Visual Imagery and Human Rights Practice

Images and Human Rights.- Part 1: Technologies.- 50 Years of Documentation: A Brief History of the Audio-Visual Documentation of the Israeli Occupation.- Drones, Camera Innovations and Conceptions of Human Rights.- A Convergence of Visuals: Geospatial and Open Source Analysis in Human Rights.- The Rise of GEOINT: Technology, Intelligence and Human Rights.- Technology's Continuum: Body Cameras, Data Collection and Constitutional Searches.- Part 2: Platforms.- Simon Srebnik: Narratives of a Holocaust Survivor.- Re-archiving Mass Atrocity Records by Involving Affected Communities in Postwar Bosnia and Herzegovina.- Communicating Justice in Film: The Limitations of an Unlimited Field.- Photography as a Platform for Transitional Justice: Peru's Case.- Sexual Violence in the Field of Vision.- Art and Human Rights in the Constitutional Court of South Africa.- Part 3: Agents.- A Change of Perspective: Aerial Photography and "the Right to the City" in a Palestinian Refugee Camp.- Contested Visualities: Courage and Fear in the Portrayal of Rio de Janeiro's Favelas.- Ubiquitous Witnessing in Human Rights Activism.- Answering the Smartphones: Citizen Witness Activism and Police Public Relations.- How Newsrooms Use Eyewitness Media.

Sandra Ristovska is Assistant Professor in Media Studies at the College of Media, Communication and Information at the University of Colorado Boulder, USA.



Monroe Price is Professor at the Annenberg School for Communication at the University of Pennsylvania, USA, and was director of its Center for Global Communication Studies.