Life and Other Love Songs
(Sprache: Englisch)
“Musical in structure—the octaves rise when the music calls for it; truths are revealed by the invisible beats of this gorgeous, rich story” –Ann Napolitano, New York Times bestselling author of Hello Beautiful (Oprah’s Book Club Pick)
“Riveting,...
“Riveting,...
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“Musical in structure—the octaves rise when the music calls for it; truths are revealed by the invisible beats of this gorgeous, rich story” –Ann Napolitano, New York Times bestselling author of Hello Beautiful (Oprah’s Book Club Pick)“Riveting, rhythmic, transcendent...a stellar family saga.”—Jacqueline Woodson, New York Times bestselling author of Red at the Bone
Named a Most Anticipated Book by Time ∙ Essence ∙ Real Simple ∙ Good Housekeeping ∙ Atlanta-Journal Constitution ∙ The Root ∙ SheReads ∙ Atlanta Magazine ∙ Zibby Mag
A father’s sudden disappearance exposes the private fears, dreams, longings, and joys of a Black American family in the late decades of the twentieth century, in this page-turning and intimate new novel from the author of The Care and Feeding of Ravenously Hungry Girls.
It’s a warm, bright October afternoon, and Ozro Armstead walks out into the brilliant sunshine on his thirty-seventh birthday. At home, his wife Deborah and daughter Trinity prepare a surprise celebration; down the street, his brother waves as Oz heads back to his office after having lunch together.
But he won’t make it to the party or even to his briefcase back at his desk. He's about to disappear.
In the days, months, and years to follow, Deborah and Trinity look backward and forward as they piece together the life of the man they love, but whom they come to realize they might never have truly known.
In a gripping narrative that moves from the Great Migration to 1970s Detroit and 1990s New York, we follow the hopes, triumphs, losses, and secrets that build up and tear apart an American family.
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TrinitySpring 1989
It wasn't like any funeral or burial or postburial I'd ever imagined. Not that I'd ever really imagined those things. But as I watched the cars line up along the curb, freshly arrived from the cemetery, all I could think about was the incredible strangeness of the funeral, burial and now, postburial we were all enduring. Everyone was piling out of their cars. They formed a kind of procession that moved over neatly mowed grass to the sidewalk. They made their way up the sloped driveway to the stone walkway and approached the tan brick house and the unlocked screen door that belonged to what was left of my family.
I hung back, leaving the hosting duties to my mother, a more than capable committee of one. She was standing next to the white maple coffee table where she'd stacked coasters and yellow, square cocktail napkins. She'd cooked, too, because the days of people bringing over casseroles and platters of food to fortify our bereaved family had ended years ago. Mrs. Neilson, though, from next door had come by with a vanilla pound cake earlier. The same pale, bland, aggressively bumpy cake she'd brought us when we moved to Bloomfield Hills fifteen years ago. And then again, years later, after my dad vanished.
My grandmother made a spot for the cake on the dining table where we'd set up a crowded buffet of roasted chicken, sliced and splayed artfully on two big platters with sprigs of parsley. There were also boiled potatoes, green beans and assorted sweets. I hefted the cake up next to a platter of brownies and chocolate chip cookies that my mother had bought at the A&P. She was a master of most of the homemaking arts. She crocheted scarves and sewed complete outfits with personalized labels embroidered with Created by Deborah Armstead. She could pack a good lunch and cook an even better dinner, but she'd never been much of a baker.
"Cut her some slack," my father used to say in a kind of backhanded defense of her various
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sagging cakes and soggy pies. "When I met her, she was just as likely to burn water as not."
My mother was standing perfect-posture tall in the living room, a pale-yellow room made brighter by the scent of hyacinths carried in on the breeze. She was smoothing her navy blue skirt and matching jacket, smiling as the first of the visitors came through the door. Her long, blue-black hair that people had admired for as long as I could remember was pulled into a neat bun. She was graying at her temples.
I'd noticed the graying earlier that morning as I sat on the bathroom counter, watching her get ready and listening to her lay out the plans for the day. Only partly listening, actually. I'd mostly been enjoying the steam facial from the mug of coffee I had cradled in my hands, until she asked: "You think they'll come? You know, with how long it's been?"
"Yes." I wanted to add: They'll come precisely because it's been so long. And because this is strange. But I didn't say that. I didn't want to risk an argument.
"It's time to try and go on."
"You definitely seem ready to do that," I murmured into my coffee mug, at risk of starting that argument I thought I wanted to avoid.
We regarded each other's reflections in the bathroom mirror. Her honey-colored skin was clear and smooth and not made up yet. She looked younger than her forty-five years. I, on the other hand, looked like an aging hooker who'd had a particularly bad night. My puffy-eyed face was a giant smear of blush and mascara from the day before because I'd been too wiped out to wash after my ten-hour drive home. My mother in the mirror was working her jaw, like she was biting back a particularly bitter critique.
"What do you think I should be doing, Trinity?" she asked finally.
"Not burying an empty casket. For starters."
"Goddamn it-" She stopped for a moment, closing her eyes and gripping the counter, like she might collapse. "He's gone.
My mother was standing perfect-posture tall in the living room, a pale-yellow room made brighter by the scent of hyacinths carried in on the breeze. She was smoothing her navy blue skirt and matching jacket, smiling as the first of the visitors came through the door. Her long, blue-black hair that people had admired for as long as I could remember was pulled into a neat bun. She was graying at her temples.
I'd noticed the graying earlier that morning as I sat on the bathroom counter, watching her get ready and listening to her lay out the plans for the day. Only partly listening, actually. I'd mostly been enjoying the steam facial from the mug of coffee I had cradled in my hands, until she asked: "You think they'll come? You know, with how long it's been?"
"Yes." I wanted to add: They'll come precisely because it's been so long. And because this is strange. But I didn't say that. I didn't want to risk an argument.
"It's time to try and go on."
"You definitely seem ready to do that," I murmured into my coffee mug, at risk of starting that argument I thought I wanted to avoid.
We regarded each other's reflections in the bathroom mirror. Her honey-colored skin was clear and smooth and not made up yet. She looked younger than her forty-five years. I, on the other hand, looked like an aging hooker who'd had a particularly bad night. My puffy-eyed face was a giant smear of blush and mascara from the day before because I'd been too wiped out to wash after my ten-hour drive home. My mother in the mirror was working her jaw, like she was biting back a particularly bitter critique.
"What do you think I should be doing, Trinity?" she asked finally.
"Not burying an empty casket. For starters."
"Goddamn it-" She stopped for a moment, closing her eyes and gripping the counter, like she might collapse. "He's gone.
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Autoren-Porträt von Anissa Gray
Anissa Gray
Bibliographische Angaben
- Autor: Anissa Gray
- 2023, 336 Seiten, Maße: 16,7 x 23,9 cm, Gebunden, Englisch
- Verlag: Berkley
- ISBN-10: 1984802461
- ISBN-13: 9781984802460
- Erscheinungsdatum: 05.05.2023
Sprache:
Englisch
Pressezitat
Anissa Gray is a genius magnificent! Caroline Kepnes
Life and Other Love Songs is a precisely observed, often beautiful book about family, love, loss and the hidden history that shapes lives The prose is beautiful and poignant.
The New York Times
"This novel wields themes of generational trauma, class and race as pickaxes, excavating a Black family s history and making room for the future to bloom.
Essence
Riveting, rhythmic, transcendent, Life and Other Love Songs is a stellar family saga. Anissa Gray is a writer to watch.
Jacqueline Woodson, New York Times bestselling author of Red at the Bone
Life and Other Love Songs builds beautifully we care about these characters while coming to understand that the ground beneath their feet is constructed of secrets. Anissa Gray s novel feels musical in structure the octaves rise when the music calls for it; truths are revealed by the invisible beats of this gorgeous, rich story.
Ann Napolitano, New York Times bestselling author of Dear Edward and Oprah Book Club Pick Hello Beautiful
Anissa Gray's Life and Other Love Songs is one of those rare novels that pulled me out of my life for a few days. The characters are real, vivid, complex - as in life. It's a story that explores the depths of darkness and fear, yet offers a window into hope.
Mary Beth Keane, New York Times bestselling author of Ask Again, Yes
Cleverly structured and emotionally precise, Love and Other Love Songs is a powerhouse ballad about a family whose histories shared and individual will pierce straight to the heart. With empathy and insight, Anissa Gray writes an expertly crafted family drama perfect for fans of Celeste Ng.
Tara Conklin, New York Times bestselling author The Last Romantics
Life and Other Love Songs is a harsh, sometimes haunting, astonishingly moving, exceptionally
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complex novel about family and music and hurt and fear and pride and love and loss. Anissa Gray tells this story with such grace, insight and precision that readers will think of these characters long after they close the book. This is what writing should be.
LaToya Watkins, author of Perish
"Gray does not disappoint.
Publishers Weekly
"The trajectory of Gray's flawed but relatable characters offers hope that even deep, long-festering wounds can heal.
Kirkus Reviews
"Gray shows the complex natures of these broken characters and how abuse, deceit, and life s struggles are all made worse by racism, poverty, and homophobia. A great pick for book clubs and an essential purchase.
Library Journal
"Humming with heart and just enough suspense to keep the pages turning, this is arresting.
Booklist
"A powerful narrative that explores the realities of race, class, and generational history in the twentieth century.
The Root
LaToya Watkins, author of Perish
"Gray does not disappoint.
Publishers Weekly
"The trajectory of Gray's flawed but relatable characters offers hope that even deep, long-festering wounds can heal.
Kirkus Reviews
"Gray shows the complex natures of these broken characters and how abuse, deceit, and life s struggles are all made worse by racism, poverty, and homophobia. A great pick for book clubs and an essential purchase.
Library Journal
"Humming with heart and just enough suspense to keep the pages turning, this is arresting.
Booklist
"A powerful narrative that explores the realities of race, class, and generational history in the twentieth century.
The Root
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