Some Hope

easy charm that masks a ferocious, searching intellect. As a sketcher of character, his wit -- whether turned against pointless members of the aristocracy or hopeless crack dealers -- is ticklingly wicked. As an analyser of broken minds and tired hearts he is as energetic, careful and creative as the perfect shrink. And when it comes to spinning a good yarn, whether over the grand scale or within a single page of anecdote, he has a natural talent for keeping you on the edge of your seat' Melissa Katsoulis, The Times 'The Patrick Melrose novels can be read as the navigational charts of a mariner desperate not to end up in the wretched harbor from which he embarked on a voyage that has led in and out of heroin addiction, alcoholism, marital infidelity and a range of behaviors for which the term 'self-destructive' is the mildest of euphemisms. Some of the most perceptive, elegantly written and hilarious novels of our era... Remarkable' Francine Prose, New York Times 'Irony courses through these pages like adrenaline ... Patrick's intelligence processes his predicaments into elegant, lucid, dispassionate, near-aphoristic formulations ... Brimming with witty flair, sardonic perceptiveness and literary finesse' Peter Kemp, Sunday Times 'A humane meditation on lives blighted by the sins of the previous generation. St Aubyn remains among the cream of British novelists' Sunday Times 'The main joy of a St Aubyn novel is the exquisite clarity of his prose, the almost uncanny sense he gives that, in language as in mathematical formulae, precision and beauty invariably point to truth ... Characters in St Aubyn novels are hyper-articulate, and the witty dialogue is here, as ever, one of the chief joys' Suzi Feay, Financial Times 'The darkest possible comedy about the cruelty of the old to the young, vicious and excruciatingly honest. It opened my eyes to a whole realm of experience I have never seen written about. That's the mark of a masterpiece' The Times 'One of the most amazing reading experiences I've had in a decade.' Michael Chabon, LA Times