Chinese Shock of the Anthropocene

1. Introduction: Impoverishing Anthropocene with Chinese Characteristics.- Part I Disposing and Recurring.- 2. The World Besieged by Waste: On Garbage, Recycling, and Sublimation.- 3. The Environment and Social Justice in Chinese Documentaries: Crisis or Hope?.- 4. Recognition, Reinhabitation, and Recreation: Engaging Nature in Hong Kong Literature.- Part II Nonhuman and Mythic Spectres.- 5. The Eternal Return of Mythology: The White (Green) Snake Legend in Maoist China and Colonial Hong Kong.- 6. Magic Realism as a Critical Response to the Anthropocene.- 7. Expansionist Ethnic Ecology: On Reading Jiang Rong's Wolf Totem.- 8. Too Inhuman to Die; Too Ethereal to Become a Ghost: Children are Not Afraid of Death, Children are Afraid of Ghosts.- Part III Ethnicity and Im-Purity.- 9. The "Nature" of Ethnic Tensions: Under the Flaming Mountains as Xinjiang's First Novel.- 10. "Original Ecology" Style of China's Minority Performing Arts: Examples from Uyghur Music.- 11. Animals, Ethnic Minorities, and Ecological Concerns in Chinese Digital Cinema.- 12. Pristine Tibet? The Anthropocene and Brand Tibet in Chinese Cinema.- 13. Conclusion.

Kwai-Cheung Lo is Professor in the Department of Humanities and Creative Writing at Hong Kong Baptist University. He is the author of Excess and Masculinity in Asian Cultural Productions (2010), and Chinese Face / Off: The Transnational Popular Culture of Hong Kong (2005), and the editor of a Chinese-language anthology entitled Re-Sighting Asia: Deconstruction and Reinvention in the Global Era (2014).

Jessica Yeung is Associate Professor of Translation at Hong Kong Baptist University, and the author of Ink Dances in Limbo: Gao Xinjian's Writings as Cultural Translation (2008) and Hong Kong's Third Way: The Anarchist People's Theatre of Augustine Chiu-yu Mok (2019, in Chinese).