Experimentalisms in Practice (ePub)

Ana R. Alonso- Minutti is associate professor of music and faculty affiliate of the Latin American and Iberian Institute at the University of New Mexico. She holds a Ph.D. in musicology from the University of California, Davis. Her teaching and research endeavors blend musicological and ethnomusicological inquiry into the study of contemporary musical practices across the Americas. Her scholarship focuses on experimental and avant- garde expressions, music traditions from Mexico and the US- Mexico border, and music history pedagogy. She has published in Latin American Music Review, Revista Argentina de Musicología, Journal of Music History Pedagogy, Pauta, and elsewhere and her book Mario Lavista and Musical Cosmopolitanism in Late Twentieth- Century Mexico is under contract with Oxford University Press. As an extension of her written scholarship she directed and produced the video documentary Cubos y permutaciones: Plástica, música y poesía de vanguardia en México. Prior to joining the University of New Mexico, she was assistant professor of music at the University of North Texas.

Eduardo Herrera is assistant professor in ethnomusicology and music history at Rutgers, The State University of New Jersey. He received a Ph.D. in ethnomusicology from the University of Illinois at Urbana- Champaign and specializes in contemporary musical practices from Spanish- and Portuguese- speaking Latin America. His book, Elite Art Worlds: Philanthropy, Latin Americanism, and Avant- garde Music (under contract with Oxford University Press), considers the history of the Centro Latinoamericano de Altos Estudios Musicales (1962- 1971) as a meeting point of US and Argentine philanthropy, framings of pan- regional discourses of musical Latin Americanism, and local experiences in transnational currents of artistic experimentation and innovation. His second book project explores participatory music making in Argentine soccer stadiums and is titled

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