La dolce vita / BFI Film Classics (PDF)
(Sprache: Englisch)
Fellini's La dolce vita has been a phenomenon since before it was made, a scandal in the making and on release in 1960 and a reference point ever since. Much of what made it notorious was its incorporation of real people, events and lifestyles, making it a...
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Fellini's La dolce vita has been a phenomenon since before it was made, a scandal in the making and on release in 1960 and a reference point ever since. Much of what made it notorious was its incorporation of real people, events and lifestyles, making it a documentation of its time. It uses performance, camera movement, editing and music to produce a striking aesthetic mix of energy and listlessness, of exuberance and despair. Richard Dyer's study considers each of these aspects of the film - phenomenon, document, aesthetic - and argues that they are connected. Beginning with the inspirations and ideas that were subsequently turned into La dolce vita, Dyer then explores the making of the film, the film itself and finally its critical reception, providing engaging new insights into this mesmerising piece of cinema.
Autoren-Porträt von Richard Dyer
Richard Dyer is Professor Emeritus of Film Studies at King's College, London, and Professorial Fellow in Film Studies at the University of St Andrews, UK. He has been honoured by the Society for Cinema and Media Studies, the British Association of Film, Television and Screen Studies, and Turku and Yale Universities, and is a Fellow of the British Academy. His many books include Stars (1979), White (1997), The Culture of Queers (2002), Nino Rota (BFI, 2010) and In the Space of a Song (2012), and he is the author of BFI Film Classics on 'Se7en' (1999), Brief Encounter (2002, 2015) and La Dolce Vita (2017).
Bibliographische Angaben
- Autor: Richard Dyer
- 2020, 1. Auflage, 88 Seiten, Englisch
- Verlag: Bloomsbury UK
- ISBN-10: 1838719822
- ISBN-13: 9781838719821
- Erscheinungsdatum: 28.05.2020
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- Größe: 3.59 MB
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Englisch
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