Film, Negation and Freedom (PDF)
Capitalism and Romantic Critique
(Sprache: Englisch)
Film, Negation and Freedom: Capitalism and Romantic Critique explores cinema in relation to the critical tradition in modern philosophy and its heritage in Romantic aesthetics.
Synthesising a variety of discursive fields and traditions -...
Synthesising a variety of discursive fields and traditions -...
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Film, Negation and Freedom: Capitalism and Romantic Critique explores cinema in relation to the critical tradition in modern philosophy and its heritage in Romantic aesthetics.
Synthesising a variety of discursive fields and traditions - including Early German Romanticism, Frankfurt School critical theory and the aesthetic philosophy of Jacques Rancière - Film, Negation and Freedom outlines a radical new approach to film by re-examining the work of Arthur Penn and Lindsay Anderson. A distinction between Light and Dark Romanticism is introduced as a means of interpreting cinema's relationship with capitalism, as well as dualistic concepts such as stillness and motion, passivity and activity, pain and pleasure. Film, Negation and Freedom revitalises our understanding of modern audio-visual media, as well as the aesthetic, philosophical and political conditions of Romantic subjectivity, artistic practice and spectatorship.
Synthesising a variety of discursive fields and traditions - including Early German Romanticism, Frankfurt School critical theory and the aesthetic philosophy of Jacques Rancière - Film, Negation and Freedom outlines a radical new approach to film by re-examining the work of Arthur Penn and Lindsay Anderson. A distinction between Light and Dark Romanticism is introduced as a means of interpreting cinema's relationship with capitalism, as well as dualistic concepts such as stillness and motion, passivity and activity, pain and pleasure. Film, Negation and Freedom revitalises our understanding of modern audio-visual media, as well as the aesthetic, philosophical and political conditions of Romantic subjectivity, artistic practice and spectatorship.
Autoren-Porträt von Will Kitchen
Will Kitchen was Teaching Fellow in Film Studies at the University of Southampton, UK. He is the author of Romanticism and Film: Franz Liszt and Audio-Visual Explanation (2020), also published by Bloomsbury Academic.
Bibliographische Angaben
- Autor: Will Kitchen
- 2023, 1. Auflage, 264 Seiten, Englisch
- Verlag: Bloomsbury Publishing Inc
- ISBN-10: 8765105567
- ISBN-13: 9798765105566
- Erscheinungsdatum: 19.10.2023
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- Größe: 8.47 MB
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Englisch
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