Open Secrets
A Novel
(Sprache: Englisch)
The lies between a husband and wife are revealed, unraveling their family in this thrilling novel that moves between the French Riviera, Switzerland, and Amagansett
When Michel, a Swiss banker, discovers his wife Alice's betrayal he turns for help...
When Michel, a Swiss banker, discovers his wife Alice's betrayal he turns for help...
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The lies between a husband and wife are revealed, unraveling their family in this thrilling novel that moves between the French Riviera, Switzerland, and AmagansettWhen Michel, a Swiss banker, discovers his wife Alice's betrayal he turns for help to a Russian client who leads him into unknown territory, endangering not only his own life but that of Alice, and above all, his fourteen-year-old daughter, Pamela. Their charmed life--a beautiful house on the French Riviera, elegant vacations, and boarding school in Switzerland for Pamela--is not all that it seems. As the repercussions of Michel's illicit deals move closer in around them, Alice finds herself in Amagansett with her artist sister who is having a crisis of her own, while the danger circles around Pamela. Open Secrets is a suspenseful novel about relationships, family, love and the inescapable consequences of one's own actions.
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IAlice
1
She is sitting at her desk before the French windows reading, when he thrusts the door open and stumbles through the doorway.
"Goodness," he says, totters across the room, and throws himself down on the small blue love seat in the corner. He is saying something about his client, the rich Russian who has recently opened an account with him at the bank. He had insisted he have a drink with him.
"I didn't know you were coming home for lunch," she says, closing the yellow folder.
"I told Djamilla," he says, referring to the Algerian housekeeper.
Alice has been in the garden gathering flowers. She has placed them in a silver trough on her desk. They are the color of the yellow folder she has before her. She hardly listens to what he is saying. Early afternoons when the sun is this bright are the hardest times for her to concentrate and particularly to practice her violin. These are the moments when her mind wanders to the past.
"It went on forever. He told me the whole story of his life! Didn't spare me a detail. The communal apartment, no bathtub, no hot water. The rats, the kids in the courtyard, the sticks. Made me sit there and drink his vile vodka, which he says is priceless. I'm quite drunk." He interrupts himself to say, looking at her, "But you look very pretty this afternoon, darling."
She has moved her old desk in order to have the view of the sea and the sky, but when she lifts her gaze now, the light is too bright, the water glinting brilliantly this afternoon.
She turns her head, gives her husband a sleepy, grateful smile. She looks at him with the kind of anxious uncompromising love that she has felt since she first met him in Paris so many years ago.
... mehr
"Your hair looks almost red in this light," he says, staring at her, then leaning his head back, closing his bloodshot eyes, his legs stretched out before him in his gray trousers. He always wears his trousers too short, she thinks. Perhaps he will fall asleep, she hopes, but he stirs and opens his eyes.
"More like white-so many white hairs," she says, putting her hands to her head, though in reality she is proud of her thick dark curls. She feels young and lucky, so lucky to have this view before her, to live in this old villa that Michel bought for them so generously, ten years ago, with its beds of lavender and jasmine, the blue plumbago outside the dining room, the syringa tree in the circular driveway with its delicate branches and pale pink flowers, the yellow laburnum hanging over the iron gate that opens onto the road, the shiny frogs that hide at the edges of the pool.
She feels lucky to still be so slim at forty-two, to be able to play her violin every day, to perform frequently, to have a husband who loves her. She watches as Michel gets up to come over to her.
"No! No!" she says, alarmed, lifting up an arm, leaning forward to ward him off as she watches him sway. "You'll fall. Watch out! Stay where you are." She leans on the yellow folder on her desk.
"I won't. I'm not that drunk, though I've been drinking with that man for hours. I never thought I would escape! I didn't know I had such a hard head for alcohol-better than his!" He knocks his fist against his blond head and stumbles forward, coming toward her. "I don't know how much longer this can go on. He keeps wanting to give me more money! Heaven knows where it comes from."
"Dirty money?" she asks.
"Lots of gold," he says.
"Do people give you gold to keep?"
"Sometimes. Gold can be a good investment, but it fluctuates, of course, like everything else."
"And he has gold?" she asks, imagining the Russian with a briefcase filled with gold bars.
"'Don't you want my money?' he says and laughs. It's be
"Your hair looks almost red in this light," he says, staring at her, then leaning his head back, closing his bloodshot eyes, his legs stretched out before him in his gray trousers. He always wears his trousers too short, she thinks. Perhaps he will fall asleep, she hopes, but he stirs and opens his eyes.
"More like white-so many white hairs," she says, putting her hands to her head, though in reality she is proud of her thick dark curls. She feels young and lucky, so lucky to have this view before her, to live in this old villa that Michel bought for them so generously, ten years ago, with its beds of lavender and jasmine, the blue plumbago outside the dining room, the syringa tree in the circular driveway with its delicate branches and pale pink flowers, the yellow laburnum hanging over the iron gate that opens onto the road, the shiny frogs that hide at the edges of the pool.
She feels lucky to still be so slim at forty-two, to be able to play her violin every day, to perform frequently, to have a husband who loves her. She watches as Michel gets up to come over to her.
"No! No!" she says, alarmed, lifting up an arm, leaning forward to ward him off as she watches him sway. "You'll fall. Watch out! Stay where you are." She leans on the yellow folder on her desk.
"I won't. I'm not that drunk, though I've been drinking with that man for hours. I never thought I would escape! I didn't know I had such a hard head for alcohol-better than his!" He knocks his fist against his blond head and stumbles forward, coming toward her. "I don't know how much longer this can go on. He keeps wanting to give me more money! Heaven knows where it comes from."
"Dirty money?" she asks.
"Lots of gold," he says.
"Do people give you gold to keep?"
"Sometimes. Gold can be a good investment, but it fluctuates, of course, like everything else."
"And he has gold?" she asks, imagining the Russian with a briefcase filled with gold bars.
"'Don't you want my money?' he says and laughs. It's be
... weniger
Autoren-Porträt von Sheila Kohler
Sheila Kohler was born in Johannesburg, South Africa. She is the author of fourteen works of fiction including the novels Dreaming for Freud, Becoming Jane Eyre, and Cracks, which was nominated for the IMPAC Dublin Literary Award and made into a film starring Eva Green. Her work has been featured in the New York Times and O Magazine and included in the Best American Short Stories. She has twice won an O'Henry Prize, as well as an Open Fiction Award, a Willa Cather Prize, and a Smart Family Foundation Prize. She teaches at Princeton University and lives in New York City.
Bibliographische Angaben
- Autor: Sheila Kohler
- 2020, 272 Seiten, Maße: 13 x 20,3 cm, Kartoniert (TB), Englisch
- Verlag: PENGUIN BOOKS
- ISBN-10: 014313518X
- ISBN-13: 9780143135180
- Erscheinungsdatum: 02.07.2020
Sprache:
Englisch
Pressezitat
Praise for Sheila KohlerSleekly written, suspenseful, and richly atmospheric. Joyce Carol Oates
Open Secrets is a riveting and elegant suspense novel in the tradition of Alfred Hitchcock and Patricia Highsmith. Sheila Kohler's razor-sharp language dazzles and beguiles. Carol Goodman, New York Times bestselling author of The Lake of Dead Languages and The Sea of Lost Girls
"Her stories are elegant, smooth, and gorgeously sensual, belying the tension that crackles beneath. Long after I've finished reading one of her stories, the image continues to pulse." Amy Tan
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