Soul Thieves / Contemporary Black History (PDF)
The Appropriation and Misrepresentation of African American Popular Culture
(Sprache: Englisch)
Considers the misappropriation of African American popular culture through various genres, largely Hip Hop, to argue that while such cultural creations have the potential to be healing agents, they are still exploited -often with the complicity of African...
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Considers the misappropriation of African American popular culture through various genres, largely Hip Hop, to argue that while such cultural creations have the potential to be healing agents, they are still exploited -often with the complicity of African Americans- for commercial purposes and to maintain white ruling class hegemony.
Autoren-Porträt von T. Brown, B. Kopano
Dr. Kimberly Brown, Alabama State University, USAKawachi Clemons, Florida A & M University, USA
Ronald L. Jackson, II, University of Cincinnati, USA
Dr. Carlos D. Morrison, Alabama State University, USA
Dr. Abena Lewis-Mhoon, Coppin State University, USA
Jamal L. Ratchford, University of Indianapolis, USA
Diarra Osei Robertson, Bowie State University, USA
James B. Stewart, Penn State, USA
David Taft Terry, Morgan State University, USA
Bibliographische Angaben
Abhängig von Bildschirmgröße und eingestellter Schriftgröße kann die Seitenzahl auf Ihrem Lesegerät variieren.
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- Größe: 3.31 MB
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Sprache:
Englisch
Pressezitat
“Soul Thieves is a collection of essays thatcritically weighs the consequences of appropriating black culture. … The volumehas broad appeal and informs academics how black material culture is conversantwith many of the same discourses as conventional historical narratives. … SoulThieves is a welcomed addition to interdisciplinary fields, African Americanstudies in particular.” (Kameelah L. Martin, Journal of American Culture, Vol.102 (3), December, 2015)"This ground breaking interdisciplinary publication is long overdue and offers deep insight into the efficacy of African American popular culture and it's critical impact on shaping artistic cultural production on a global scale. The contributors, leading scholars in their respective research areas, set the record straight through their thought provoking and accessible historical research." - Melanye White Dixon, Associate Professor, Department of Dance, The Ohio State University, USA
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