There's No Place Like Home / World Cinema (PDF)
The Migrant Child in World Cinema
(Sprache: Englisch)
Choice Outstanding Academic Title 2018
The Wizard of Oz brought many now-iconic tropes into popular culture: the yellow brick road, ruby slippers and Oz. But this book begins with Dorothy and her legacy as an archetypal touchstone in cinema for...
The Wizard of Oz brought many now-iconic tropes into popular culture: the yellow brick road, ruby slippers and Oz. But this book begins with Dorothy and her legacy as an archetypal touchstone in cinema for...
Leider schon ausverkauft
eBook (pdf)
35.00 €
- Lastschrift, Kreditkarte, Paypal, Rechnung
- Kostenloser tolino webreader
Produktdetails
Produktinformationen zu „There's No Place Like Home / World Cinema (PDF)“
Choice Outstanding Academic Title 2018
The Wizard of Oz brought many now-iconic tropes into popular culture: the yellow brick road, ruby slippers and Oz. But this book begins with Dorothy and her legacy as an archetypal touchstone in cinema for the child journeying far from home. In There's No Place Like Home, distinguished film scholar Stephanie Hemelryk Donald offers a fresh interpretation of the migrant child as a recurring figure in world cinema. Displaced or placeless children, and the idea of childhood itself, are vehicles to examine migration and cosmopolitanism in films such as Le Ballon Rouge, Little Moth and Le Havre. Surveying fictional and documentary film from the post-war years until today, the author shows how the child is a guide to themes of place, self and being in world cinema.
The Wizard of Oz brought many now-iconic tropes into popular culture: the yellow brick road, ruby slippers and Oz. But this book begins with Dorothy and her legacy as an archetypal touchstone in cinema for the child journeying far from home. In There's No Place Like Home, distinguished film scholar Stephanie Hemelryk Donald offers a fresh interpretation of the migrant child as a recurring figure in world cinema. Displaced or placeless children, and the idea of childhood itself, are vehicles to examine migration and cosmopolitanism in films such as Le Ballon Rouge, Little Moth and Le Havre. Surveying fictional and documentary film from the post-war years until today, the author shows how the child is a guide to themes of place, self and being in world cinema.
Autoren-Porträt von Stephanie Hemelryk Donald
Stephanie Hemelryk Donald is Professor of Film at Monash University Malaysia and Head of the School of Arts and Social Sciences. Since 2018 she has worked in the Justice, Arts and Migration Network (Lincoln-Sydney-Hong Kong) on artivist interventions that highlight state injustices against people, including children, on migrant journeys. This work was made possible by Natasha Davis (The Big Walk: It Takes a Decade, 2020), Hoda Afshar (Remain / There's No Place Like Home, 2019), the SYMAAG, Maison de Femmes, and Right to Remain organisers in Dunquerque, Manchester, and Sheffield, and the curators at Mansions of the Future (Lincoln 2018-2020).
Bibliographische Angaben
- Autor: Stephanie Hemelryk Donald
- 2018, 1. Auflage, 288 Seiten, Englisch
- Verlag: Bloomsbury UK
- ISBN-10: 1838609709
- ISBN-13: 9781838609702
- Erscheinungsdatum: 27.03.2018
Abhängig von Bildschirmgröße und eingestellter Schriftgröße kann die Seitenzahl auf Ihrem Lesegerät variieren.
eBook Informationen
- Dateiformat: PDF
- Größe: 10 MB
- Mit Kopierschutz
Sprache:
Englisch
Kopierschutz
Dieses eBook können Sie uneingeschränkt auf allen Geräten der tolino Familie lesen. Zum Lesen auf sonstigen eReadern und am PC benötigen Sie eine Adobe ID.
Kommentar zu "There's No Place Like Home / World Cinema"
Schreiben Sie einen Kommentar zu "There's No Place Like Home / World Cinema".
Kommentar verfassen