What Cinema Is! (PDF)
Bazin's Quest and its Charge
(Sprache: Englisch)
What Cinema Is! offers an engaging answer to Andre Bazin's
famous question, exploring his 'idea of cinema' with a sweeping
look back at the near century of Cinema's phenomenal ascendancy.
* Written by one of the foremost film scholars of our time
*...
famous question, exploring his 'idea of cinema' with a sweeping
look back at the near century of Cinema's phenomenal ascendancy.
* Written by one of the foremost film scholars of our time
*...
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What Cinema Is! offers an engaging answer to Andre Bazin's
famous question, exploring his 'idea of cinema' with a sweeping
look back at the near century of Cinema's phenomenal ascendancy.
* Written by one of the foremost film scholars of our time
* Establishes cinema's distinction from the current enthusiasm
over audio-visual entertainment, without relegating cinema to a
single, older mode
* Examines cinema's institutions and its social force through the
qualities of key films
* Traces the history of an idea that has made cinema supremely
alive to (and in) our times
famous question, exploring his 'idea of cinema' with a sweeping
look back at the near century of Cinema's phenomenal ascendancy.
* Written by one of the foremost film scholars of our time
* Establishes cinema's distinction from the current enthusiasm
over audio-visual entertainment, without relegating cinema to a
single, older mode
* Examines cinema's institutions and its social force through the
qualities of key films
* Traces the history of an idea that has made cinema supremely
alive to (and in) our times
Inhaltsverzeichnis zu „What Cinema Is! (PDF)“
Acknowledgments. Prologue: The Target of Film Theory. 1 The Camera Searching in the World. Is a Camera Essential? The Cahiers Axiom. Tracing Bazin's Trace. Images Contested Today. 2 The Editor's Discovery of Form. Bazin's Forerunners. Documentaries in the Cauldron of History. The Cahiers Line. Pursuing Cinema in the Twenty-First Century. 3 The Projector as Spectator's Searchlight. The Power of Projection. Opening the Screen's Dimensions. Frame as Threshold. Writing out of the Frame. 4 The Evolution of the Subjects of Cinema. Modern Film: Between Classic and Avant-Garde. The Ontogeny of Cinema. Credits and Auteurs: An Ecology of Adaptation. Fidelity: The Economy of Adaptation. Index.
Autoren-Porträt von Dudley Andrew
Dudley Andrew is the R. Selden Rose Professor of Film and Comparative Literature at Yale University. The author of many books, including Mists of Regret (1995) and Popular Front Paris (2005), he is an Officier de l'ordre des arts et des lettres and a fellow of the American Academy of Arts and Sciences.
Bibliographische Angaben
- Autor: Dudley Andrew
- 2010, 1. Auflage, 184 Seiten, Englisch
- Verlag: John Wiley & Sons
- ISBN-10: 1444320572
- ISBN-13: 9781444320572
- Erscheinungsdatum: 28.01.2010
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- Größe: 5.65 MB
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