The Unsettled
A novel
(Sprache: Englisch)
A NEW YORK TIMES NOTABLE BOOK • A BEST BOOK OF THE YEAR • From the best-selling author of The Twelve Tribes of Hattie, a searing multi-generational novel—set in the 1980s in racially and politically turbulent Philadelphia and in the tiny town...
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A NEW YORK TIMES NOTABLE BOOK • A BEST BOOK OF THE YEAR • From the best-selling author of The Twelve Tribes of Hattie, a searing multi-generational novel—set in the 1980s in racially and politically turbulent Philadelphia and in the tiny town of Bonaparte, Alabama—about a mother fighting for her sanity and survival "Emotionally propulsive ... Through a chorus of distinctive and virtuosic voices, we gather the story of a mother, a daughter, and the land that both unites and divides them."– Oprah Daily • "Showcases Ayana Mathis's grace on the page, as writer, as storyteller. A book to be read and re-read." – Jesmyn Ward, author of Let Us Descend
Two bold, utopic communities are at the heart of Ayana Mathis’s searing follow-up to her bestselling debut, The Twelve Tribes of Hattie. Bonaparte, Alabama – once 10,000 glorious Black-owned acres – is now a ghost town vanishing to depopulation, crooked developers, and an eerie mist closing in on its shoreline. Dutchess Carson, Bonaparte's fiery, tough-talking protector, fights to keep its remaining one thousand acres in the hands of the last five residents. Meanwhile, in Philadelphia, her estranged daughter Ava is drawn into Ark – a seductive, radical group with a commitment to Black self-determination in the spirit of the Black Panthers and MOVE, with a dash of the Weather Underground’s violent zeal. Ava’s eleven-year-old son Toussaint wants out – his future awaits him on his grandmother’s land, where the sounds of cicada and frog song might save him if only he can make it there.
In Mathis’s electrifying novel, Bonaparte is both mythic landscape and spiritual inheritance, and 1980s Philadelphia is its raw, darkly glittering counterpoint. The Unsettled is a spellbinding portrait of two fierce women reckoning with the steep cost of resistance: What legacy will we leave our children? Where can we be free?
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1985Philadelphia
Cherry Street
It tinseled down on Ava Carson clutching her two suitcases in front of the Cherry Street Intake Center for the Homeless. Ava cried out and dropped her bags. The latches unlatched when they hit the pavement and the suitcases popped their guts like a melon thrown from a great height. Visions are not real, or they aren t real yet, but they do terrify.
Toussaint! Ava called out.
He was standing right behind her, just as he had been before the vision struck: a little boy of ten, small for his age, with both hands around the handle of his own suitcase. There they were, on a late August morning: mother and son, with three cases between them and a black trash bag bulging with their belongings.
What were you doing on that street? Why did you . . . ? Ava paused. She was shrieking, she realized. No, she said. Nothing.
She had never heard of Ephraim Avenue. Hallucinations. This is the sort of thing that happens when you haven t slept for days and you re so exhausted that your vision goes black at the sides where the peripheral ought to be.
Ava got to to her knees and scrabbled at the things on the ground: pajamas and her silk top with a tie at the collar, and a couple of nice skirts she had managed to pack, Toussaint s good Buster Brown school shoes and his sequined Michael Jackson glove, a few Avengers comic books. She stuffed them back into the suitcase fast as she could, only they wouldn t fit like they had before.
Ma! You have to fold them. Ma, they re just falling out again.
Brisk feet stepped around them. A pair of scuffed black lace-up shoes stopped next to one of the suitcases. A woman s head lowered into view.
You need some help, miss? she said.
Ava shook her head.
Let me help you. Her hands swung down and hovered over Ava s things, cracked palms, ashy knuckles, dirt under the nails.
No! Ava said. I mean, that s all right.
Mmph, the woman said. Her heel went down
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on a pair of slacks as she walked away.
Inside, Cherry Street smelled of sweat and stale junk food and hair.
The waiting room was big like the DMV, with rows of plastic chairs bolted to the floor. The man at intake kept calling Ava and Toussaint up to the window to ask a single question: Names? All right, sit down. ID? Okay. Take a seat. It was grim, but it was busy. The people working there had an urgency about them, like they were fixing things, phones pressed to their ears and their desks piled with folders. In the corner of the waiting room a skinny lady rubbed Vaseline on her kid s elbows like her life depended on it. That was a comforting sight. One monkey don t stop no show, like the saying goes. She squeezed Toussaint s hand. Maybe we won t have to wait too long, she said.
But they did wait. An hour passed, then two. Afternoon came, or Ava guessed it was afternoon because the sun turned white and the room was broiling. The intake man called them up again to give Ava a stack of forms attached to a clipboard. When they turned back to their seats, a go-head-say-something kind of woman was sitting there next to a kid with his arm deep in a bag of Doritos. Not a free chair left in the place. There wasn t anywhere to be but leaned up against the wall with their bags at their feet. The thick air pressed on Ava s chest and stomach till she heaved a gob of sick into a used wad of tissues she picked up from the floor. A woman sitting at the end of a nearby row frowned and looked away. Who is going to help, Ava thought, if there s nobody here but these women and their kids, all of them poor as cracks in the floor? People who ain&rsquo
Inside, Cherry Street smelled of sweat and stale junk food and hair.
The waiting room was big like the DMV, with rows of plastic chairs bolted to the floor. The man at intake kept calling Ava and Toussaint up to the window to ask a single question: Names? All right, sit down. ID? Okay. Take a seat. It was grim, but it was busy. The people working there had an urgency about them, like they were fixing things, phones pressed to their ears and their desks piled with folders. In the corner of the waiting room a skinny lady rubbed Vaseline on her kid s elbows like her life depended on it. That was a comforting sight. One monkey don t stop no show, like the saying goes. She squeezed Toussaint s hand. Maybe we won t have to wait too long, she said.
But they did wait. An hour passed, then two. Afternoon came, or Ava guessed it was afternoon because the sun turned white and the room was broiling. The intake man called them up again to give Ava a stack of forms attached to a clipboard. When they turned back to their seats, a go-head-say-something kind of woman was sitting there next to a kid with his arm deep in a bag of Doritos. Not a free chair left in the place. There wasn t anywhere to be but leaned up against the wall with their bags at their feet. The thick air pressed on Ava s chest and stomach till she heaved a gob of sick into a used wad of tissues she picked up from the floor. A woman sitting at the end of a nearby row frowned and looked away. Who is going to help, Ava thought, if there s nobody here but these women and their kids, all of them poor as cracks in the floor? People who ain&rsquo
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Autoren-Porträt von Ayana Mathis
Ayana Mathis
Bibliographische Angaben
- Autor: Ayana Mathis
- 2023, Internationale Ausgabe, 336 Seiten, Maße: 15,5 x 23,4 cm, Kartoniert (TB), Englisch
- Verlag: KNOPF
- ISBN-10: 1524712590
- ISBN-13: 9781524712594
- Erscheinungsdatum: 21.09.2023
Sprache:
Englisch
Pressezitat
A BEST BOOK OF THE YEAR: The New York Times, The Washington Post, The New Yorker, Oprah Daily, Kirkus ReviewsPoignant, heartbreaking . . . Mathis skillfully and subtly drops allusions to historical events, sending the reader on a kind of intellectual treasure hunt. The New York Times Book Review
"The Unsettled follows Ms. Mathis s debut, The Twelve Tribes of Hattie, whose loosely assembled family vignettes also explored the ambivalent aftermath of the Great Migration north. But this is a far better book, more focused and cohesive, and also more alive. The Wall Street Journal
"Ten years after The Twelve Tribes of Hattie, Mathis again strikes story-telling gold." People
An ardent, ambitious, and carefully stitched tapestry of a novel, one that deserves and rewards our attention. The Minneapolis Star Tribune
"The Unsettled is a powerful, moving novel about the fracture of Black family and the attempts we make to suture it, about the power of our history and futile attempts to sanitize it, about the connection of Black people to the lands they fight so hard to keep, and the government s attempts to separate them from it." Roxane Gay, The Audacity
A decade after taking the world by storm with her debut novel, The Twelve Tribes of Hattie the 72nd Oprah s Book Club selection and an instant bestseller Mathis is back with a highly anticipated and emotionally propulsive follow-up . . . Through a chorus of distinctive and virtuosic voices, we gather the story of a mother, a daughter, and the land that both unites and divides them. Oprah Daily
"[A] masterpiece . . . The Unsettled is poised to be a significant addition to contemporary literature, affirming Mathis s status as a gifted and influential voice in the literary world . . . An emotionally charged journey through the intricate tapestry of family, love, and the relentless pursuit of belonging."
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Essence
"Important . . . The Unsettled bears within its title the affective work that it accomplishes. Through entanglements of generational memory, placemaking, loss, nostalgia, family, community, and social dissolution, the reader is dislodged from the comfort of neat resolution." Los Angeles Review of Books
Shelter without the grace of welcome is exposure to the worst coldness of the world. Loyalty and the offer of comfort satisfy needs we feel in our bones. In The Unsettled, Ayana Mathis brings these extremes of experience intensely to life. This is a fine, powerful book. Marilynne Robinson, author of Gilead
"The Unsettled crosses generations and landscapes, digs in the Southern soil and walks mean Northern city streets. Expansive and explosive, this beauty of a novel showcases Ayana Mathis's grace on the page, as writer, as storyteller. A book to be read and re-read." Jesmyn Ward, author of Let Us Descend
Ayana Mathis is one of the most brilliant writers working in today's America. A tour de force, The Unsettled is a poetic and fierce study of the conflicts between circumstances and personalities, between dreams and survivals, between the indifference of the world at large and the passions of individuals. Yiyun Li, author of The Book of Goose
Outstanding . . . Perfectly paced . . . A heartbreaking tale about Reagan s America that deftly weaves the past and present into the possibility of a bright, if still-unfolding, future. BookPage (starred review)
Another triumph for Mathis . . . Fresh, bold, entrancing . . . [The Unsettled] sparkles even as it cuts to the bone. Library Journal (starred review)
An affecting and carefully drawn story of a family on the brink . . . Mathis powerfully evokes the heartbreak and ways best efforts are undermined by social and legal machinery. Kirkus Reviews (starred review)
A simmering family saga involving fraught efforts in building Black communities . . . Mathis ratchets up the tension all the way to a stunning reveal, which reunites the family members for a reckoning with the truth. Readers won t want to miss Mathis s accomplished return. Publishers Weekly (starred review)
Surprising and gorgeous . . . Mathis long-awaited sophomore novel leaves the Great Migration of her lauded debut (The Twelve Tribes of Hattie) for the 1980s, but her sharp characters, vivid settings, and beautiful sentences remain . . . Hattie fans will not be disappointed. Booklist
"Important . . . The Unsettled bears within its title the affective work that it accomplishes. Through entanglements of generational memory, placemaking, loss, nostalgia, family, community, and social dissolution, the reader is dislodged from the comfort of neat resolution." Los Angeles Review of Books
Shelter without the grace of welcome is exposure to the worst coldness of the world. Loyalty and the offer of comfort satisfy needs we feel in our bones. In The Unsettled, Ayana Mathis brings these extremes of experience intensely to life. This is a fine, powerful book. Marilynne Robinson, author of Gilead
"The Unsettled crosses generations and landscapes, digs in the Southern soil and walks mean Northern city streets. Expansive and explosive, this beauty of a novel showcases Ayana Mathis's grace on the page, as writer, as storyteller. A book to be read and re-read." Jesmyn Ward, author of Let Us Descend
Ayana Mathis is one of the most brilliant writers working in today's America. A tour de force, The Unsettled is a poetic and fierce study of the conflicts between circumstances and personalities, between dreams and survivals, between the indifference of the world at large and the passions of individuals. Yiyun Li, author of The Book of Goose
Outstanding . . . Perfectly paced . . . A heartbreaking tale about Reagan s America that deftly weaves the past and present into the possibility of a bright, if still-unfolding, future. BookPage (starred review)
Another triumph for Mathis . . . Fresh, bold, entrancing . . . [The Unsettled] sparkles even as it cuts to the bone. Library Journal (starred review)
An affecting and carefully drawn story of a family on the brink . . . Mathis powerfully evokes the heartbreak and ways best efforts are undermined by social and legal machinery. Kirkus Reviews (starred review)
A simmering family saga involving fraught efforts in building Black communities . . . Mathis ratchets up the tension all the way to a stunning reveal, which reunites the family members for a reckoning with the truth. Readers won t want to miss Mathis s accomplished return. Publishers Weekly (starred review)
Surprising and gorgeous . . . Mathis long-awaited sophomore novel leaves the Great Migration of her lauded debut (The Twelve Tribes of Hattie) for the 1980s, but her sharp characters, vivid settings, and beautiful sentences remain . . . Hattie fans will not be disappointed. Booklist
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