Theatre Work: Reimagining the Labor of Theatrical Production (PDF)

Name: Theatre Work: Reimagining the Labor of Theatrical Production
Brand: Taylor & Francis
SKU: 153324652
Price: 36.50 EUR
Availability: OnlineOnly

(Sprache: Englisch)

Autoren: Brídín Clements Cotton , Natalie Robin

Schreiben Sie einen Kommentar zu "Theatre Work: Reimagining the Labor of Theatrical Production".

Theatre Work: Reimagining the Labor of Theatrical Production, Brídín Clements Cotton, Natalie Robin

Merken

Theatre Work: Reimagining the Labor of Theatrical Production investigates both the history and current realities of life and work in professional theatrical production in the United States and explores labor practices that are equitable, accessible, and sustainable.

Autorenporträt Video

Erscheint am 29.04.2024

Bestellnummer: 153324652

eBook (pdf) 36.50 €

Download vorbestellen

Lastschrift, Kreditkarte, Paypal, Rechnung
Kostenloser tolino webreader

Produktdetails

Produktbeschreibung
Autorenporträt
eBook Hilfe
Biblio. Angaben / Produktdetails

Produktinformationen zu „Theatre Work: Reimagining the Labor of Theatrical Production (PDF)“

Autoren-Porträt von Brídín Clements Cotton, Natalie Robin

Brídín Clements Cotton (she/her) is an arts manager, educator, and maker. Currently an arts instructor for stage and project management at NYU Abu Dhabi, she has held a variety of management and teaching roles at arts organizations and educational institutions. Her approach to facilitating collaboration is driven by belief in the potential for theatre as a space for human connection and interest in how gatherings can create collective meaning.

Natalie Robin (she/her) is a lighting designer, labor organizer, and educator. She is the full-time organizer for United Scenic Artists, Local 829, IATSE, of which she is a proud and longtime member. Previously she taught at several institutions of higher education. She believes everyone should have the protections of a union and is committed to deconstructing the traditional capitalist, hierarchical, ego-driven collaborative structures in theatremaking.