Mathematics and Computation in Music

A Structural Theory of Rhythm Notation Based on Tree Representations and Term Rewriting.- Renotation from Optical Music Recognition.- Foundations for Reliable and Flexible Interactive Multimedia Scores.- Genetic Algorithms Based on the Principles of Grundgestalt and Developing Variation.- Describing Global Musical Structures by Integer Programming on Musical Patterns.- Improved Iterative Random Walk for Four-Part Harmonization.- Location Constraints for Repetition-Based Segmentation of Melodies.- Modeling Musical Structure with Parametric Grammars.- Perfect Balance: A Novel Principle for the Construction of Musical Scales and Meters.- Characteristics of Polyphonic Music Style and Markov Model of Pitch-Class Intervals.- A Corpus-Sensitive Algorithm for Automated Tonal Analysis.- Finding Optimal Triadic Transformational Spaces with Dijkstra's Shortest Path Algorithm.- A Probabilistic Approach to Determining Bass Voice Leading in Melodic Harmonisation.- Hypergestures in Complex Time: Creative Performance Between Symbolic and Physical Reality.- Generating Fingerings for Polyphonic Piano Music with a Tabu Search Algorithm.- Logistic Modeling of Note Transitions.- Evaluating Singer Consistency and Uniqueness in Vocal Performances.- A Change-Point Approach Towards Representing Musical Dynamics.- Structural Similarity Based on Time-Span Sub-Trees.- Cross Entropy as a Measure of Musical Contrast.- Symbolic Music Similarity Using Neuronal Periodicity and Dynamic Programming.- Applications of DFT to the Theory of Twentieth-Century Harmony.- Utilizing Computer Programming to Analyze Post-Tonal Music: Contour Analysis of Four Works for Solo Flute.- A Statistical Approach to the Global Structure of John Cage's Number Piece Five .- Exact Cover Problem in Milton Babbitt's All-Partition Array.- Constructing Geometrical Spaces from Acoustical Representations.- Geometry, Iterated Quantization and Filtered Voice-Leading Spaces.- Using Fundamental Groups and Groupoids of ChordSpaces to