The Oxford Handbook of Dance and Reenactment
(Sprache: Englisch)
The Oxford Handbook of Dance and Reenactment investigates new forms of choreographic dramaturgy and interpretation inherent. Joining junior and senior scholars as well as practitioners in the field, the handbook shows how the recovery of past dances has...
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The Oxford Handbook of Dance and Reenactment investigates new forms of choreographic dramaturgy and interpretation inherent. Joining junior and senior scholars as well as practitioners in the field, the handbook shows how the recovery of past dances has come to constitute a new branch of contemporary choreographic activity.
Klappentext zu „The Oxford Handbook of Dance and Reenactment “
The Oxford Handbook of Dance and Reenactment brings together a cross-section of artists and scholars engaged with the phenomenon of reenactment in dance from a practical and theoretical standpoint. Synthesizing myriad views on danced reenactment and the manner in which this branch of choreographic performance intersects with important cultural concerns around appropriation this Handbook addresses originality, plagiarism, historicity, and spatiality as it relates to cultural geography. Others topics treated include transmission as a heuristic device, the notion of the archive as it relates to dance and as it is frequently contrasted with embodied cultural memory, pedagogy, theory of history, reconstruction as a methodology, testimony and witnessing, theories of history as narrative and the impact of dance on modernist literature, and relations of reenactment to historical knowledge and new media.
Inhaltsverzeichnis zu „The Oxford Handbook of Dance and Reenactment “
- Contents
- 1. Introduction: The Power of Recall in A Post-Ephemeral Era
- Mark Franko
- Phenomenology of the Archive
- 2. Tracing Sense/Reading Sensation: an essay on imprints and other matter
- Martin Nachbar
- 3. Giving Sense to the Past: Historical D(ist)ance and the Chiasmatic Interlacing of Affect and Knowledge
- Timmy de Laet
- 4. Martha@...The 1963 Interview - Sonic Bodies, Seizures and Spells
- Richard Move
- Historical Fiction and Historical Fact
- 5. Reenactment, Reconstruction and Dance Historical Fictions
- Anna Pakes
- 6. Bound and Unbound: Reconstructing Merce Cunningham's Crises (1960)
- Carrie Noland
- 7. The Motion of Memory, the Question of History. Recreating Rudolf Laban's Choreographic Legacy
- Susanne Franco
- Proleptic Iteration
- 8. To the Letter: Lettrism, Dance, Reenactment
- Frédéric Pouillaude
- 9. Letters to Lila and Dramaturg's Notes on Future Memory: Inheriting Dance's Alternative Histories
- Kate Elswit with Rani Nair
- Investigative Reenactment: Transmission as Heuristic Device
- 10. (Re)enacting Thinking in Movement
- Maaike Bleeker
- 11. Not Made by Hand, or Arm, or Leg: The Acheiropoietics of Performance
- Branislav Jakovljevic
- 12. Pedagogic In(ter)ventions: On the Potential of (Re)enacting Yvonne Rainer's Continuous Project-Altered Daily (1969/70) in a Dance Education Context
- Yvonne Hardt
- Enacting Testimony/Performing Cultural Memory/ Spectatorship as Practice
- 13. What Remains of the Witness? Testimony as Epistemological Category: Schlepping the Trace
- Susanne Foellmer
- 14. Baroque Relations: Performing Silver and Gold in Daniel Rabel's "Ballets of the Americas"
- VK Preston
... mehr
15. Reenacting Ritual Dance-Theater of India: The case of Kaisika Natakam
Ketu H. Katrak with Anita Ratnam
16. Gloriously Inept and Satisfyingly True: Reenactment and the Practice of Spectating
P.A. Skantze
The Politics of Reenactment
17. Blasting out of the Past: the Politics of History and Memory in Janez's Reconstructions
Ramsay Burt
18. Reenactment as Racialized Scandal
Anthea Kraut
19. Reenacting Modernist Time: William Kentridge's The Refusal of Time
Christel Staelpart
Redistributions of Time in Geography, Architecture, and Modernist Narrative
20. Quito-Brussels: A Dancer's Cultural Geography
Fabián Barba
21. Dance and the Distributed Body: Odissi
... weniger
Autoren-Porträt von Mark Franko
Mark Franko, Laura H. Carnell Professor of Dance and Chair of Dance, Boyer College of Music and Dance (Temple University), has published six books: Martha Graham in Love and War: the Life in the Work; Excursion for Miracles: Paul Sanasardo, Donya Feuer, and Studio for Dance; The Work of Dance: Labor, Movement, and Identity in the 1930s; Dancing Modernism/Performing Politics; Dance as Text: Ideologies of the Baroque Body; The Dancing Body in Renaissance Choreography. Franko was editor of Dance Research Journal, edited Ritual and Event: Interdisciplinary Perspectives, co-editor of Acting on the Past: Historical Performance Across the Disciplines; and, founding editor of the Oxford Studies in Dance Theory book series. He is recipient of the 2011 Outstanding Scholarly Research in Dance Award from the Congress in Research in Dance. Choreograping Discourses: A Mark Franko Reader (edited with Alessandra Nicifero) is forthcoing at Routledge.Bibliographische Angaben
- Autor: Mark Franko
- 2018, 680 Seiten, Maße: 18,2 x 25,4 cm, Gebunden, Englisch
- Verlag: Oxford University Press
- ISBN-10: 0199314209
- ISBN-13: 9780199314201
- Erscheinungsdatum: 14.04.2018
Sprache:
Englisch
Pressezitat
Overall, this volume provides an invaluable platform for profound engagement with a complex layering of possibilities and experiments in which documentary and remembered evidence of past dances dialogues with the reality of present-day corporeality. Dance Research
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