Shakespeare and Meisner (PDF)
A Practical Guide for Actors, Directors, Students and Teachers
(Sprache: Englisch)
This practical handbook is invaluable for anyone performing, teaching, studying or simply wanting a new way to enjoy Shakespeare. It provides an outline of Meisner's work and legacy, a discussion of that legacy in the light of the enduring global popularity...
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This practical handbook is invaluable for anyone performing, teaching, studying or simply wanting a new way to enjoy Shakespeare. It provides an outline of Meisner's work and legacy, a discussion of that legacy in the light of the enduring global popularity of Shakespeare, and a wealth of practical exercises drawn from Meisner's techniques.
Shakespeare writes about the truth in human relationships and human hearts. Sanford Meisner's work unlocks truthful acting. They would seem a perfect match. Yet, following Meisner's note to his actors that 'text is your greatest enemy', Shakespeare and Meisner are often considered 'strange bedfellows'.
The rhetorical complexity of Shakespeare's text can often be perceived as rules an actor must learn in order to perform Shakespeare 'properly'. Meisner's main rule is that 'you can't say ouch until you've been pinched': in other words, an actor must genuinely feel something in order to react in a performance which is alive to the moment. This book explores how actors can use Meisner's tools of 'acting is reacting' to discover the infinite freedom within the apparent constraints of Shakespeare's text.
Shakespeare writes about the truth in human relationships and human hearts. Sanford Meisner's work unlocks truthful acting. They would seem a perfect match. Yet, following Meisner's note to his actors that 'text is your greatest enemy', Shakespeare and Meisner are often considered 'strange bedfellows'.
The rhetorical complexity of Shakespeare's text can often be perceived as rules an actor must learn in order to perform Shakespeare 'properly'. Meisner's main rule is that 'you can't say ouch until you've been pinched': in other words, an actor must genuinely feel something in order to react in a performance which is alive to the moment. This book explores how actors can use Meisner's tools of 'acting is reacting' to discover the infinite freedom within the apparent constraints of Shakespeare's text.
Autoren-Porträt von Aileen Gonsalves, Tracy Irish
Aileen Gonsalves is Artistic Director of Butterfly Theatre Company, which specializes in immersive theatre online and in extraordinary spaces. Her expertise is in authentic acting and directing, particularly with Shakespeare, and she teaches her Meisner rooted actor training approach, the Gonsalves Method, across the globe. She has worked extensively with the RSC and as an associate artist with Kali Theatre Company, and has been Head of the MA in Acting at Arts Ed and Head of BA Acting at Drama Studio London.
Bibliographische Angaben
- Autoren: Aileen Gonsalves , Tracy Irish
- 2021, 1. Auflage, 152 Seiten, Englisch
- Verlag: Bloomsbury UK
- ISBN-10: 1350118419
- ISBN-13: 9781350118416
- Erscheinungsdatum: 25.03.2021
Abhängig von Bildschirmgröße und eingestellter Schriftgröße kann die Seitenzahl auf Ihrem Lesegerät variieren.
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- Dateiformat: PDF
- Größe: 0.92 MB
- Mit Kopierschutz
Sprache:
Englisch
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