The Oxford Handbook of Music Listening in the 19th and 20th Centuries (PDF)
(Sprache: Englisch)
An idealized image of European concert-goers has long prevailed in historical overviews of the nineteenth and twentieth centuries. This act of listening was considered to be an invisible and amorphous phenomenon, a naturally given mode of perception. This...
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An idealized image of European concert-goers has long prevailed in historical overviews of the nineteenth and twentieth centuries. This act of listening was considered to be an invisible and amorphous phenomenon, a naturally given mode of perception. This narrative influenced the conditions of listening from the selection of repertoire to the construction of concert halls and programmes. However, as listening moved from the concert hall to the opera house, street music, and jazz venues, new and visceral listening traditions evolved. In turn, the art of listening was shaped by phenomena of the modern era including media innovation and commercialization.
This Handbook asks whether, how, and why practices of music listening changed as the audience moved from pleasure gardens and concert venues in the eighteenth century to living rooms in the twentieth century, and mobile devices in the twenty-first. Through these questions, chapters enable a differently conceived history of listening and offer an agenda for future research.
This Handbook asks whether, how, and why practices of music listening changed as the audience moved from pleasure gardens and concert venues in the eighteenth century to living rooms in the twentieth century, and mobile devices in the twenty-first. Through these questions, chapters enable a differently conceived history of listening and offer an agenda for future research.
Autoren-Porträt
Christian Thorau is Professor of Musicology at the University of Potsdam and author of Vom Klang zur Metapher - Perspektiven der musikalischen Analyse. He has held fellowships at the National Humanities Center, N.C. and at the International Research Center for Cultural Studies in Vienna. His research priorities include the popularisation of musicological knowledge, the history of music listening, and the theory and practice of music analysis.Hansjakob Ziemer is Research Scholar and Head of Cooperation and Communication at the Max Planck Institute for the History of Science in Berlin, author of Die Moderne h?ren: Das Konzert als urbanes Forum, 1890-1940, and co-editor of Handbuch Sound: Geschichte-Begriffe-Ans?tze. Among his publications are articles on the cultural history of sound, emotions, listening, architecture, and journalism.
Bibliographische Angaben
- 2018, 352 Seiten, Englisch
- Herausgegeben: Christian Thorau, Hansjakob Ziemer
- Verlag: Oxford University Press
- ISBN-10: 0190466979
- ISBN-13: 9780190466978
- Erscheinungsdatum: 01.11.2018
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