Broken Glass
Mies van der Rohe, Edith Farnsworth, and the Fight Over a Modernist Masterpiece
(Sprache: Englisch)
The true story of the intimate relationship that gave birth to the Farnsworth House, a masterpiece of twentieth-century architecture and disintegrated into a bitter feud over love, money, gender, and the very nature of art.
...
...
Leider schon ausverkauft
versandkostenfrei
Buch (Kartoniert)
21.99 €
- Lastschrift, Kreditkarte, Paypal, Rechnung
- Kostenlose Rücksendung
Produktdetails
Produktinformationen zu „Broken Glass “
Klappentext zu „Broken Glass “
The true story of the intimate relationship that gave birth to the Farnsworth House, a masterpiece of twentieth-century architecture and disintegrated into a bitter feud over love, money, gender, and the very nature of art.An intimate portrait . . . alive with architectural intrigue. Architect Magazine
In 1945, Edith Farnsworth asked the German architect Mies van der Rohe, already renowned for his avant-garde buildings, to design a weekend home for her outside of Chicago. Edith was a woman ahead of her time unmarried, she was a distinguished medical researcher, as well as an accomplished violinist, translator, and poet. The two quickly began spending weekends together, talking philosophy, Catholic mysticism, and, of course, architecture over wine-soaked picnic lunches. Their personal and professional collaboration would produce the Farnsworth House, one of the most important works of architecture of all time, a blindingly original structure made up almost entirely of glass and steel.
But the minimalist marvel, built in 1951, was plagued by cost overruns and a sudden chilling of the two friends mutual affection. Though the building became world famous, Edith found it impossible to live in, because of its constant leaks, flooding, and complete lack of privacy. Alienated and aggrieved, she lent her name to a public campaign against Mies, cheered on by Frank Lloyd Wright. Mies, in turn, sued her for unpaid monies. The ensuing lengthy trial heard evidence of purported incompetence by an acclaimed architect, and allegations of psychological cruelty and emotional trauma. A commercial dispute litigated in a rural Illinois courthouse became a trial of modernist art and architecture itself.
Interweaving personal drama and cultural history, Alex Beam presents a stylish, enthralling narrative tapestry, illuminating the fascinating history behind one of the twentieth century s most beautiful and significant architectural projects.
Lese-Probe zu „Broken Glass “
Chapter 1I give you my Mies van der Rohe.
Mies van der Rohe, who slammed like a gray-suited iceberg, into Edith Farnsworth s life on that chilly Chicago night, had traveled a sinuous and improbable path from Aachen, Germany, to the cozy intimacy of a Gold Coast dinner party.
Maria Ludwig Michael Mies was born in 1886 and attended the Aachen Cathedral school, studying in the shadow of one of Europe s most gorgeous cathedrals, a Carolingian-Gothic masterpiece built on the orders of Charlemagne himself. His father ran a masonry business. Mies spent two years in a trade school, then worked as a bricklayer and, ultimately, as a draftsman, after sending his drawings to a Berlin architectural firm that proved eager to hire him. No matter how far Mies traveled, the family business left its stamp. For all his life Mies admired his brother Ewald, a master stonemason who took over the business from their father, and Mies frequently quoted his father, invoking the stonemason s obsession with detail. Why should we toil and sweat over artistic details at the top of a cathedral spire, one might ask, when literally no one can see the work up there? God can see it was the axiomatic response of the Aachen tradesmen. It was a lesson Mies never forgot.
Though he would go on to be an academic leader and a successful teacher and mentor to several generations of architects, Mies like Frank Lloyd Wright and Charles-Édouard Jeanneret (Le Corbusier) never spent a second in an architecture school.
By age twenty-two, after working as an apprentice for the renowned furniture designer and architect Bruno Paul in Berlin, Mies landed a job as a draftsman in the office of Peter Behrens, one of the most progressive architects in Germany. (Both Le Corbusier and Bauhaus co-founder Walter Gropius cycled through the Behrens office during this time. Mies s tenure overlapped with that of Gropius. Le Corbusier later said he ran into [Mies] once in the
... mehr
doorway of the office. He was on his way out, I was on my way in. ) Mies clearly inspired confidence. Behrens assigned his young assistant to oversee construction of the German embassy in St. Petersburg, Russia.
Like almost all young German men, Mies found his career upended by military service in World War I, as traumatic an experience for the young designer as for everyone around him. Mies never saw combat; an appendectomy put him in the hospital for two months. ( His nerves are in the worst shape, a family member reported.) Assigned first to a headquarters job in Berlin and subsequently to an engineering detail in Romania, he reportedly clashed with a superior officer, had a love affair with a Gypsy, and was generally miserable. His closest friend in the army, the sculptor Wilhelm Lehmbruck, committed suicide shortly after their service.
Rebounding from what has been alternately described as a nervous breakdown or a crisis of professional confidence, Mies embarked on a career as a solo practitioner after the war. Initially, he designed homes for wealthy patrons he met as an up-and-coming young architect. According to his oldest daughter, Georgia, Mies cut a dashing swath through Berlin society:
My father tall, quite slender, with an imperial stride, his head always raised high looked like a Spanish grandee or a Brazilian hacienda owner. An Arbiter Elegantiarum [judge of taste and etiquette], always dressed to the nines. He basically lived above his means his entire life.
In that milieu he met his future wife, Adele (Ada) Bruhn, the beautiful brown-haired daughter of a wealthy industrialist. The twenty-five-year-old Mies courted her passionately ( I want to love you with my hot young heart ), fathered three daughters in three years, and just as quickly demonstrated his impatience with domestic life.
The dancer Maria Wigman, who sh
Like almost all young German men, Mies found his career upended by military service in World War I, as traumatic an experience for the young designer as for everyone around him. Mies never saw combat; an appendectomy put him in the hospital for two months. ( His nerves are in the worst shape, a family member reported.) Assigned first to a headquarters job in Berlin and subsequently to an engineering detail in Romania, he reportedly clashed with a superior officer, had a love affair with a Gypsy, and was generally miserable. His closest friend in the army, the sculptor Wilhelm Lehmbruck, committed suicide shortly after their service.
Rebounding from what has been alternately described as a nervous breakdown or a crisis of professional confidence, Mies embarked on a career as a solo practitioner after the war. Initially, he designed homes for wealthy patrons he met as an up-and-coming young architect. According to his oldest daughter, Georgia, Mies cut a dashing swath through Berlin society:
My father tall, quite slender, with an imperial stride, his head always raised high looked like a Spanish grandee or a Brazilian hacienda owner. An Arbiter Elegantiarum [judge of taste and etiquette], always dressed to the nines. He basically lived above his means his entire life.
In that milieu he met his future wife, Adele (Ada) Bruhn, the beautiful brown-haired daughter of a wealthy industrialist. The twenty-five-year-old Mies courted her passionately ( I want to love you with my hot young heart ), fathered three daughters in three years, and just as quickly demonstrated his impatience with domestic life.
The dancer Maria Wigman, who sh
... weniger
Autoren-Porträt von Alex Beam
Alex Beam has written four nonfiction books, two of them New York Times Notable Books. Publishers Weekly named his most recent work, The Feud: Vladimir Nabokov, Edmund Wilson and the End of a Beautiful Friendship, one of the best books of the year.
Bibliographische Angaben
- Autor: Alex Beam
- 2021, 368 Seiten, Maße: 13 x 20,2 cm, Kartoniert (TB), Englisch
- Verlag: Random House Trade Paperbacks
- ISBN-10: 0399592733
- ISBN-13: 9780399592737
- Erscheinungsdatum: 24.03.2021
Sprache:
Englisch
Pressezitat
Beam s thorough and thoughtful account is both a knowing biography of an object the house and of its two principals, the well-documented Mies and the widely overlooked Farnsworth. The New York TimesMies van der Rohe was one of the most influential architects of the twentieth century, and Mr. Beam provides an exceptionally perceptive character study of this complex and often impenetrable figure. The Wall Street Journal
This engrossing page turner is a portrait of two complex people and a fascinating history of a modern architectural masterpiece. Publishers Weekly (starred review)
It is a compelling book perhaps the best narrative I have ever read about modern architecture. The Spectator
An amazing story, brilliantly told . . . Alex Beam quickens your interest in every detail. His sensitive insights into architecture are matched by his feeling for psychology and for all the hilarious, petty, surprising minutiae of human relationships. Sebastian Smee, Pulitzer Prize winning art critic and author of The Art of Rivalry
Alex Beam begins with a simple foundation a man, a woman, and a house out of which he constructs a nuanced biography of one of the twentieth century s most fascinating architects, a portrait of his brilliant and pioneering patron, and a dramatic tale of the impassioned battle over a work of art that consumed them both. Broken Glass is compelling from the first page as it chronicles, in delicious and sometimes hilarious detail, the mere mortals behind a Modern masterpiece. Mary Gabriel, author of Ninth Street Women
Just when we thought everything had been said . . . an impressively comprehensive and moving account of the flawed architect-client relationship (and probably more) that lead to the greatest architectural masterpiece of the twentieth century. Reinier de Graaf, architect and author of Four Walls and a Roof
The Farnsworth House occupies
... mehr
an essential place on architecture s time line but in the able hands of Alex Beam, its backstory offers a drama worthy of Edward Albee. Drawing upon trial transcripts, memoirs, and generations of critical appraisals, Beam offers a richly detailed look at how an apparently simple commission evanesced into an enduring modernist landmark of glass and steel. Broken Glass leaves us pondering an intriguing paradox: How does one inhabit a work of art? Hugh Howard, author of Architecture s Odd Couple
... weniger
Kommentar zu "Broken Glass"
Schreiben Sie einen Kommentar zu "Broken Glass".
Kommentar verfassen