The Mistress of Paris
The 19th-Century Courtesan Who Built an Empire on a Secret
(Sprache: Englisch)
A fantastically readable biography of a 19th-century Parisian courtesan who harbours an incredible secret
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A fantastically readable biography of a 19th-century Parisian courtesan who harbours an incredible secret
Klappentext zu „The Mistress of Paris “
Valtesse de la Bigne was a celebrated nineteenth-century Parisian courtesan. She was painted by Manet and inspired Emile Zola, who immortalised her in his scandalous novel Nana. Her rumoured affairs with Napoleon III and the future Edward VII kept gossip columns full.But her glamourous existence hid a dark secret: she was no Comtesse. She was born into abject poverty, raised on a squalid Paris backstreet; the lowest of the low. Yet she transformed herself into an enchantress who possessed a small fortune, three mansions, fabulous carriages, and art the envy of connoisseurs across Europe. A consummate show-woman, she ensured that her life - and even her death - remained shrouded in just enough mystery to keep her audience hungry for more.Catherine Hewitt's biography tells, for the first time ever in English, the forgotten story of a remarkable woman who, though her roots were lowly, never stopped aiming high.
Autoren-Porträt von Catherine Hewitt
Catherine Hewitt studied French Literature and Art History at Royal Holloway, University of London and the Courtauld Institute of Art. Her proposal for The Mistress of Paris was awarded the runner-up's prize in the 2012 Biographers' Club Tony Lothian Competition for the best proposal by an uncommissioned, first-time biographer. She lives in a village in Surrey.
Bibliographische Angaben
- Autor: Catherine Hewitt
- 2015, 320 Seiten, Maße: 16 x 23,7 cm, Kartoniert (TB), Englisch
- Verlag: Icon Books
- ISBN-10: 1848319266
- ISBN-13: 9781848319264
- Erscheinungsdatum: 19.10.2015
Sprache:
Englisch
Pressezitat
'Through incisive enquiry and astute observation, Catherine Hewitt traces the courtesan's flight from squalor to splendour, her prose sparkling in the light of her luminous subject.' The Biographer's Club prize
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