Sempre Susan
A Memoir of Susan Sontag
From the author of The Friend, winner of the 2018 National Book Award.
"The masterpiece of the I knew Susan minigenre" A.O. Scott, The New York Times
A poignant, intimate memoir of one of America s most esteemed and fascinating cultural...
"The masterpiece of the I knew Susan minigenre" A.O. Scott, The New York Times
A poignant, intimate memoir of one of America s most esteemed and fascinating cultural...
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From the author of The Friend, winner of the 2018 National Book Award."The masterpiece of the I knew Susan minigenre" A.O. Scott, The New York Times
A poignant, intimate memoir of one of America s most esteemed and fascinating cultural figures, and a deeply felt tribute.
Sigrid Nunez was an aspiring writer when she first met Susan Sontag, already a legendary figure known for her polemical essays, blinding intelligence, and edgy personal style. Sontag introduced Nunez to her son, the writer David Rieff, and the two began dating. Soon Nunez moved into the apartment that Rieff and Sontag shared. As Sontag told Nunez, Who says we have to live like everyone else?
Sontag s influence on Nunez, who went on to become a successful novelist, would be profound. Described by Nunez as a natural mentor who saw educating others as both a moral obligation and a source of endless pleasure, Sontag inevitably infected those around her with her many cultural and intellectual passions. In this poignant, intimate memoir, Nunez speaks of her gratitude for having had, as an early model, someone who held such an exalted, unironic view of the writer s vocation.
Published more than six years after Sontag s death, Sempre Susan is a startlingly truthful portrait of this outsized personality, who made being an intellectual a glamorous occupation.
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IT WAS MY first time ever going to a writers colony, and, for some reason I no longer recall, I had to postpone the date on which I was supposed to arrive. I was concerned that arriving late would be frowned on. But Susan insisted this was not a bad thing. It s always good to start off anything by breaking a rule. For her, arriving late was the rule. The only time I worry about being late is for a plane or for the opera. When people complained about always having to wait for her, she was unapologetic. I figure, if people aren t smart enough to bring along something to read . . . (But when certain people wised up and she ended up having to wait for them, she was not pleased.)
My own fastidious punctuality could get on her nerves. Out to lunch with her one day, realizing I was going to be late getting back to work, I jumped up from the table, and she scoffed, Sit down! You don t have to be there on the dot. Don t be so servile. Servile was one of her favorite words.
Exceptionalism. Was it really a good idea for the three of us Susan, her son, myself to share the same household? Shouldn t David and I get a place of our own? She said she saw no reason why we couldn t all go on living together, even if David and I were to have a child. She d gladly support us all if she had to, she said. And when I expressed doubts: Don t be so conventional. Who says we have to live like everyone else?
(Once, on St. Mark s Place, she pointed out two eccentric-looking women, one middle-aged, the other elderly, both dressed like gypsies and with long, flowing gray hair. Old bohemians, she said. And she added, jokingly, Us in thirty years.
More than thirty years have passed, and she is dead, and there is no bohemia anymore.)
She was forty-three when we met, but she seemed very old to me. This was partly because I was
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twenty-five, and at that age anyone over forty seemed old to me. But it was also because she was recuperating from a radical mastectomy. (Break a rule: when hospital staff scolded her for refusing to do the recommended rehabilitation exercises, a sympathetic nurse whispered in her ear, Happy Rockefeller wouldn t do them, either. ) Her skin was sallow, and her hair it would always bewilder me that so many people thought she bleached the white streak in her hair when it should have been obvious the streak was the only part that was its true color. (A hairdresser suggested that leaving one section undyed would look less artificial.) Chemotherapy had thinned much but not all of her extraordinarily thick, black hair, but the hair that grew back was mostly white or gray.
So, an odd thing: when we first met, she looked older than she would as I got to know her. As her health returned, she looked younger and younger, and when she decided to color her hair she looked younger still.
It was spring, 1976, almost a year after I d finished my MFA at Columbia, and I was living on West 106th Street. Susan, who lived at the corner of 106th Street and Riverside Drive, had a pile of unanswered correspondence she had let accumulate during her illness and which she now wanted to get through. She asked some friends, the editors of The New York Review of Books, to recommend someone who might help her. I had worked as an editorial assistant at the Review between college and grad school. The editors knew that I could type and that I lived nearby, so they suggested that she call me. It was exactly the kind of odd job I was looking for then: the kind unlikely to interfere with my writing.
The first day I went to 340 Riverside Driv
So, an odd thing: when we first met, she looked older than she would as I got to know her. As her health returned, she looked younger and younger, and when she decided to color her hair she looked younger still.
It was spring, 1976, almost a year after I d finished my MFA at Columbia, and I was living on West 106th Street. Susan, who lived at the corner of 106th Street and Riverside Drive, had a pile of unanswered correspondence she had let accumulate during her illness and which she now wanted to get through. She asked some friends, the editors of The New York Review of Books, to recommend someone who might help her. I had worked as an editorial assistant at the Review between college and grad school. The editors knew that I could type and that I lived nearby, so they suggested that she call me. It was exactly the kind of odd job I was looking for then: the kind unlikely to interfere with my writing.
The first day I went to 340 Riverside Driv
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Autoren-Porträt von Sigrid Nunez
Sigrid Nunez has published six critically acclaimed novels, including The Friend, The Last of Her Kind and Salvation City. She has contributed to The New York Times, Harper s, and McSweeney s, among many others. She lives in New York City.
Bibliographische Angaben
- Autor: Sigrid Nunez
- 2014, 128 Seiten, Maße: 13 x 20,32 cm, Kartoniert (TB), Deutsch
- Verlag: Riverhead Books
- ISBN-10: 1594633347
- ISBN-13: 9781594633348
- Erscheinungsdatum: 24.06.2020
Pressezitat
"A fresh and touching book [Nunez s] genuine curiosity about her own experience her memories of love lost, youth and youth lost is the quality that gives this book an elegant, almost compulsive readability." The New York Review of Books"A loving memoir, full of arresting details and an occasionally spirited defense of her mentor Sontag [once] remarked that all her work says be serious, be passionate, wake up. Clearly someone was listening." The Los Angeles Times
"Susan Sontag roars to life As magnetic and complicated as Sontag herself, Nunez s homage is both critical and compassionate [an] elegantly crafted chronicle of a young writer s artistic education." Vanity Fair
"Nunez, an uncompromising talent in her own right, offers the most vibrant and multifaceted portrait of Sontag to date." Vogue
"Nunez has constructed a eulogy that mythologizes and humanizes one of the most intimidating figures of contemporary culture." The Boston Globe
"Sempre Susan doesn t just evoke Susan Sontag, the person, with hard-won sympathy, insight, and cool; it contains (in a very tiny space) material for an entire novel of idealism and disillusionment .this memoir captures the spirit of her times." The Paris Review, Staff Picks
"Sontag once wrote about feeling estranged from the Susan Sontag who stood on the spine of the books she had written. In Nunez s Sempre Susan, the gap between the writer and the person who wrote the books is made all the more vividly real a reminder of the extraordinary transformative work that goes into writing in the first place." Slate
"Nunez, now a fine novelist, has written a clear-eyed tribute With an eye for the telling detail, this intimate and occasionally raw portrait makes it plain that despite all Sontag s public renown, much of her was entirely mysterious." The Economist
"A wonderful novelist remembers Susan Sontag as a writer, mentor, woman, friend and enthusiastic lover of a vanished New York." Katha Pollitt, The Nation
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s Summer Reading List
"Nunez s book is an elegy for a great woman and the company she kept, the vanished salon where she was the center." The New York Observer
"A boldly intimate, stingingly frank, and genuinely fascinating memoir." Booklist
"Graceful, respectful and achingly honest." Kirkus
"Sigrid Nunez s intimate portrayal of Susan Sontag will fascinate both ardent Sontag fans and those who have never read her work. This memoir is at once a window into the writing life in general, an examination of the complexities of one artist in particular, and a tribute to the lost intellectual New York City of the 1970s. Remarkably, it s as honest as it is affectionate and as sad as it is charming." Curtis Sittenfeld
"Sempre Susan is written with quiet authority, flashes of poetry, and a steady accumulation of startling, precise details, some apocryphal (Sontag didn t know what a dragonfly was? drank blood as a child?), until by the end Sontag the Myth comes to life. What is amazing about this wonderful book is that by the end we know as much about Nunez as we do about Sontag, by the very focus of her attention, by her perception of the myth, by her compassionate interpretation." Nick Flynn
"This detailed, nuanced account of the more private side of a complex, contradictory public figure is told with even-handed good humor and more than a little compassion. Utterly absorbing." Lydia Davis
"The best thing written about Sontag." Edmund White
"Nunez s book is an elegy for a great woman and the company she kept, the vanished salon where she was the center." The New York Observer
"A boldly intimate, stingingly frank, and genuinely fascinating memoir." Booklist
"Graceful, respectful and achingly honest." Kirkus
"Sigrid Nunez s intimate portrayal of Susan Sontag will fascinate both ardent Sontag fans and those who have never read her work. This memoir is at once a window into the writing life in general, an examination of the complexities of one artist in particular, and a tribute to the lost intellectual New York City of the 1970s. Remarkably, it s as honest as it is affectionate and as sad as it is charming." Curtis Sittenfeld
"Sempre Susan is written with quiet authority, flashes of poetry, and a steady accumulation of startling, precise details, some apocryphal (Sontag didn t know what a dragonfly was? drank blood as a child?), until by the end Sontag the Myth comes to life. What is amazing about this wonderful book is that by the end we know as much about Nunez as we do about Sontag, by the very focus of her attention, by her perception of the myth, by her compassionate interpretation." Nick Flynn
"This detailed, nuanced account of the more private side of a complex, contradictory public figure is told with even-handed good humor and more than a little compassion. Utterly absorbing." Lydia Davis
"The best thing written about Sontag." Edmund White
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