Three Men of Letters (PDF)
Arnold Schönberg, Alban Berg and Anton Webern, 1906-1921
(Sprache: Englisch)
A look through the correspondence of two befriended pupils and their teacher: Schönberg, Berg, Webern
This book examines the relationship of three very different men who are usually seen as the most important composers of the so-called Second Viennese...
This book examines the relationship of three very different men who are usually seen as the most important composers of the so-called Second Viennese...
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A look through the correspondence of two befriended pupils and their teacher: Schönberg, Berg, Webern
This book examines the relationship of three very different men who are usually seen as the most important composers of the so-called Second Viennese School - Arnold Schönberg, Alban Berg and Anton Webern - in the years 1906 to 1921 through a close examination of their correspondence with each other. To date only one of these correspondences, that of Schönberg and Berg, has been published, so the other two sets of letters are not yet widely known. The largely differing personalities of these three men
come out clearly in their letters to each other: Schönberg, the master who demands a great many things from his two pupils (long after they have ceased to be that); Berg, from whom he demands the most; and Webern, his pious devotee. The book covers the period linking the first correspondence between master and pupils in 1906 and the dissolution of the Verein für musikalische Privataufführungen in 1921, the period when these men were most closely bound together.
This book examines the relationship of three very different men who are usually seen as the most important composers of the so-called Second Viennese School - Arnold Schönberg, Alban Berg and Anton Webern - in the years 1906 to 1921 through a close examination of their correspondence with each other. To date only one of these correspondences, that of Schönberg and Berg, has been published, so the other two sets of letters are not yet widely known. The largely differing personalities of these three men
come out clearly in their letters to each other: Schönberg, the master who demands a great many things from his two pupils (long after they have ceased to be that); Berg, from whom he demands the most; and Webern, his pious devotee. The book covers the period linking the first correspondence between master and pupils in 1906 and the dissolution of the Verein für musikalische Privataufführungen in 1921, the period when these men were most closely bound together.
Autoren-Porträt von Kathryn Puffett, Barbara Schingnitz
Kathryn Bailey Puffett has published articles on the music of Bach, Stravinsky, Bartók and Nono, as well as articles on the music of the three composers of the Second Viennese School; she also published two books on Webern and his music ("The Twelve-Note Music of Anton Webern. Old Forms in a New Language" and "The Life of Webern") She was a founding member of the Anton Webern Gesamtausgabe at Universität Basel.Barbara Schingnitz read musicology, literature and media studies at Universität Basel, graduating in 2008, and als trained as a classical singer at the Basel Musikhochschule, where she graduated with a Master's degree in 2010. She has been an associate of the Anton Webern Gesamtausgabe since 2006.
Bibliographische Angaben
- Autoren: Kathryn Puffett , Barbara Schingnitz
- 2020, 532 Seiten, Englisch
- Verlag: Hollitzer Wissenschaftsverlag
- ISBN-10: 3990127772
- ISBN-13: 9783990127773
- Erscheinungsdatum: 28.02.2020
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Englisch
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