Toni Morrison's Art. A Humanistic Exploration of The Bluest Eye and Beloved
(Sprache: Englisch)
Toni Morrison, the eighth American to receive the Nobel Prize in Literature, is perhaps the most formally sophisticated novelist in the history of African-American literature. Astutely, she describes aspects of human lives and, unlike many other writers,...
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Toni Morrison, the eighth American to receive the Nobel Prize in Literature, is perhaps the most formally sophisticated novelist in the history of African-American literature. Astutely, she describes aspects of human lives and, unlike many other writers, reveals the hope and beauty that underlines the worlds ugliness. Her artistic excellence lies in achieving a perfect balance between black literature and writing abouth the universally truth. Although firmly grounded in the cultural heritage and social concerns of black Americans, her work transcends narrowly prescribed conceptions of ethnic literature, exhibiting universal mythical patterns and overtones. Her novels, thus, mourn on universal concerns.The endeavor in this study is to scrutinize the unspoken lexis of Toni Morrison's works and to unveil the layers of humanistic concerns that provide denotations to her words. Earlier studies on this writer have concentrated on adjudging her as a writer addressing problems of black people. However, this book tries to extend this notion to encompass the problems of whole human community by assimilating blacks in the general drama of life. Before dyeing the strings of Morrison's novels with the colour of humanist concerns, this book delineates the term 'Humanism' from which these humanistic concerns arise.
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Text Sample:Chapter 3: Quest for abode in Beloved:
Beloved, like most black fiction, is about the troubled question of identity and liberty, the agony of social alienation, the longing for a real or, at times, a mythical home. The story focuses on the reappearance of the ghostly character Beloved whose throat was slit open under appalling circumstances eighteen years before, when she was two years old, by her own mother, Sethe. Morrison, through the pages of her fiction brings forth the agony, pain and trepidation of a mother while giving birth to her children in this cruel, inhuman and cold-blooded world. A mother for whom her children is her extension, is ready to cut that chord so that she could save her children from the atrocities which are a part and parcel of this world. It is through the narration of the circumstances leading to her death that the story of Sethe, the central character, and of Paul D and Denver, besides that of other victims of slavery, unfolds before us. It is Beloved's presence that functions as a crypt that hides the truth and meanings of the text. The misery of man in both physical and psychological chains comes forth through the fabric of the novel. Beloved becomes, like the preface which is taken from the biblical book of Hosea, and which reads "I will call them my people which are not my people; and her beloved, which was not beloved." It is a crypt to reveal the past, and conjoin it with their present and future. Toni Morrison uses the primary tool of "memory that creates the chain of tradition, which passes a happening on from generation to generation." Beloved, a crypt, a rememory, helps unfold the catastrophe of history, full of injustices and the unfathomable destruction of the oppressed. Beloved ends in change, a change born in anger and commitment of the oppressed. It is nourished by the image of enslaved ancestors rather than that of liberated grand children.3 Toni Morrison, through Sethe's rememory of Beloved, halts the
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progression of the catastrophe. Whenever and wherever possible she tries "to brush history against the grain. In so doing, she shocks the listeners into a critical stance vis-à-vis history."4 Beloved, becomes a catalyst for revelations as well, as self-revelations, and through her we come to know not only how, but also why, the original child Beloved was killed. And through her also Sethe achieves, finally, her own form of self-exorcism, her own self-accepting peace.
It is the focus on Beloved, then that sets the pace of the novel rolling with Sethe remembering 'Sweet Home':
... Suddenly there was sweet home rolling, rolling out before her eyes, and although there was not a leaf on that farm that did not warn to make her scream, it rolled itself out before her in shameless beauty. It never looked as terrible as it was and it made her wonder if hell was a pretty place too. Fire and brimstone all right, but hidden in lacy groves...
This fusion of the images of the past and present in Beloved is designed to break open the continuum of history, to stop the progression which threatened to overwhelm all true experience of the oppressed classes. This fusion is designed "to wrest tradition away from a conformism that is about to overpower it. This fusion shocks the reader into a critical awareness of what has been left out or rendered complete and now must be reclaimed and redeemed." By using multiple voices in Beloved Toni Morrison is able to achieve "that slow piling one on top of the other of thin transparent layers which constitute the most appropriate picture of the way in which the perfect narrative is revealed through the layers of a variety of re-lettings." The characters, in this dense layering of voices, gradually peel away the thin, transparent layers of their stories to reveal the pile of human wreckage wrought by Slavery.
Beloved is therefore a narrative so punctuated by death and brutality, that we are left fixated on the carnage, mouth agape, unable to find
It is the focus on Beloved, then that sets the pace of the novel rolling with Sethe remembering 'Sweet Home':
... Suddenly there was sweet home rolling, rolling out before her eyes, and although there was not a leaf on that farm that did not warn to make her scream, it rolled itself out before her in shameless beauty. It never looked as terrible as it was and it made her wonder if hell was a pretty place too. Fire and brimstone all right, but hidden in lacy groves...
This fusion of the images of the past and present in Beloved is designed to break open the continuum of history, to stop the progression which threatened to overwhelm all true experience of the oppressed classes. This fusion is designed "to wrest tradition away from a conformism that is about to overpower it. This fusion shocks the reader into a critical awareness of what has been left out or rendered complete and now must be reclaimed and redeemed." By using multiple voices in Beloved Toni Morrison is able to achieve "that slow piling one on top of the other of thin transparent layers which constitute the most appropriate picture of the way in which the perfect narrative is revealed through the layers of a variety of re-lettings." The characters, in this dense layering of voices, gradually peel away the thin, transparent layers of their stories to reveal the pile of human wreckage wrought by Slavery.
Beloved is therefore a narrative so punctuated by death and brutality, that we are left fixated on the carnage, mouth agape, unable to find
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Autoren-Porträt von Sumedha Bhandari
Sumedha Bhandari is working as an Assistant Professor of English at Punjab Agricultural University, Ludhiana. She has teaching experience of more than 10 years and research experience of more than 15 years. Punjab Agricultural University is a premier agricultural university, working toward the dissemination of scientific knowledge to farmers of India. The PAU has played a key role in increasing the food grain production in the Punjab State and, thus, ushering in an era of Green Revolution in India.
Bibliographische Angaben
- Autor: Sumedha Bhandari
- 2017, 100 Seiten, Maße: 15,5 x 22 cm, Kartoniert (TB), Englisch
- Verlag: Anchor Academic Publishing
- ISBN-10: 3960671180
- ISBN-13: 9783960671183
Sprache:
Englisch
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