A Curious Mind Expanded Edition
The Secret to a Bigger Life
(Sprache: Englisch)
In this specially-combined edition with a new foreword, Academy Award-winning producer Brian Grazer and acclaimed author Charles Fishman blend their insights from the bestselling books A CURIOUS MIND and FACE TO FACE to transform the art of connecting with and through curiosity.
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In this specially-combined edition with a new foreword, Academy Award-winning producer Brian Grazer and acclaimed author Charles Fishman blend their insights from the bestselling books A CURIOUS MIND and FACE TO FACE to transform the art of connecting with and through curiosity.
Klappentext zu „A Curious Mind Expanded Edition “
In this specially combined edition with a new foreword, Academy Award-winning producer Brian Grazer and acclaimed author Charles Fishman blend their insights from bestselling books A Curious Mind and Face to Face to transform the art of connecting with and through curiosity.In A Curious Mind, deemed "a captivation account of how the simple act of asking questions can change your life" by Malcolm Gladwell, Grazer offers a brilliant peek into the "curiosity conversations" that inspired him to create some of the world's most iconic movies and television shows. He shows how curiosity has been the "superpower" that fueled his rise as one of Hollywood's leading producers and creative visionaries.
And in the captivating follow-up Face to Face, Grazer reveals that the secret to a more fulfilling life lies in personal connections, sparked through curiosity, learning through his interactions with people like Taraji P. Henson, Bill Gates, Barack Obama, Eminem, and Prince.
Now with a new foreword with fresh insights about curiosity from the last decade, A Curious Mind Expanded invites you to consider your personal journey of human connection. A fascinating page-turner, this combined edition offers a blueprint for how we can awaken our own curiosity and use it as a superpower in our own lives.
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Introduction to the New Edition Curiosity to the Rescue I think, at a child's birth, if a mother could ask a fairy god- mother to endow that child with the most useful gift, that gift would be curiosity.-Eleanor Roosevelt 1
It was June 27, 2022, and I was at the United States Military Academy at West Point to deliver my son Patrick to his plebe year as a cadet.
That day was also the change-of-command ceremony for the head of West Point-the outgoing superintendent was being rede- ployed to be the head of U.S. Army forces across Europe and Africa-and I was in the audience to see the new head of West Point take command.
The ceremony was conducted by the Army Chief of Staff, Gen- eral James McConville, and all of a sudden, in the middle of this very formal, buttoned-down event, McConville said, "We have with us in the audience today an Oscar-winning movie producer-Brian Grazer." And he pointed in my direction. I couldn't have been more stunned. I smiled and nodded as people turned to look at me.
Then McConville said, "We'd really like him to make the Army version of Apollo 13."
I get ideas for movies all the time, from all kinds of people.
But not usually delivered in public by the highest-ranking officer in the U.S. Army, in front of a hundred other senior officials of all kinds.
But McConville wasn't really suggesting a movie idea. He was laying down a challenge.
After the ceremony, General McConville and another general found me in the audience, and he told me he was quite serious about trying to intrigue me with the possibility of getting the Army into the movies.
He certainly piqued my curiosity.
That's how I came to find myself-just ten weeks later-strapped into an M1 Abrams tank, maneuvering in the middle of the desert.
That morning, I'd woken up at home in Santa Monica.
I'd gone with a handful of colleagues to an airport in Burbank, where we boarded a pair of Black Hawk helicopters and flew to Fort Irwin, the U.S. Army's largest
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training center, which comprises about one thousand square miles of Mojave Desert, twice the land area of Los Angeles.
We'd watched soldiers training. We'd been shown a range of Army weapons and had the chance to fire some of them. We'd had a lunch of MREs, which are exactly as unappealing as you've heard. We'd tramped through the desert, ending up covered in dust.
And now, in the midafternoon, I was deep inside an M1, trying to absorb what it must be like to crew a battle tank for real-or even in one of Fort Irwin's live-fire exercises. It was like nothing I'd ever done before-the confines of the tank cockpit, the heat (tanks don't have air-conditioning), being immersed in the smell of metal and oil and lots of previous crew members.
During two days at Fort Irwin, we got up close with some of the equipment the Army uses every day-we hopped on and off those Black Hawks a half dozen times-and we also got to know scores of
young people, how they'd come to be in the U.S. Army, what they liked about it, what they didn't like about it.
I wasn't at Fort Irwin to learn how to drive an M1, of course. I was there, with a dozen people I make movies with, including a writer we'd asked to come along, to get a flavor of the U.S. military today, especially the people.
I was following my curiosity-we were all following our curiosity. What's the modern Army like? What are the people in the Army like? Where's the story moviegoers could connect with?
We learned a lot talking to the soldiers. Two things in particular have stuck with me.
I asked what was fun about being a soldier.
"Any time a group of us has a really hard task," one soldier said, "and we're sucking at it, that forms a bond. The tasks often aren't fun, but the
We'd watched soldiers training. We'd been shown a range of Army weapons and had the chance to fire some of them. We'd had a lunch of MREs, which are exactly as unappealing as you've heard. We'd tramped through the desert, ending up covered in dust.
And now, in the midafternoon, I was deep inside an M1, trying to absorb what it must be like to crew a battle tank for real-or even in one of Fort Irwin's live-fire exercises. It was like nothing I'd ever done before-the confines of the tank cockpit, the heat (tanks don't have air-conditioning), being immersed in the smell of metal and oil and lots of previous crew members.
During two days at Fort Irwin, we got up close with some of the equipment the Army uses every day-we hopped on and off those Black Hawks a half dozen times-and we also got to know scores of
young people, how they'd come to be in the U.S. Army, what they liked about it, what they didn't like about it.
I wasn't at Fort Irwin to learn how to drive an M1, of course. I was there, with a dozen people I make movies with, including a writer we'd asked to come along, to get a flavor of the U.S. military today, especially the people.
I was following my curiosity-we were all following our curiosity. What's the modern Army like? What are the people in the Army like? Where's the story moviegoers could connect with?
We learned a lot talking to the soldiers. Two things in particular have stuck with me.
I asked what was fun about being a soldier.
"Any time a group of us has a really hard task," one soldier said, "and we're sucking at it, that forms a bond. The tasks often aren't fun, but the
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Autoren-Porträt von Brian Grazer, Charles Fishman
Brian Grazer is the producer of A Beautiful Mind, Apollo 13, Splash, Arrested Development, 24, 8 Mile, J. Edgar, and many more. His films and TV shows have been nominated for forty-three Academy Awards and 131 Emmys. In 2007, he was named one of Time's 100 Most Influential People in the World. Charles Fishman is the acclaimed author of The Wal-Mart Effect and The Big Thirst. He is a three-time winner of the Gerald Loeb Award, the most prestigious prize in business journalism.
Bibliographische Angaben
- Autoren: Brian Grazer , Charles Fishman
- 2023, 368 Seiten, Maße: 21 x 25,1 cm, Gebunden, Englisch
- Verlag: Simon & Schuster US
- ISBN-10: 1668025507
- ISBN-13: 9781668025505
- Erscheinungsdatum: 20.11.2023
Sprache:
Englisch
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