Wish You Were Here
A Novel
(Sprache: Englisch)
From the #1 New York Times bestselling author of Small Great Things and The Book of Two Ways comes "a powerfully evocative story of resilience and the triumph of the human spirit" (Taylor Jenkins Reid, author of Malibu Rising)
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From the #1 New York Times bestselling author of Small Great Things and The Book of Two Ways comes "a powerfully evocative story of resilience and the triumph of the human spirit" (Taylor Jenkins Reid, author of Malibu Rising) Rights sold to Netflix for adaptation as a feature film
Diana O'Toole is perfectly on track. She will be married by thirty, done having kids by thirty-five, and move out to the New York City suburbs, all while climbing the professional ladder in the cutthroat art auction world. She's an associate specialist at Sotheby's now, but her boss has hinted at a promotion if she can close a deal with a high-profile client. She's not engaged just yet, but she knows her boyfriend, Finn, a surgical resident, is about to propose on their romantic getaway to the Galápagos-days before her thirtieth birthday. Right on time.
But then a virus that felt worlds away has appeared in the city, and on the eve of their departure, Finn breaks the news: It's all hands on deck at the hospital. He has to stay behind. You should still go, he assures her, since it would be a shame for all of their nonrefundable trip to go to waste. And so, reluctantly, she goes.
Almost immediately, Diana's dream vacation goes awry. Her luggage is lost, the Wi-Fi is nearly nonexistent, and the hotel they'd booked is shut down due to the pandemic. In fact, the whole island is now under quarantine, and she is stranded until the borders reopen. Completely isolated, she must venture beyond her comfort zone. Slowly, she carves out a connection with a local family when a teenager with a secret opens up to Diana, despite her father's suspicion of outsiders.
In the Galápagos Islands, where Darwin's theory of evolution by natural selection was formed, Diana finds herself examining her relationships, her choices, and herself-and wondering if when she goes home, she too will have evolved into someone completely different.
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OneMarch 13, 2020
When I was six years old, I painted a corner of the sky. My father was working as a conservator, one of a handful restoring the zodiac ceiling on the main hall of Grand Central Terminal an aqua sky strung with shimmering constellations. It was late, way past my bedtime, but my father took me to work because my mother as usual was not home.
He helped me carefully climb the scaffolding, where I watched him working on a cleaned patch of the turquoise paint. I looked at the stars representing the smear of the Milky Way, the golden wings of Pegasus, Orion s raised club, the twisted fish of Pisces. The original mural had been painted in 1913, my father told me. Roof leaks damaged the plaster, and in 1944, it had been replicated on panels that were attached to the arched ceiling. The original plan had been to remove the boards for restoration, but they contained asbestos, and so the conservators left them in place, and went to work with cotton swabs and cleaning solution, erasing decades of pollutants.
They uncovered history. Signatures and inside jokes and notes left behind by the original artists were revealed, tucked in among the constellations. There were dates commemorating weddings, and the end of World War II. There were names of soldiers. The birth of twins was recorded near Gemini.
An error had been made by the original artists, so that the painted zodiac was reversed from the way it would appear in the night sky. Instead of correcting it, though, my father was diligently reinforcing the error. That night, he was working on a small square of space, gilding stars. He had already painted over the tiny yellow dots with adhesive. He covered these with a piece of gold leaf, light as breath. Then he turned to me. Diana, he said, holding out his hand, and I climbed up in front of him, caged by the safety of his body. He handed me a brush to sweep over the foil, fixing it in place. He showed me how to gently rub at it with my
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thumb, so that the galaxy he d created was all that remained.
When all the work was finished, the conservators kept a small dark spot in the northwest corner of Grand Central Terminal, where the pale blue ceiling meets the marble wall. This nine-by-five-inch section was left that way intentionally. My father told me that conservators do that, in case historians need to study the original composition. The only way you can tell how far you ve come is to know where you started.
Every time I m in Grand Central Terminal, I think about my father. Of how we left that night, hand in hand, our palms glittering like we had stolen the stars.
It is Friday the thirteenth, so I should know better. Getting from Sotheby s, on the Upper East Side, to the Ansonia, on the Upper West Side, means taking the Q train to Times Square and then the 1 uptown, so I have to travel in the wrong direction before I start going in the right one.
I hate going backward.
Normally I would walk across Central Park, but I am wearing a new pair of shoes that are rubbing a blister on my heel, shoes I never would have worn if I d known that I was going to be summoned by Kitomi Ito. So instead, I find myself on public transit. But something s off, and it takes me a moment to figure out what.
It s quiet. Usually, I have to fight my way through tourists who are listening to someone singing for coins, or a violin quartet. Today, though, the atrium is empty.
Last night Broadway theaters had shut down performances for a month, after an usher tested positive for Covid, out of an abundance of caution. That s what Finn said, anyway New York Presbyterian, where he is a resident, has not seen the influx of coronavirus cases that are appearing in Washington State and Italy and France. There were only nineteen cases in the city, Finn told me last night as we wa
When all the work was finished, the conservators kept a small dark spot in the northwest corner of Grand Central Terminal, where the pale blue ceiling meets the marble wall. This nine-by-five-inch section was left that way intentionally. My father told me that conservators do that, in case historians need to study the original composition. The only way you can tell how far you ve come is to know where you started.
Every time I m in Grand Central Terminal, I think about my father. Of how we left that night, hand in hand, our palms glittering like we had stolen the stars.
It is Friday the thirteenth, so I should know better. Getting from Sotheby s, on the Upper East Side, to the Ansonia, on the Upper West Side, means taking the Q train to Times Square and then the 1 uptown, so I have to travel in the wrong direction before I start going in the right one.
I hate going backward.
Normally I would walk across Central Park, but I am wearing a new pair of shoes that are rubbing a blister on my heel, shoes I never would have worn if I d known that I was going to be summoned by Kitomi Ito. So instead, I find myself on public transit. But something s off, and it takes me a moment to figure out what.
It s quiet. Usually, I have to fight my way through tourists who are listening to someone singing for coins, or a violin quartet. Today, though, the atrium is empty.
Last night Broadway theaters had shut down performances for a month, after an usher tested positive for Covid, out of an abundance of caution. That s what Finn said, anyway New York Presbyterian, where he is a resident, has not seen the influx of coronavirus cases that are appearing in Washington State and Italy and France. There were only nineteen cases in the city, Finn told me last night as we wa
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Autoren-Porträt von Jodi Picoult
Jodi Picoult
Bibliographische Angaben
- Autor: Jodi Picoult
- 2022, 336 Seiten, Maße: 15,3 x 22,8 cm, Kartoniert (TB), Englisch
- Verlag: Ballantine Books
- ISBN-10: 0593497201
- ISBN-13: 9780593497203
- Erscheinungsdatum: 13.01.2022
Sprache:
Englisch
Pressezitat
Stealthily surprising and very moving . . . absolutely a must-read. Booklist (starred review)A satisfying and thought-provoking narrative. Minneapolis Star Tribune
Jodi Picoult once again proves she is the master of wading through the darkness to find the light. Taylor Jenkins Reid, New York Times bestselling author of Malibu Rising
Wish You Were Here is a transporting and transcendent novel about seeking out glimmers of light in the darkness, and following them wherever they lead. Jodi Picoult is that rare, one-in-a-million writer whose books both squeeze your heart and expand your mind. Her latest is wise, surprising, and utterly extraordinary. Emily Henry, #1 New York Times bestselling author of People We Meet on Vacation and Beach Read
In Wish You Were Here, Jodi Picoult does something brilliant, cracking open something extraordinary. I am just overwhelmed by this book. I actually finished it at three in the morning and started reading it again. Caroline Leavitt, New York Times bestselling author of With or Without You
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