your boss? When she told me she worked for Bill Johnson, that I had reached her on her cell as she was driving from her home in Santa Monica to her office in the Capitol Records Building in Hollywood for a meeting with him, I hollered, You work for Bi-Bi-Bi-Bill JOHNSON? The movie director? Prove it.
Some days later, I was on the phone with Bi-Bi-Bi-Bill Johnson himself, and we were talking about his line of work, one of the subjects I teach. When I told him I d seen his entire filmography, he accused me of blowing smoke. When I rattled off many salient points from his movies, he told me to shut up, enough already. At that time, he was noodling a screenplay about music in the transformative years of the 60s going into the 70s when bands evolved from matching outfits and three-minute songs for AM radio to LP side-long jams and the Jimi Hendrix Experience. The stories from my book were full of very personal details. Even though my era was twenty years after what he was noodling our club booked unheralded jazz combos and Depeche Mode cover bands the stuff that happens in live-music venues is
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timeless, universal. The fights, the drugs, the serious love, the fun sex, the fun love, the serious sex, the laughs and the screaming, the Who-Gets-In and Who-Gets-Bounced the whole riotous scene of procedures both spoken and intuitive were the human behaviors that he wanted to nail. He offered me money for my book the nonexclusive rights to my story, meaning I could still sell the exclusive rights, if there should ever be an offer. Fat chance. Still, I made more money selling him the rights to my book than I did selling copies of the thing.
Bill went off to film Pocket Rockets but kept up with me through calls and many typewritten letters missives of wandering topics, his Themes of the Moment. The Inevitability of War. Is jazz like math? Frozen yogurt flavors with what toppings? I wrote him back in fountain pen typewriters? honestly! because I can match anyone in idiosyncrasy.
I received a single-page letter from him that had only this typed on it:
What films do you hate walk out of ? Why?
Bill
I wrote him right back.
I don t hate any films. Movies are too hard to make to warrant hatred, even when they are turkeys. If a movie is not great, I just wait it out in my seat. It will be over soon enough. Walking out of a movie is a sin.
I m guessing the US Postal Service needed two days to deliver my response, and a day was spent getting it to Bill s eyeballs, because three days later Al Mac-Teer called me. Her boss wanted me to get down here, pronto and watch him make a movie. The term break was coming up, I had never been to Atlanta, and a movie director was inviting me to see the making of a movie. I teach Film Studies but had never witnessed one being made. I flew
Bill went off to film Pocket Rockets but kept up with me through calls and many typewritten letters missives of wandering topics, his Themes of the Moment. The Inevitability of War. Is jazz like math? Frozen yogurt flavors with what toppings? I wrote him back in fountain pen typewriters? honestly! because I can match anyone in idiosyncrasy.
I received a single-page letter from him that had only this typed on it:
What films do you hate walk out of ? Why?
Bill
I wrote him right back.
I don t hate any films. Movies are too hard to make to warrant hatred, even when they are turkeys. If a movie is not great, I just wait it out in my seat. It will be over soon enough. Walking out of a movie is a sin.
I m guessing the US Postal Service needed two days to deliver my response, and a day was spent getting it to Bill s eyeballs, because three days later Al Mac-Teer called me. Her boss wanted me to get down here, pronto and watch him make a movie. The term break was coming up, I had never been to Atlanta, and a movie director was inviting me to see the making of a movie. I teach Film Studies but had never witnessed one being made. I flew
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Autoren-Porträt von Tom Hanks
TOM HANKS has won Academy Awards for best actor for Philadelphia and Forrest Gump. He has starred in, among many other films, Big, Sleepless in Seattle, Apollo 13, Saving Private Ryan, The Green Mile, Cast Away, Catch Me If You Can, Captain Phillips, Bridge of Spies, Sully, Toy Story, The Post, and It's a Beautiful Day in the Neighborhood. His writing has appeared in The New York Times, Vanity Fair, and The New Yorker. He is also the author of a best-selling collection of stories, Uncommon Type.R. Sikoryak is a cartoonist and an author based in New York City. His illustrations have appeared in The New Yorker, The New York Times Book Review, and The Daily Show with Jon Stewart.
Bibliographische Angaben
- Autor: Tom Hanks
- 2023, Internationale Ausgabe, 448 Seiten, Maße: 15,3 x 23 cm, Kartoniert (TB), Englisch
- Verlag: KNOPF
- ISBN-10: 1524712329
- ISBN-13: 9781524712327
- Erscheinungsdatum: 08.05.2023
Sprache:
Englisch
Pressezitat
"The Making of Another Major Motion Picture Masterpiece is its own universe, complete with a sun, a cast of circling planets, and a limitless number of stars. Its gravity pulls you in and its far reaching, multi-layered, rollicking exuberance holds you in place. I would have been happy to live inside this book forever." Ann Patchett, best-selling author of These Precious Days"This is a wild, ambitious and exceptionally enjoyable novel. A story about how stories happen, with a swirling kaleidoscope of characters across the best part of a century, and a real beating emotional heart. It has a lot of astute and fascinating things to say about comic books, movies, show business, America and human beings. I loved every page." Matt Haig; author The Midnight Library, The Humans and Reasons to Stay Alive
"An extravagant, buoyant, joyfully sprawling book, bursting with affection for its characters, for the intricate lore of the movie business, and for the many ways in which human beings are one another's greatest opportunity." Tana French, award-winning novelist of In The Woods and The Searcher
"Do you want to go on an adventure? Who doesn't? This was a joy to read in that certain kind of way that only happens when it was a joy to write. Tom Hanks is such a natural storyteller that everything feels like he's telling this story just for you, at a dinner table, and you don't want the night to end." Fredrik Backman, author of A Man Called Ove
With a unique insight and a rare eye for detail, Tom Hanks delivers a stunning, emotionally satisfying tale about the art of storytelling. I never wanted the lights to come up. I could not put it down. Graham Norton
"Vibrant, jazzy, witty, snazzily written, with a great sense of time and place, this novel-cum-comic book is one of those rare, unique, pieces of fiction. Loved it."
Kate Mosse; author of Labyrinth
"A thoroughly engaging
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tale....This is a story about what happens behind the cameras. Hanks is at pains to impress upon us that moviemaking is a circuitous process involving a vast network of people some famous, most not showing up and doing their best. This is most definitely not a novel about the magic of filmmaking; it s a novel about the hard work of filmmaking.... a love letter to the industry....The longer you watch Hanks create that glittery surface, the harder it is to look away." Ron Charles, The Washington Post
"We all knew he could act, but the publication of Hanks Uncommon Type, his excellent 2017 short-story collection, proved he could write, too. Now he s followed that with a full-length novel, and it is superb. The writing is spot-on, bringing to the novel all the passion Hanks feels about his profession: Making movies is complicated, maddening, highly technical at times, ephemeral and gossamer at others, slow as molasses on a Wednesday but with a gun-to-the-head deadline on a Friday. The whole book is like that: lovingly crafted, a wildly entertaining story beautifully told. If you love movies, you ll love this book." David Pitt, Booklist (starred review)
"We all knew he could act, but the publication of Hanks Uncommon Type, his excellent 2017 short-story collection, proved he could write, too. Now he s followed that with a full-length novel, and it is superb. The writing is spot-on, bringing to the novel all the passion Hanks feels about his profession: Making movies is complicated, maddening, highly technical at times, ephemeral and gossamer at others, slow as molasses on a Wednesday but with a gun-to-the-head deadline on a Friday. The whole book is like that: lovingly crafted, a wildly entertaining story beautifully told. If you love movies, you ll love this book." David Pitt, Booklist (starred review)
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