Byronic Heroes in Nineteenth-Century Women's Writing and Screen Adaptation (PDF)
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Byronic Heroes in Nineteenth-Century Women's Writing and Screen Adaptation charts a new chapter in the changing fortunes of a unique cultural phenomenon. This book examines the afterlives of the Byronic hero through the work of nineteenth-century women writers and screen adaptations of their fiction. It is a timely reassessment of Byron's enduring legacy during the nineteenth century and beyond, focusing on the charged and unstable literary dialogues between Jane Austen, Elizabeth Gaskell, George Eliot and a Romantic icon whose presence takes centre stage in recent screen adaptations of their most celebrated novels. The broad interdisciplinary lens employed in this book concentrates on the conflicted rewritings of Byron's poetry, his 'heroic' protagonists, and the cult of Byronism in nineteenth-century novels from Pride and Prejudice to Middlemarch, and extends outwards to the reappearance of Byronic heroes on film and in television series over the last two decades.
- Autor: Sarah Wootton
- 2017, 1st ed. 2016, 253 Seiten, Englisch
- Verlag: Palgrave Macmillan
- ISBN-10: 113757934X
- ISBN-13: 9781137579348
- Erscheinungsdatum: 26.01.2017
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“Wootton provides both substantive and nuanced analysis of the literary and film/television texts chosen for the book, and the absence of certain texts may be simply a matter of space. … Throughout each section of the book, Wootton is strongly engaged with critics of Romantic and Victorian literature as well as film critics and reviewers who tracked the popularity of the various adaptations. Studies of literary influence can sometimes feel forced, but that is not the case here.” (Cheryl A. Wilson, Tulsa Studies in Women’s Literature, Vol. 37 (1), 2018)
“This is an informative monograph which prompts a re-thinking of Byron’s ambivalent legacies. Elegantly written and impeccably researched, Wootton’s study will be valuable to any scholars, students, or general readers interested in both the Romantic and the Victorian age as well as in the Byron phenomenon more broadly, and in twenty-first century media and film studies. … the book takes on a subject that we thought we knew all about and discovers something fresh to say about it.” (Carmen Casaliggi, Byron Journal, Vol. 45 (1), 2017)
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