Mike Nichols
A Life
(Sprache: Englisch)
A National Book Critics Circle finalist One of People's top 10 books of 2021 An instant New York Times bestseller Named a best book of the year by NPR and Time
A magnificent biography of one of the most...
A magnificent biography of one of the most...
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A National Book Critics Circle finalist One of People's top 10 books of 2021 An instant New York Times bestseller Named a best book of the year by NPR and Time A magnificent biography of one of the most protean creative forces in American entertainment history, a life of dazzling highs and vertiginous plunges some of the worst largely unknown until now by the acclaimed author of Pictures at a Revolution and Five Came Back
Mike Nichols burst onto the scene as a wunderkind: while still in his twenties, he was half of a hit improv duo with Elaine May that was the talk of the country. Next he directed four consecutive hit plays, won back-to-back Tonys, ushered in a new era of Hollywood moviemaking with Who's Afraid of Virginia Woolf?, and followed it with The Graduate, which won him an Oscar and became the third-highest-grossing movie ever. At thirty-five, he lived in a three-story Central Park West penthouse, drove a Rolls-Royce, collected Arabian horses, and counted Jacqueline Kennedy, Elizabeth Taylor, Leonard Bernstein, and Richard Avedon as friends.
Where he arrived is even more astonishing given where he had begun: born Igor Peschkowsky to a Jewish couple in Berlin in 1931, he was sent along with his younger brother to America on a ship in 1939. The young immigrant boy caught very few breaks. He was bullied and ostracized--an allergic reaction had rendered him permanently hairless--and his father died when he was just twelve, leaving his mother alone and overwhelmed.
The gulf between these two sets of facts explains a great deal about Nichols's transformation from lonely outsider to the center of more than one cultural universe--the acute powers of observation that first made him famous; the nourishment he drew from his creative partnerships, most enduringly with May; his unquenchable drive; his hunger for security and status; and the depressions and self-medications that brought him to terrible lows.
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It would take decades for him to come to grips with his demons. In an incomparable portrait that follows Nichols from Berlin to New York to Chicago to Hollywood, Mark Harris explores, with brilliantly vivid detail and insight, the life, work, struggle, and passion of an artist and man in constant motion. Among the 250 people Harris interviewed: Elaine May, Meryl Streep, Stephen Sondheim, Robert Redford, Glenn Close, Tom Hanks, Candice Bergen, Emma Thompson, Annette Bening, Natalie Portman, Julia Roberts, Lorne Michaels, and Gloria Steinem.
Mark Harris gives an intimate and evenhanded accounting of success and failure alike; the portrait is not always flattering, but its ultimate impact is to present the full story of one of the most richly interesting, complicated, and consequential figures the worlds of theater and motion pictures have ever seen. It is a triumph of the biographer's art.
Mark Harris gives an intimate and evenhanded accounting of success and failure alike; the portrait is not always flattering, but its ultimate impact is to present the full story of one of the most richly interesting, complicated, and consequential figures the worlds of theater and motion pictures have ever seen. It is a triumph of the biographer's art.
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Lese-Probe zu „Mike Nichols “
OneStarting from Zero
1931-1944
In the origin story that Mike Nichols liked to tell, he was born at the age of seven. The first image of himself he chose to conjure for people was that of a boy on a boat, holding his younger brother's hand, traveling from Germany to America. They were unaccompanied on that six-day crossing in 1939, their ailing mother still bedbound in Berlin. Their father was already in New York. His two small sons had not seen him for almost a year.
Nichols was not yet real even to himself. His name was Michael Igor Peschkowsky, or perhaps it wasn't. Decades later, his brother, Robert, looking into his family's history, told him that according to the ship's manifest and the petition for naturalization that was later filed by his father, his name was actually Igor Michael Peschkowsky. Igor. A horror-movie name. Nichols looked at him impassively. "Maybe," he said. "Maybe it was." It didn't matter. Whatever his name when he boarded ship, it was gone by the time he got to New York.
Nichols turned the transatlantic crossing into a story-his first self-revelation-as-anecdote, an approach that he would eventually refine into a shield and a disguise, but also into a style of directing, a means of conveying an idea or a feeling or a circumstance to an actor that he deployed with precision and finesse over a five-decade career in movies and theater. He first tried it out on journalists in his twenties, when suddenly everyone wanted to know who Mike Nichols was and where on earth he had come from. The story he told, droll and wry, with a slight undertow of despair, was that at seven he was packed onto the boat knowing only two sentences in what would become his new language: "I do not speak English" and "Please do not kiss me." In some tellings, he spoke no English at all and instead wore those two warnings on a penciled sign that was pinned to his clothes before
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boarding. It was this picture-the New Yorker cartoon version of his early life, with a punch line that hinted at both utter solitude and defiant standoffishness-that Nichols used to explain his personality to others, and to himself: a portrait of the artist as the Little Prince, alone on his planet and at home nowhere.
If the boy who had existed for seven years before that journey usually went undiscussed in interviews, it was in part because Nichols's life before America was so hazy to him that he could retrieve little of it until adulthood. His childhood in Berlin-his years as either Michael or Igor-barely existed in his memory. As a youngster, he attended the Private J dische Waldschule Kaliski, an elementary school that, during Hitler's rise, became a Jews-only institution. Nichols's father, a doctor named Pavel Peschkowsky, was a Russian Jew, albeit so secular that he didn't even believe in circumcision. His mother, Brigitte Landauer, was a German Jew, wholly invested in and proud of her national heritage and also indifferent to her religion. Within their cultural circle, Paul and Brigitte were not atypical-as Lotte Kaliski, who founded the school Nichols attended, put it, "We all had to learn to become Jewish. Most of us came from very assimilated families and so did the children. But we understood that in order to give children a more positive attitude, they had to know something about their background."
Whatever that education was to be, Michael-or, as Elaine May later teasingly called him, "little Igor"-was not in the school long enough to absorb it. His memories of the Kaliski school were few, and mostly miserable. He recalled a group of German children in black shirts stealing his bicycle. And, more vividly, he could picture "with awful clarity a scene with my gym teacher and my mother, and realizing they were lovers. She was a beautiful woman, and I remember her quarreling with him, and he ripped a necklace off her and threw it out a
If the boy who had existed for seven years before that journey usually went undiscussed in interviews, it was in part because Nichols's life before America was so hazy to him that he could retrieve little of it until adulthood. His childhood in Berlin-his years as either Michael or Igor-barely existed in his memory. As a youngster, he attended the Private J dische Waldschule Kaliski, an elementary school that, during Hitler's rise, became a Jews-only institution. Nichols's father, a doctor named Pavel Peschkowsky, was a Russian Jew, albeit so secular that he didn't even believe in circumcision. His mother, Brigitte Landauer, was a German Jew, wholly invested in and proud of her national heritage and also indifferent to her religion. Within their cultural circle, Paul and Brigitte were not atypical-as Lotte Kaliski, who founded the school Nichols attended, put it, "We all had to learn to become Jewish. Most of us came from very assimilated families and so did the children. But we understood that in order to give children a more positive attitude, they had to know something about their background."
Whatever that education was to be, Michael-or, as Elaine May later teasingly called him, "little Igor"-was not in the school long enough to absorb it. His memories of the Kaliski school were few, and mostly miserable. He recalled a group of German children in black shirts stealing his bicycle. And, more vividly, he could picture "with awful clarity a scene with my gym teacher and my mother, and realizing they were lovers. She was a beautiful woman, and I remember her quarreling with him, and he ripped a necklace off her and threw it out a
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Autoren-Porträt von Mark Harris
Mark Harris is the author of Pictures at a Revolution: Five Movies and the Birth of the New Hollywood, a New York Times notable book of the year, and Five Came Back: A Story of Hollywood and the Second World War, a finalist for the Los Angeles Times Book Prize for History. He has written for many newspapers and magazines, including New York, Vanity Fair, and the New York Times. He lives in New York City with his husband, Tony Kushner.
Bibliographische Angaben
- Autor: Mark Harris
- 2021, 688 Seiten, Maße: 16,2 x 24,4 cm, Gebunden, Englisch
- Verlag: Penguin Random House
- ISBN-10: 0399562249
- ISBN-13: 9780399562242
- Erscheinungsdatum: 27.01.2021
Sprache:
Englisch
Pressezitat
A pleasure to read and a model biography: appreciative yet critical, unfailingly intelligent and elegantly written . . . a shrewd, in-depth reckoning of the elusive man behind the polished facade. . . . [Harris s] marvelous book makes palpable in artful detail the extraordinary scope and brilliance of [Nichols s] achievements. Wendy Smith, The Washington PostWonderful . . . [Harris] is in top form here. His command of the theater world and the film industry and his smart and engaging writing (he calls the profligate Nichols a rich man who enjoyed living like an even richer man ) make the book a pleasure to read. Christian Science Monitor
Hugely entertaining . . . Harris is a talented storyteller. Louis Menand, The New Yorker
Immersive . . . a book to savor, full of juicy industry details, nonstop name-dropping and insights from scores of Nichols famous friends. It truly feels like stepping into Nichols world. NPR s 2021 Books We Love
Gleaming . . . fortified with a wealth of interviews that make the acknowledgments a red carpet roll call (Candice Bergen, Robert Redford, Meryl Streep ), Mike Nichols: A Life is a midcentury fairy tale of right place-right time-right crowd . . . the rare large-scale biography without boring bits. James Wolcott, The New York Times Book Review
Enthralling, extensively researched . . . Especially moving is Harris s chronicling of the relationships and creative partnerships that helped Nichols develop his preternatural skills, most significantly with his first comedy partner Elaine May . . . Harris paints a rich, nuanced portrait of a brilliant man and a legendary career. TIME s The 100 Must-Read Book of 2021
Terrific. San Francisco Chronicle
Anyone with an abiding love for film or theater will be fascinated by Mike Nichols, but even those with only a passing familiarity with his work are likely to find
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themselves taken in by this engrossing biography. Harris' book is a masterwork, endlessly engaging, and one of the best biographies of an American artist to be published in recent years. NPR.org
A superb new biography. Chicago Tribune
Meticulous, deeply engrossing. Variety
May be the best biography of an artist in a very long time. The Wrap
Harris, a proven scholar of Hollywood, writes brilliantly and gathers momentum with deeply researched, fascinating forensic passages about the challenges and conflicts of Nichols great projects. USA Today
Fascinating, exhaustively researched, and utterly absorbing . . . a roller-coaster life that, no matter how challenging it might have been for Mike Nichols. makes a thrilling tale for the reader. Vogue.com
A monumental tribute to a singular talent . . . a cinderblock of a book whose weight is never felt in the reading. . . Getting [Elaine] May on the record stands as one of the book s major accomplishments, one that calls out for a full-fledged follow-up and affirms this most crucial of connections. AV Club
Magnificent. The Nation
I read this because I was such a fan of Mark Harris s first two books and wound up being fascinated by Mike Nichols. I found the book incredibly relaxing, in the same way going to the movies can be relaxing. I felt entertained and taken care of. It was an enormous treat. Ann Patchett, via Instagram
Harris has produced a biography that transcends the prodigiously reported facts and wild-ride circumstances of Nichols lives. The book pulses with a narrative energy equal to its subject. When was the last time you read a biography that also was a page-turner? Theater News Online
Dazzling . . . A superb and definitive biography that Nichols and his fans deserve. Harris (Pictures at a Revolution) is part film historian, theater buff and investigative reporter, which makes this rich, compassionate and candid biography soar with fresh, first-hand anecdotes from Nichols's co-workers and Harris's astute observations about the director's work. . . . the ideal gift for anyone interested in the creative arts. Shelf Awareness
Sprawling yet intimate . . . Candid, colorful and chock-full of detail, Mike Nichols: A Life is the biography that Nichols well deserves. BookPage (starred)
A Mike Nichols credit always made the heart race with anticipation. So does Mike Nichols: A Life, an epic biography of an epic creative life . . . engrossing. Associated Press
Mark Harris s biography is a must for every film and theatre buff. Every moment in Nichols life and career comes vividly alive. . . . Mike Nichols: A Life is an invaluable contribution to the history of American theatre and film since World War II as well as a colorful portrait of one of its most celebrated and at times denigrated practitioners. John M. Clum, New York Journal of Books
[A] crisp new biography . . . [Harris has] a gift for scene-setting. He s at his best in Mike Nichols: A Life when he takes you inside a production. His chapters on the making of three films in particular The Graduate, Silkwood and Angels in America are miraculous: shrewd, tight, intimate and funny. You sense he could turn each one into a book . . . [Nichols] was a man in perpetual motion, and Harris chases him with patience, clarity and care. Dwight Garner, The New York Times
Judicious and superbly well-written . . . [Nichols s] peculiar gift was for making [actors] feel safe being precarious. The essence of life is that it unfolds chronologically and according to no script. Actors must capture this essence, then somehow transfer it into highly artificial situations. If Nichols played taskmaster, it was only to remind them that what is happening here has never happened before; you have no idea what others will say or do next, you must stay spontaneous and reactive all while subordinating yourself to a larger story. That was, finally, the great, impossible neither/nor of his genius, as it is, too, of Mark Harris wonderful book. Stephen Metcalf, Los Angeles Times
Can t-put-it-down biography . . . Like his subject, its humor is sidesplitting, its behavioral insights keen and its wit double-edged. . . . Harris strength as a writer is not merely giving the reader a window onto how his subject put together a sketch, a play, a movie, a career, and a life, but putting her in the rooms where it happened. . . . like all great biographies, Harris book is a double-portrait of an artist and his era. Carrie Rickey, Forward
Such a wide-ranging professional life is the stuff of a major biography, and Mark Harris, author of Pictures at a Revolution and Five Came Back, two of the best books about film to come out in recent years, has delivered the goods. Mike Nichols: A Life is as fine a portrait of anyone in the performing arts as I have ever read . . . Mark Harris s wonderful book, which comes seven years after [Nichols ] passing, will serve as his monument. Commentary
Fascinating for its exploration of a great artist s inner workings, as well as for its chronicling of an industry s evolution. O Magazine, Most Anticipated Books of 2021
The book is as smart and well-paced as if Mike had directed it. It s Virginia Woolf brutal and Birdcage funny. I devoured the details of Mike s fascinating life, but I also marveled at Mark Harris s ability to lead us through it. The shaky wooden rollercoaster of collaboration, the serpent-tongued antihero s path to love, an artist s guide to not being trash, ten pounds of movie stars in a five pound bag this book has it all! Tina Fey
Mike was many things to many people, a multi-talented man of many parts, who lived several lifetimes during his long, complicated roller-coaster of a life. But above all else, Mike was a great director, and Mark Harris has produced a clear-eyed, honest, enormously entertaining, deeply moving and thought-provoking account of what a director s life is like and of what being a director means. His particular gifts, demonstrated in each book he writes, of combining objectivity with empathy and seriousness with delight are precisely what make him Mike Nichols s ideal biographer. I can t think of any praise higher than to say that this book is worthy of its subject. Steven Spielberg
There are so many lessons in Mike's nine-act tragedy and triumph of a life: the joy of collaboration, the thrill of finding collaborators and soulmates; the ups and downs of the creative process. Mark Harris introduces us to every version of Mike Nichols, and shows us how each one prepared the way for the next. It's an incredible achievement. Required reading. Lin-Manuel Miranda
The rise and rise of Igor, the bald refugee kid from Berlin, is a Technicolor dream a dazzling only-in-America story like something out of Horatio Alger. In this exciting biography, Mark Harris never loses sight of the sharper edges of Mike Nichols s success or the price he paid for it. But his deep love of his subjects Nichols and the American performing arts makes this an essential work for understanding our culture in the last century through one of its most outstanding, and most unlikely, protagonists. Benjamin Moser, Pulitzer Prize-winning author of Sontag
Mike Nichols, born Igor Michael Peschkowsky, was something between a man and a self-made myth. Mark Harris s magnificent, mesmerizing biography honors both sides of the Nichols persona, conjuring his charismatic brilliance while probing the human complexity behind the impish grin. Virtuosic in style, deep in insight, at times convulsively funny, at times piercingly sad, this tour-de-force of reporting, storytelling, and analysis stands as a clear-eyed homage to an artist who willed his own golden age. Alex Ross, music critic of The New Yorker and author of Wagnerism
Harris s (Five Came Back) engrossing, pull-no-punches biography . . . sweeps readers up into the whirlwind of Nichols s life. Likely to become the definitive book about Nichols, Harris s exhaustive take should have widespread appeal, especially given the dearth of currently available literature about this important and influential entertainment icon. Library Journal
Harris follows two outstanding works of film history (Pictures at a Revolution, 2008, and Five Came Back, 2014) with this robust biography of legendary director Mike Nichols. Harris' skill as a storyteller is on full view . . . with a novelist's feel for narrative . . . Like the best biographies, Harris brings his subject's life and work together in a perfectly unified whole. Booklist (starred review)
Harris (Five Came Back) delivers an entertaining portrait of actor, director, and producer Mike Nichols in this bracingly candid biography. . . . a joyously readable and balanced account of a complex man. Publisher's Weekly
A superb new biography. Chicago Tribune
Meticulous, deeply engrossing. Variety
May be the best biography of an artist in a very long time. The Wrap
Harris, a proven scholar of Hollywood, writes brilliantly and gathers momentum with deeply researched, fascinating forensic passages about the challenges and conflicts of Nichols great projects. USA Today
Fascinating, exhaustively researched, and utterly absorbing . . . a roller-coaster life that, no matter how challenging it might have been for Mike Nichols. makes a thrilling tale for the reader. Vogue.com
A monumental tribute to a singular talent . . . a cinderblock of a book whose weight is never felt in the reading. . . Getting [Elaine] May on the record stands as one of the book s major accomplishments, one that calls out for a full-fledged follow-up and affirms this most crucial of connections. AV Club
Magnificent. The Nation
I read this because I was such a fan of Mark Harris s first two books and wound up being fascinated by Mike Nichols. I found the book incredibly relaxing, in the same way going to the movies can be relaxing. I felt entertained and taken care of. It was an enormous treat. Ann Patchett, via Instagram
Harris has produced a biography that transcends the prodigiously reported facts and wild-ride circumstances of Nichols lives. The book pulses with a narrative energy equal to its subject. When was the last time you read a biography that also was a page-turner? Theater News Online
Dazzling . . . A superb and definitive biography that Nichols and his fans deserve. Harris (Pictures at a Revolution) is part film historian, theater buff and investigative reporter, which makes this rich, compassionate and candid biography soar with fresh, first-hand anecdotes from Nichols's co-workers and Harris's astute observations about the director's work. . . . the ideal gift for anyone interested in the creative arts. Shelf Awareness
Sprawling yet intimate . . . Candid, colorful and chock-full of detail, Mike Nichols: A Life is the biography that Nichols well deserves. BookPage (starred)
A Mike Nichols credit always made the heart race with anticipation. So does Mike Nichols: A Life, an epic biography of an epic creative life . . . engrossing. Associated Press
Mark Harris s biography is a must for every film and theatre buff. Every moment in Nichols life and career comes vividly alive. . . . Mike Nichols: A Life is an invaluable contribution to the history of American theatre and film since World War II as well as a colorful portrait of one of its most celebrated and at times denigrated practitioners. John M. Clum, New York Journal of Books
[A] crisp new biography . . . [Harris has] a gift for scene-setting. He s at his best in Mike Nichols: A Life when he takes you inside a production. His chapters on the making of three films in particular The Graduate, Silkwood and Angels in America are miraculous: shrewd, tight, intimate and funny. You sense he could turn each one into a book . . . [Nichols] was a man in perpetual motion, and Harris chases him with patience, clarity and care. Dwight Garner, The New York Times
Judicious and superbly well-written . . . [Nichols s] peculiar gift was for making [actors] feel safe being precarious. The essence of life is that it unfolds chronologically and according to no script. Actors must capture this essence, then somehow transfer it into highly artificial situations. If Nichols played taskmaster, it was only to remind them that what is happening here has never happened before; you have no idea what others will say or do next, you must stay spontaneous and reactive all while subordinating yourself to a larger story. That was, finally, the great, impossible neither/nor of his genius, as it is, too, of Mark Harris wonderful book. Stephen Metcalf, Los Angeles Times
Can t-put-it-down biography . . . Like his subject, its humor is sidesplitting, its behavioral insights keen and its wit double-edged. . . . Harris strength as a writer is not merely giving the reader a window onto how his subject put together a sketch, a play, a movie, a career, and a life, but putting her in the rooms where it happened. . . . like all great biographies, Harris book is a double-portrait of an artist and his era. Carrie Rickey, Forward
Such a wide-ranging professional life is the stuff of a major biography, and Mark Harris, author of Pictures at a Revolution and Five Came Back, two of the best books about film to come out in recent years, has delivered the goods. Mike Nichols: A Life is as fine a portrait of anyone in the performing arts as I have ever read . . . Mark Harris s wonderful book, which comes seven years after [Nichols ] passing, will serve as his monument. Commentary
Fascinating for its exploration of a great artist s inner workings, as well as for its chronicling of an industry s evolution. O Magazine, Most Anticipated Books of 2021
The book is as smart and well-paced as if Mike had directed it. It s Virginia Woolf brutal and Birdcage funny. I devoured the details of Mike s fascinating life, but I also marveled at Mark Harris s ability to lead us through it. The shaky wooden rollercoaster of collaboration, the serpent-tongued antihero s path to love, an artist s guide to not being trash, ten pounds of movie stars in a five pound bag this book has it all! Tina Fey
Mike was many things to many people, a multi-talented man of many parts, who lived several lifetimes during his long, complicated roller-coaster of a life. But above all else, Mike was a great director, and Mark Harris has produced a clear-eyed, honest, enormously entertaining, deeply moving and thought-provoking account of what a director s life is like and of what being a director means. His particular gifts, demonstrated in each book he writes, of combining objectivity with empathy and seriousness with delight are precisely what make him Mike Nichols s ideal biographer. I can t think of any praise higher than to say that this book is worthy of its subject. Steven Spielberg
There are so many lessons in Mike's nine-act tragedy and triumph of a life: the joy of collaboration, the thrill of finding collaborators and soulmates; the ups and downs of the creative process. Mark Harris introduces us to every version of Mike Nichols, and shows us how each one prepared the way for the next. It's an incredible achievement. Required reading. Lin-Manuel Miranda
The rise and rise of Igor, the bald refugee kid from Berlin, is a Technicolor dream a dazzling only-in-America story like something out of Horatio Alger. In this exciting biography, Mark Harris never loses sight of the sharper edges of Mike Nichols s success or the price he paid for it. But his deep love of his subjects Nichols and the American performing arts makes this an essential work for understanding our culture in the last century through one of its most outstanding, and most unlikely, protagonists. Benjamin Moser, Pulitzer Prize-winning author of Sontag
Mike Nichols, born Igor Michael Peschkowsky, was something between a man and a self-made myth. Mark Harris s magnificent, mesmerizing biography honors both sides of the Nichols persona, conjuring his charismatic brilliance while probing the human complexity behind the impish grin. Virtuosic in style, deep in insight, at times convulsively funny, at times piercingly sad, this tour-de-force of reporting, storytelling, and analysis stands as a clear-eyed homage to an artist who willed his own golden age. Alex Ross, music critic of The New Yorker and author of Wagnerism
Harris s (Five Came Back) engrossing, pull-no-punches biography . . . sweeps readers up into the whirlwind of Nichols s life. Likely to become the definitive book about Nichols, Harris s exhaustive take should have widespread appeal, especially given the dearth of currently available literature about this important and influential entertainment icon. Library Journal
Harris follows two outstanding works of film history (Pictures at a Revolution, 2008, and Five Came Back, 2014) with this robust biography of legendary director Mike Nichols. Harris' skill as a storyteller is on full view . . . with a novelist's feel for narrative . . . Like the best biographies, Harris brings his subject's life and work together in a perfectly unified whole. Booklist (starred review)
Harris (Five Came Back) delivers an entertaining portrait of actor, director, and producer Mike Nichols in this bracingly candid biography. . . . a joyously readable and balanced account of a complex man. Publisher's Weekly
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