Falling in Love, With Other Essays on More Exact Branches of Science (ePub)

Excerpt: 'Of its eminently conservative and even upward tendency very little doubt can be reasonably entertained. We do fall in love, taking us in the lump, with the young, the beautiful, the strong, and the healthy; we do not fall in love, taking us in the lump, with the aged, the ugly, the feeble, and the sickly. The prohibition of the Church is scarcely needed to prevent a man from marrying his grandmother. Moralists have always borne a special grudge to pretty faces; but, as Mr. Herbert Spencer admirably put it (long before the appearance of Darwin's selective theory), 'the saying that beauty is but skin-deep is itself but a skin-deep saying.' In reality, beauty is one of the very best guides we can possibly have to the desirability, so far as race-preservation is concerned, of any man or any woman as a partner in marriage. A fine form, a good figure, a beautiful bust, a round arm and neck, a fresh complexion, a lovely face, are all outward and visible signs of the physical qualities that on the whole conspire to make up a healthy and vigorous wife and mother; they imply soundness, fertility, a good circulation, a good digestion. Conversely, sallowness and paleness are roughly indicative of dyspepsia and anæmia; a flat chest is a symptom of deficient maternity; and what we call a bad figure is really, in one way or another, an unhealthy departure from the central norma and standard of the race. Good teeth mean good deglutition; a clear eye means an active liver; scrubbiness and undersizedness mean feeble virility. Nor are indications of mental and moral efficiency by any means wanting as recognised elements in personal beauty. A good-humoured face is in itself almost pretty. A pleasant smile half redeems unattractive features. Low, receding foreheads strike us unfavourably. Heavy, stolid, half-idiotic countenances can never be beautiful, however regular their lines and contours. Intelligence and goodness are almost as necessary as health and vigour in order to make up our perfect ideal of a beautiful human face and figure. The Apollo Belvedere is no fool; the murderers in the Chamber of Horrors at Madame Tussaud's are for the most part no beauties.'