Why Does He Do That?

the destructive trail they leave behind them include Lonna Davis, Pam Whitney, Isa Woldeguiorguis, Susan Schechter, Sarah Buel, Jim Hardeman, Janet Fender, and Brenda Lopez. I would also like to express my appreciation to Jeff Edleson, Claire Renzetti, Jackson Katz, Peter Jaffe, Barbara Hart, Bonnie Zimmer, Elaine Alpert, Joan Zorza, Jennifer Juhler, Stephanie Eisenstat, Range Hutson, Scott Harshbarger, and Maureen Sheeran for their contributions to my learning about abuse and oppression and for their professional support and encouragement. Kate O Kane contributed by providing me with a beautiful and relaxing place to write during the day.

I also need to acknowledge how much I have learned from my clients themselves over the years, but it would not be appropriate for me to thank them, since without their abuse of women the writing of this book would be unnecessary.

I am grateful to Gillian Andrews, Carlene Pavlos, Jay Silverman, Steve Holmes, Catherine Benedict, Gail Dines, Carrie Cuthbert, and Kim Slote for their combination of personal support and intellectual/professional stimulation and assistance over the years. Gillian and Gail in particular have both kept after me for years to write this book, and it is largely due to their continued prodding that it is finally here; Gillian also provided invaluable comments and suggestions on the manuscript. My family, too, has been loving and supportive (and tolerant) during the time-consuming and sometimes stressful writing process; I love you and thank you more than I can say for carrying me along.

I owe tremendous gratitude to my agent, Wendy Sherman, who not only found a home for this book but also played a major role in forming the original concept and guiding its direction. A writer could not be in better hands. My appreciation also goes to Deb Futter at Doubleday who led me to Wendy. My editor at Putnam, Jeremy Katz, has had unshakable faith in this project from the beginning and has helped me through sev