The Witch Elm
A Novel
(Sprache: Englisch)
A New York Times bestseller and a Best Book of 2018 by NPR, The New York Times Book Review, Amazon, The Boston Globe, LitHub, Vulture, Slate, Elle, Vox, and Electric Literature
Tana French s best and most intricately nuanced novel yet. The New...
Tana French s best and most intricately nuanced novel yet. The New...
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A New York Times bestseller and a Best Book of 2018 by NPR, The New York Times Book Review, Amazon, The Boston Globe, LitHub, Vulture, Slate, Elle, Vox, and Electric LiteratureTana French s best and most intricately nuanced novel yet. The New York Times
An extraordinary (Stephen King) and mesmerizing (LA Times) standalone novel from the master of crime and suspense and author of the forthcoming novel The Hunter.
From the writer who inspires cultic devotion in readers (The New Yorker) and has been called incandescent by Stephen King, absolutely mesmerizing by Gillian Flynn, and unputdownable (People) comes a gripping new novel that turns a crime story inside out.
Toby is a happy-go-lucky charmer who s dodged a scrape at work and is celebrating with friends when the night takes a turn that will change his life he surprises two burglars who beat him and leave him for dead. Struggling to recover from his injuries, beginning to understand that he might never be the same man again, he takes refuge at his family s ancestral home to care for his dying uncle Hugo. Then a skull is found in the trunk of an elm tree in the garden and as detectives close in, Toby is forced to face the possibility that his past may not be what he has always believed.
A spellbinding standalone from one of the best suspense writers working today, The Witch Elm asks what we become, and what we re capable of, when we no longer know who we are.
Lese-Probe zu „The Witch Elm “
FiveSusanna swooped Sallie onto her hip, grabbed Zach s arm in the same movement and hustled the pair of them back up the garden, talking firm reassuring bullshit all the way. Sallie was still screaming, the sound jolting with Susanna s footsteps; Zach had switched to yelling wildly, lunging at the end of Susanna s arm to get back to us. When the kitchen door slammed behind them, the silence came down over the garden thick as volcanic ash.
The skull lay on its side in the grass, between the camomile patch and the shadow of the wych elm. One of the eyeholes was plugged with a clot of dark dirt and small pale curling roots; the lower jaw gaped in a skewed, impossible howl. Clumps of something brown and matted, hair or moss, clung to the bone.
The four of us stood there in a semicircle, as if we were gathered for some incomprehensible initiation ceremony, waiting for a signal to tell us how to begin. Around our feet the grass was long and wet, bowed under the weight of the morning s rain.
That s, I said, that looks human.
It s fake, Tom said. Some Halloween thing
Melissa said, I don t think it s fake. I put my arm around her. She brought up a hand to take mine, but absently: all her focus was on the thing.
Our neighbors put a skeleton out, Tom said. Last year. It looked totally real.
I don t think it s fake.
None of us moved closer.
How would a fake skull get in here? I asked.
Teenagers messing around, Tom said. Throwing it over the wall, orout of a window. How would a real skull get in here?
It could be old, Melissa said. Hundreds of years, even thousands.And Zach and Sallie dug it up. Or a fox did.
It s fake as fuck, Leon said. His voice was high and tight and angry; the thing had scared the shit out of him. And it s not funny. It could have given someone a heart attack. Stick it in the bin, before Hugo sees it. Get ashovel out of the shed; I m not touching it.
Tom took three swift paces
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forwards, went down on one knee by the thing and leaned in close. He straightened up fast, with a sharp hiss of in breath.
OK, he said. I think it s real.
Fuck s sake, Leon said, jerking his head upwards. There s no way, like literally no possible
Take a look.
Leon didn t move. Tom stepped back, wiping his hands on his trousers as if he had touched it.
The run down the garden had left my scar throbbing, a tiny pointed hammer knocking my vision off- kilter with every blow. It seemed to me that the best thing we could do was stay perfectly still, all of us, wait till something came flapping down to carry this back to whatever seething otherworld had discharged it at our feet; that if any of us shifted a foot, took a breath, that chance would be lost and some dreadful and unstoppable train of events would be set in motion.
Let me see, Hugo said quietly, behind us. All of us jumped.
He moved between us, his stick crunching rhythmically into the grass,and leaned over to look.
Ah, he said. Yes. Zach was right.
Hugo, I said. He seemed like salvation, the one person in the world who would know how to undo this so we could all go back inside and talk about the house some more. What do we do?
He turned his head to look at me over his shoulder, pushing up his glasses with a knuckle. We call the Guards, of course, he said gently.
I ll do it in a moment. I just want
OK, he said. I think it s real.
Fuck s sake, Leon said, jerking his head upwards. There s no way, like literally no possible
Take a look.
Leon didn t move. Tom stepped back, wiping his hands on his trousers as if he had touched it.
The run down the garden had left my scar throbbing, a tiny pointed hammer knocking my vision off- kilter with every blow. It seemed to me that the best thing we could do was stay perfectly still, all of us, wait till something came flapping down to carry this back to whatever seething otherworld had discharged it at our feet; that if any of us shifted a foot, took a breath, that chance would be lost and some dreadful and unstoppable train of events would be set in motion.
Let me see, Hugo said quietly, behind us. All of us jumped.
He moved between us, his stick crunching rhythmically into the grass,and leaned over to look.
Ah, he said. Yes. Zach was right.
Hugo, I said. He seemed like salvation, the one person in the world who would know how to undo this so we could all go back inside and talk about the house some more. What do we do?
He turned his head to look at me over his shoulder, pushing up his glasses with a knuckle. We call the Guards, of course, he said gently.
I ll do it in a moment. I just want
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Autoren-Porträt von Tana French
Tana French is the author of In the Woods, The Likeness, Faithful Place, Broken Harbor and The Secret Place. Her books have won awards including the Edgar, Anthony, Macavity, and Barry awards, the Los Angeles Times Award for Best Mystery/Thriller, and the Irish Book Award for Crime Fiction. She lives in Dublin with her family.
Bibliographische Angaben
- Autor: Tana French
- 2019, 528 Seiten, Maße: 13,6 x 21,3 cm, Kartoniert (TB), Englisch
- Verlag: PENGUIN BOOKS
- ISBN-10: 0735224641
- ISBN-13: 9780735224643
- Erscheinungsdatum: 18.02.2020
Sprache:
Englisch
Pressezitat
Extraordinary . . . Here s a things-go-bad story Thomas Hardy could have written in his prime. . . . The book is lifted by French s nervy, almost obsessive prose. . . . This is good work by a good writer. For the reader, what luck. Stephen King, The New York Times Book Review
Tana French is at her suspenseful best in The Witch Elm . . . Tana French s best and most intricately nuanced novel yet . . . She is in a class by herself as a superb psychological novelist . . . French s heretofore finest novel . . . Get ready for the whiplash brought on by its final twists and turns.
Janet Maslin, The New York Times
Like all of her novels, it becomes an incisive psychological portrait embedded in a mesmerizing murder mystery. [French] could make a Target run feel tense and revelatory.
Los Angeles Times
Like all of French s novels, The Witch Elm can be swooningly evocative . . . even if Toby isn t on the Dublin Murder Squad, the events in The Witch Elm spur his great, transformative upheaval. The discovery they force on him revolves around one question: Whose story is this? By the time French is done retooling the mystery form it seems there s nothing she can t make it do, no purpose she can t make it serve the answer is clear: hers and hers alone.
Laura Miller, Slate
Ms. French s new standalone is a stunner. Unapologetically atmospheric, the book is thought-provoking and a pleasure to read at the sentence level. Her suspense and crime elements are done exceptionally well and with great originality.
Paula McLain
Head-spinning. . . French has spun an engrossing meditation on memory, identity, and family. A master of psychological complexity, she toys with the minds of her characters and readers both.
Vogue
The Witch Elm, which follows a privileged man whose life gets derailed, is a timely window into what happens when men lose their precious power . . . French s masterful character study is absolutely riveting and timely.
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Buzzfeed
Detail-rich sequences lead to psychological insights and unexpected revelations.
The Wall Street Journal
The literary world s favorite mystery writer.
The Cut
Since bursting onto the mystery scene with her genre-bending 2007 debut In the Woods, Tana French has cemented her reputation as a literary novelist who happens to write about murder.
Vulture
Tana French she of the lusciously complex sentences, she of the dense and eerie atmospheres is one of the greatest crime novelists writing today. . . . The Witch Elm is a rich, immersive, and spine-chilling book, because Tana French is great at what she does and she knows how to tell a story. But it s also a scathing and insightful deconstruction of social privilege, coming from a master of the form at the height of her powers.
Vox
A crime thriller at the top of its game.
InStyle
Tana French s new novel is an intriguing blend of whodunit and who am I . . . a high priestess of tense, twisty plots . . . the mystery s resolution is astonishing.
O, Oprah Magazine
Spooky. . . . one of the premier voices in contemporary crime fiction . . . The final revelations in Witch are startling . . . a whodunit far more memorable for the why than the who.
Entertainment Weekly
French s alluring storytelling keeps you hooked.
Time
French burrows deeply into her victim s psyche, plucking out his thoughts and presenting them with such elegantly worded descriptions one may think the author has nestled herself in an armchair squarely in Toby s frontal cortex . . . This one is worth two readings: the first with the constant tightening of the chest that accompanies all of French s work, the second after the reader can breathe again.
The Associated Press
Scratch a bit beneath the surface of The Witch Elm, then, and you ll find a book that captures the tensions of our current era, which is defined both by identity politics and the backlash against them. Through Toby, the novel offers powerful insight into how luck which is, often enough, another way of saying privilege can blind people to the suffering of others, with disastrous consequences.
Quartz
A thrilling novel about privilege, family lore, and perception.
PopSugar
The crime writer for people who think they don t like genre fiction. Her prose is enveloping and intricate, but casually masks its cleverness. She sucks you in with mystery, then unfurls a masterfully rendered, super specific slice of Irish society.
Vogue.com
Tana French is at the cutting edge of crime fiction, and The Witch Elm pushes its boundaries further.
The New Republic
A spellbinding stand-alone novel carefully crafted in her unique, darkly elegant prose style.
Booklist
Prose so smooth you forget about it and just sink right in.
Literary Hub
Exquisitely suspenseful.
Bustle
Tana French s The Witch Elm is a chilling mystery about the unreliability of memory.
Real Simple
You savor the details the delicious portrayal of crisp fall weather in Ireland as you race through the pages. . . . A tick-tocking mystery and a fascinating portrayal of memory as a cracked mirror, through which the past can t quite be seen clearly.
Seattle Times
French spins a compelling, twisty plot and maintains an atmosphere of foreboding and paranoia that runs throughout the book . . . games within games as each tries to deflect blame from themselves and onto someone else . . . [but] French has still created a compelling novel of suspense, in which a world that no longer makes sense is the scariest thing of all.
Providence Journal
An amazing read from an iconic thriller writer.
Mystery Tribune
Fans of [Tana French s] previous Dublin Murder Squad books will find themselves happily tangled up in her new novel, and ultimately delighted by the deep psychological dive she leads them on.
Mystery Scene
Tana French, having tailored psychological suspense to her own voice, demonstrates anew that the solution never fits neatly into the crime-solving order that detective novels demand.
Bookforum
Edgar-winner French is at her suspenseful best in this standalone, in which an Irishman, who s always considered himself a lucky person, has to reassess his past in the light of a gruesome find on the grounds of his family s ancestral home.
Publishers Weekly
The story is compelling, and French is deft in unraveling this book s puzzles . . . Psychologically intense.
Kirkus Reviews
French s slow-burning, character-driven examination of male privilege is timely, sharp, and meticulously crafted. Recommended for her legions of fans, as well as any readers of literary crime fiction.
Library Journal
Detail-rich sequences lead to psychological insights and unexpected revelations.
The Wall Street Journal
The literary world s favorite mystery writer.
The Cut
Since bursting onto the mystery scene with her genre-bending 2007 debut In the Woods, Tana French has cemented her reputation as a literary novelist who happens to write about murder.
Vulture
Tana French she of the lusciously complex sentences, she of the dense and eerie atmospheres is one of the greatest crime novelists writing today. . . . The Witch Elm is a rich, immersive, and spine-chilling book, because Tana French is great at what she does and she knows how to tell a story. But it s also a scathing and insightful deconstruction of social privilege, coming from a master of the form at the height of her powers.
Vox
A crime thriller at the top of its game.
InStyle
Tana French s new novel is an intriguing blend of whodunit and who am I . . . a high priestess of tense, twisty plots . . . the mystery s resolution is astonishing.
O, Oprah Magazine
Spooky. . . . one of the premier voices in contemporary crime fiction . . . The final revelations in Witch are startling . . . a whodunit far more memorable for the why than the who.
Entertainment Weekly
French s alluring storytelling keeps you hooked.
Time
French burrows deeply into her victim s psyche, plucking out his thoughts and presenting them with such elegantly worded descriptions one may think the author has nestled herself in an armchair squarely in Toby s frontal cortex . . . This one is worth two readings: the first with the constant tightening of the chest that accompanies all of French s work, the second after the reader can breathe again.
The Associated Press
Scratch a bit beneath the surface of The Witch Elm, then, and you ll find a book that captures the tensions of our current era, which is defined both by identity politics and the backlash against them. Through Toby, the novel offers powerful insight into how luck which is, often enough, another way of saying privilege can blind people to the suffering of others, with disastrous consequences.
Quartz
A thrilling novel about privilege, family lore, and perception.
PopSugar
The crime writer for people who think they don t like genre fiction. Her prose is enveloping and intricate, but casually masks its cleverness. She sucks you in with mystery, then unfurls a masterfully rendered, super specific slice of Irish society.
Vogue.com
Tana French is at the cutting edge of crime fiction, and The Witch Elm pushes its boundaries further.
The New Republic
A spellbinding stand-alone novel carefully crafted in her unique, darkly elegant prose style.
Booklist
Prose so smooth you forget about it and just sink right in.
Literary Hub
Exquisitely suspenseful.
Bustle
Tana French s The Witch Elm is a chilling mystery about the unreliability of memory.
Real Simple
You savor the details the delicious portrayal of crisp fall weather in Ireland as you race through the pages. . . . A tick-tocking mystery and a fascinating portrayal of memory as a cracked mirror, through which the past can t quite be seen clearly.
Seattle Times
French spins a compelling, twisty plot and maintains an atmosphere of foreboding and paranoia that runs throughout the book . . . games within games as each tries to deflect blame from themselves and onto someone else . . . [but] French has still created a compelling novel of suspense, in which a world that no longer makes sense is the scariest thing of all.
Providence Journal
An amazing read from an iconic thriller writer.
Mystery Tribune
Fans of [Tana French s] previous Dublin Murder Squad books will find themselves happily tangled up in her new novel, and ultimately delighted by the deep psychological dive she leads them on.
Mystery Scene
Tana French, having tailored psychological suspense to her own voice, demonstrates anew that the solution never fits neatly into the crime-solving order that detective novels demand.
Bookforum
Edgar-winner French is at her suspenseful best in this standalone, in which an Irishman, who s always considered himself a lucky person, has to reassess his past in the light of a gruesome find on the grounds of his family s ancestral home.
Publishers Weekly
The story is compelling, and French is deft in unraveling this book s puzzles . . . Psychologically intense.
Kirkus Reviews
French s slow-burning, character-driven examination of male privilege is timely, sharp, and meticulously crafted. Recommended for her legions of fans, as well as any readers of literary crime fiction.
Library Journal
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